American Phoenix: John Quincy Adams

John Quincy Adams was the eldest son of John Adams, who followed the elder’s irascible devotion to principle and found himself an exile for it — after his support for a general embargo against European powers for continuing to harass American shipping and forcibly conscript American sailors, he lost his senate seat and was dispatched to the outer rim of western civilization: St. Petersburg. After a rough transit over — whereupon he learned that the Danish were just as bellicose as the Brits and French, seizing American shipping under the willfully-wrong belief that they were English. (The Brits added to the confusion by frequently running up the Stars and Stripes.) Over the next few years, the Adams would settle into their role as America’s voice in St. Petersburg, growing in the esteem of the Russian court even as trade traction was rough going in the constantly changing sea of Napoleonic politics. One moment Tsar Alexander and Napoleon are chummy, the next Napoleon is marching troops toward the border and Alexander is giving Portugal meaningful looks from across the room. The first half of this book is a little slow going — not for the quality of the writing, but for the fact that very little happens. St. Petersburg is iced in most of the year, and the action largely consists of John and Louisa trying to woo European officials — and to keep Alexander from more intimately wooing Louisa’s young sister Kitty Johnson. Evidently she set every red-blooded male’s heart a-flutter. I was surprised to learn that John Quincy was appointed to the Supreme Court, but turned it down despite his hopes of escaping cold, expensive St. Petersburg: the timing of it would force Louisa to possibly give birth at sea, not a chance he was willing to take given that she was frequently in poor health and prone to miscarriages. I was gladdened to see a man who has his priorities in line — family over pelf and place — but not surprised given the esteem I hold the Adams family in, generally. The anguished distance from family and the privations of their position — with infrequent and low pay — nevertheless allowed John and Louisa to build relationships with Europe’s diplomatic ranks, which bore fruit in giving Adams the gravitas and trust to negotiate the Treaty of Ghent, which ended the War of 1812 and ultimately secured American independence from George III. Although this volume isn’t without its deficiencies (particularly the constant reminders that they had no telephone or internet), it’s an interesting look into part of the early Republic I was otherwise oblivious to, and a heartening look back at a time when public service was literally service, often sacrificial, and not merely a way to build up one’s coffers or luxuriate in acclaim.

Highlights:

Writing was the key to being remembered in their generation. Photography didn’t exist in their heyday, much less the concept of video. They understood the sentiment behind Benjamin Franklin’s quip: “If you would not be forgotten, as soon as you are dead and rotten, either write things worth reading, or do things worth the writing.” John Quincy and Louisa Adams did both.

“But upon the stage of life, while conscience claps, let the world hiss! On the contrary if conscience disapproves, the loudest applauses of the world are of little value.” – John Adams

But we know how much the Moniteur is to be believed and certain deductions are to be made from whatever that contains.” “To be sure, people were very apt to publish as fact what they had an interest and a wish to believe,” John [Quincy] said to him.

“Again at the house with Mr. Adams to arrange books and papers—Slow work for he reads a page in every book that passes through his hands.”

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Top Ten Books I’ve Experienced Inside the Covers and Out

Today’s TTT is a freebie, sort of: we’re directed to revisit topics from the past. I’m going to go full freebie and highlight Books I’ve Experienced Across Mediums. But first, teases:

“But upon the stage of life, while conscience claps, let the world hiss! On the contrary if conscience disapproves, the loudest applauses of the world are of little value.” (John Adams, as quoted in American Phoenix)

There are several books whose stories I’ve experienced in different ways.

(1) The Caves of Steel. I found a terrific audio drama on this while in college, completely by accident: it wasn’t a reading, but rather a performance of the text, complete with sound effects. I later read the book itself, which features a human from Earth and a robot named R. Daneel Olivaw investigating a murder. This was the beginning of Asimov’s Robots series.

(2) Jayber Crow, Wendell Berry. If I had to pick a favorite novel, I’d go with Jayber Crow: after reading this at the suggestion of The Art of Manliness, I later bought the audiobook version and frequently listen to a chapter or two of it while I’m playing a game.

(3) The Rise and Fall of Khan Noonien Singh, Greg Cox. I received an audio-drama based on the first book for Christmas decades ago, and later read the book series itself.

(4) Convenience Store Woman. I read this, noticed the Audible version was online for free, and gave it a listen.

(5) Ready Player One, Ernest Kline. I listened to this as an audiobook first, then read the book, then watch the movie. Wil Wheaton does a superb performance here, as always: the only problem was his reading the leaderboard stats.

(6) Mythos, Stephen Fry. I listened to this one off and on over a course of two years, sometimes reading from the print book as well. Fry’s delivery was stellar.

(7) Sense and Sensibility. After an abortive attempt at this, I watched the movie and then managed to read the book through.

(8) Dune, which I introduced myself to through graphic novels, then read the book properly and finished up with Dune, Pt 1.

(9) Do Androids Dream of Electric Sheep?, Phillip K. Dick. Read the book, watched Blade Runner. There are considerable differences in the stories, though.

(10) A Christmas Carol. In addition to reading the story itself, and watching at least four different dramatizations of it (Patrick Stewart’s is the best), I’ve also seen the play performed numerous times at the Alabama Shakespeare Company — and, and, I’ve listened to the audiobook version read by Patrick Stewart, complete with him doing the sound effects!

I’ve done a lot more book & movie combinations, and sporadically critique adaptations in my “Reads to Reels” series.

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Sharpe’s Command

The Duke of Wellington is preparing to invade Spain , but there’s a little matter of prep work to do first. The Duke needs to separate French forces in northern and southern Spain, which means destroying a bridge deep behind its lines. There’s a guerilla leader in the area who may be of help, so Sharpe is dispatched with an artillery captain to make contact with the guerilla leader and then evaluate the forts protecting the bridge. Sharpe soon discovers that the guerilla leader is a vainglorious ass and worse — he’s more of an enemigo than an amigo. After things go sideways, Sharpe is rescued by his wife, the guerilla leader Teresa, and they begin preparing a plan to somehow disable three fortresses and utterly ruin a bridge. Sharpe’s Command is a fast-moving Napoleonic romp that takes readers back to where the series began, and what’s more, brings back favorite characters like Major Hogan and Teresa. Cornwell knows what he’s doing, bringing his usual strengths to bear: historical details, plenty of humor (dialogue, especially), sharp characters (pun not intended but not avoided), and a nice variety of action from sneaking about to general battle. Some in the BC fan group on facebook commented about some continuity issues with rank, but it’s been so long since I read Sharpe’s Gold and the early Iberian books I didn’t notice it, personally: at any rate, it certainly didn’t hurt the book for me. It was a fast, fun read, wholly consistent with Cornwell’s other books, and with two especially fun characters: a priest-turned warrior, and an eccentric artilleryman. Interestingly, this was published in April and another Sharpe book is coming in October.

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Extinct: searching for murder amid the mammoths

Frankie Cash, newly promoted to Agent in Charge at the Colorado Bureau of Investigation, has just received a whale of a first case. In an isolated park in the Colorado Mountains, where visitors go to see de-extincted species like woolly mammoths and giant ground sloths, two young people on their honeymoon have been kidnapped and brutally murdered. The amount of blood on the scene — deposited in a very short timeframe — hints strongly toward decapitation. The park’s basis — resurrecting species that early Americans drove into extinction — is not without its critics, so the initial theory is that eco-terrorists are to blame. Although Frankie believes strongly the resort needs to be shut down, the owners — an organization named Erebus — push back, and there’s little support from on high at rattling Erebus’ cage. As the investigation wears on, though, more people die — and the perpetrators, who appear to be some kind of mixed-ages cult, threaten even greater violence. Extinction is a fascinating thriller with a SF premise and a provacative twist.

I must say that I wasn’t expecting the resurrection of woolly mammoths and ground sloths to be overshadowed by something else in the plot, but after the initial “Oooh, aaah” , they become more background to the continued attacks on Erebus guests and staff — and Frankie’s growing suspicion that Erebus is more than a visionary biotech company, and has skeletons in its own closet it doesn’t want her unearthing. Unfortunately for them, she knows full well that her life and career are on the line, and she won’t back down even when her boss refuses to call in the big guns. Extinction is all kinds of fun, from the science that peppers it to the truly unsettling group that keeps attacking Erebus and company. Characterization is good: I especially liked Frankie, and not just because she’s a Red Sox fan. One additional wildcard is the presence of a filming crew in the valley, who are using a ghost town as the set for a western which somehow involves wooly mammoths: after their dynamite is stolen by the cult, things get…exciting. And then there’s the twist, which I can’t say anything about, but it’s really good and I’m going to start reading Preston on purpose now, not just when I spy one of his covers with a massive skeleton on it.

Related:
Tyrannosaur Canyon, Douglas Preston
Twilight of the Mammoths, Paul S. Martin
The Ghosts of Evolution, Connie Barlow
Don’t click on this unless you want the twist spoiled a bit

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Let me have a country — a Free Country!

Happy Independence Day to my fellow Amerikanskis. Please observe the day by breaking petty laws, frustrating bureaucrats, and being otherwise ungovernable. Sic semper tyrannis and all that.

“Objects of the most stupendous magnitude – measures which will effect the lives of millions born and unborn — are now before us. We must expect a great expense of blood to obtain them. But we must always remember that a Free Constitution of civil government cannot be purchased at too dear a rate, as there is nothing this side of Jerusalem of greater importance to Mankind. My worthy colleague from PA has spoken with great ingenuity and eloquence. He has given you a grim prognostication of our national future. But where he foresees apocalypse, I see Hope. I see a new Nation, ready to take its place in the world. Not an empire, but a REPUBLIC! And a Republic of LAWS, not men! Gentlemen, we are in the very midst of REVOLUTION! The most compleat, unexpected, and remarkable of any in the HISTORY of the world. How few of the human race have ever had an opportunity of choosing a system of government for themselves and their children? I am not without apprehensions, gentlemen. But the end we have in sight we have in sight is more in worth than all the means. I believe, sirs, that the hour has come. My judgement approves this measure, and my whole heart is in it. All that I have, all that I am, and all that I hope in this life, I am ready to stake upon it. While I live, let me have a country! A free country!”

That was very serious and dramatic. Here is something with more joy.

RICHARD HENRY LEE!: You sent for me, Benjamin?!
Adams:.…never…
RICHARD HENRY LEE!: HELLO, JOHNNY!
Adams: .…Richard…
Benjamin Franklin: Johnny and I need some advice.
RICHARD HENRY LEE!: If it’s mine to give, it’s yours, you know that!
Benjamin Franklin: As you know, the cause we support has come to a complete standstill. Now, why’s that?
RICHARD HENRY LEE!: Simple! Johnny’s obnoxious and disliked!
Benjamin: Franklin That’s true. Now, what’s the solution, I wonder.
RICHARD HENRY LEE!: Easy! Get someone else in Congress to propose!
Benjamin Franklin:
Oh, Richard, that’s brilliant, Wasn’t that brilliant, John?
Adams: ….brilliant.
Benjamin Franklin: Yes. Now, the question remains — who can it be? Now, at the present time, only Massachusetts, New Hampshire, and Delaware have declared —
Richard Henry Lee: And Virginia! Don’t forget Virginia, Benjy!
Benjamin Franklin: Oh, how could I? But — strictly speaking — while Virginia’s views are well known, your legislature has never formally authorized its delegation here in Congress to support the cause. Now, if we could think of a Virginian with enough influence to go down there and persua —
RICHARD HENRY LEE!: Damn me if I haven’t thought of someone.
Ben, Adams: ..who.
RICHARD HENRY LEE!: ME!
Benjamin Franklin: Oh, why didn’t I think of that. 🙂
RICHARD HENRY LEE!: Gentlemen, a salute! To VIRGINIA! THE MOTHER OF AMERICAN INDEPENDENCE!
Adams: Incredible. We’re free and he hasn’t even left yet. What makes you so sure you can do it?
RICHARD HENRY LEE!: HAH! My name is Richard Henry Lee!, Virginia is my home! My name is Richard Henry Lee!, Virginia is my home! And may my horses turn to glue if I can’t delivery up to you, a resolution for Independency! For I am F.F.V, the first family in the sovereign colony of VIRGINIA!! Yes, the F.F.V, the oldest family ,in the oldest colony, in America! And may the British burn my land if I can’t deliver to your hand a resolution on INDEPENDENCY!!!!”
Adams: Spoken modest-Lee, God help us.
Franklin: Oh, He will.
RICHARD HENRY LEE! They say that God in heaven is everybody’s God — I’ll admit that God in heaven is everybody’s God — but I tell ya, John, with pride, that God leans a little to the side of the LEES! THE LEES OF OLD VIRGINIA!!!!!!!!





And now, for some earnest rebellion.

Once an honest man could go from sunrise to its set
Without encountering agents of his state or government
But a sorry cloud of tyranny has fallen across the land
Brought on by the hollow men who did not understand
That for centuries our forefathers have fought and often died
To keep themselves unto themselves, to fight the rising tide
That if in the smallest battles we surrender to the State
We enter in a darkness whence we never shall escape
When they raise their hands up our lives to possess
To know our souls, to drag us down, we’ll resist
Watt Tyler led the people in 1381
To meet the king at Smithfield to issue this demand
That Winchester’s should be the only law across the land
The law of old King Alfred’s time of free and honest men
‘Cause the people then they understood what we have since forgot
That the government will only work for their own benefit
And I’d rather stand up naked against the elements alone
Than give the hollow men the right to enter in my home
When they raise their hands up our lives to possess
To know our souls, to drag us down, we’ll resist
Stand up, sons of liberty, and fight for what you own!
Stand up, sons of liberty, and fight, fight for your homes!
Stand up, sons of liberty, and fight for what you own!
Stand up, sons of liberty, and fight, fight for your homes!”
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We Will Prescribe You a Kitteh

Exploring Japanese literature has been a thing for me this year, and We Will Prescribe You a Cat is the latest in my explorations. It’s easily the strangest of the Japanese literature I’ve read this year, with an increasing level of surrealness that continues until the collection’s end. In structure, it reminds me very much of What You are Looking For is in the Library, as we begin with a series of short stories about people who have find themselves in a troubled time of life visiting a place they’ve been told might have answers — a clinic for the soul. Upon arrival, they are given…a cat. And a prescription for how to deal with said cat — feeding direction, notes about behavior. That’s all. Invariably the cats have some effect on their hosts: one man who hates his job but won’t admit it is sacked after the cat makes him late; another man who felt isolated at home, ignored and considered irrelevant by his family, finds in the cat a way to mix things up and come together again. As with What You are Looking For, as the book progresses we see characters in one story becoming part of another’s, but — there’s increasing surreality, too, as characters encounter The Doctor and The Nurse outside the clinic, only they don’t act like themselves, and they have no idea why people are confusing them for other persons. The clinic, too, is a mystery: sometimes there, sometimes not. It gets progressively weirder. I enjoyed this collection well enough, though the stories didn’t overwhelm me the way What You Are Looking For or Before the Coffee Gets Cold did. Serious cat people may enjoy it more than I did: I like cats but am definitely on the doggo side of the line.

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Social media: frenemy or foe?

Today’s prompt from Long and Short Reviews is “What are your thoughts on social media”, which is an interesting topic for me because I think about it quite a lot and consider myself a minimalist in regards to its use. I was lucky enough to read Neil Postman at an early age, particularly his Amusing Ourselves to Death and Technopoly, which made me aware that technology is not neutral — that it carries its own meanings sometimes. The idea that smart phones exist, for instance, allowing us to be contacted any time, lends itself to the idea that we should be contactable at all time — and the ability to share any and everything hastens this idea that everything can and should be turned into a sharable experience. Dave Eggers takes this attitude towards its logical extreme with the motto of his social media uber-company, The Every, in the book of the same name: Sharing is Caring, Privacy is Theft, Secrets are Lies.

I view social media as something that can be used in positive ways, but which has an inevitable orientation towards unhealthy behavior. I think someone has to be aggressively mindful to use social media is only good ways: for instance, I curate my facebook feed so that I’m only seeing updates from organizations I’m genuinely interested in, as well as my closest friends and family — and even some of them don’t make the list, because they post bumpersticker memes all day. I think ‘normal’ social media use deforms us in ways, making us too focused on things that don’t matter, and allowing our worse selves — angry selves, mopey selves, despairing selves, vicious selves — to dominate, because the nature of The Feed fertililizes and waters those selves far more easily than our better, disciplined angels.This is why my reddit feed is also curated so that I’m only following innocuous topics like PC gaming, bird photography, and the like — staying well clear of politics, though some people in literary subreddits love to introduce it.

Even when we’re chasing good things — trying to capture and share a wonderful experience — I fear we do it so much that we cheapen the experience, that seeing something wonderful becomes less of a soul-moment and more of a work moment, so that it becomes perfunctory, almost obligatory. Think of a concert full of people with their phones raised, more vested in Capturing the Moment than experiencing the moment — or someone who visits a cathedral like St. Augustine in Santa Fe, and instead of sitting in silence and letting the awe penetrate their marrow, instead goes around taking pictures of every single window and bob of decoration because It Has to Be Captured. Erich Fromm has written on this a bit in his To Have or To Be — not on social media, obviously, but the underlying impulse. I also make it deliberately harder for myself to access social media by not having any apps on my phone save for Instagram. All the foregoing, mind, is purely about the one-on-one experience, to say nothing of the way that phone addiction — which is often social media addiction — has completely transformed (i.e. brutally beaten into oblivion ) social occasions. I’d say call me a boomer, but these days the older adults are as bad as the kids about staring at phones while in company — or answering the phone at a table with people.

Anyhoo, if you are interested in this topic, I would recccommend Freya India’s piece on how social media use changes us, her piece “The World We Never Knew” on Gen-Z’s nostalgia for a world before chronic hyperstimulation, as well as books like The Chaos Machine or Hamlet’s Blackberry.

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Top Ten Book Covers of 2024 – So Far

Today’s TTT is books with our favorite color on the cover, but I don’t have a favorite color, so I’m just going to go with my favorite covers for the year. But first, teases!

“This is interesting, meeting you here,” said Madred.
Placing his spoon next to his bowl, Garak clasped his hands on the table. “It was my understanding that being forced into exile meant never having to see people I don’t like. Leave it to Central Command to fail at something so simple.” Star Trek: Pliable Truths

A collage of ten book titles with diverse art styles,  depicting a cityscape, several striking scenes in Japan,  a ballpark,  and the cosmos. The book titles are "Curbing Traffic", "Before the Coffee Gets Cold", "What You Are Looking For Is in the Library", "Days at the Morisaki Bookshop", "Ballpark", "The Milky Way", "Shelli", "A Psalm for the Wild Built", "A Thousand Ships", and "Star Trek: Pliable Truths".

Mythos by Stephen Fry almost made it. I was eying Milky Way before deciding that I liked the collage better with that flash of red-purple.

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June 2024

Well, 2024 is half gone. My reading this year has been unusual — lots of novels — but quite enjoyable, with a lot of five-star titles. Trying to create my top ten list for the year in December will be difficult!

Classics Club:
Dune, Frank Herbert. And that the “Classic SF” section of my list done! I’ve read two CC for the year, so I’m really doing rather abysmal.

Science Survey:
8 of 12 categories filled, 10 titles read so far.

SF Book Bingo:

The Popular Kid: A Book Nominated for the Hugo Award. Psalm for the Wild-Built, winner of Hugo award.
Better Together: A Book with Multiple Authors. Counting the Dune adaptations for this.
Nothing Human: A Book with an Alien Main Character. ST Pliable Truths begins with a Bajoran lead whose viewpoint is woven through the book.
Supermassive: a book over 500 pages. Dune, of course. Was going to use it for the Masterworks slot but I plan on reading le Guin this year and she has several.
Free Space: ST Burning Dreams. Or maybe I’ll use it for Four-Legged Friend….Pike talked about his horse a lot.

The Unreviewed:
I’m going to short-round Scarcity Brain and We Will Prescribe You a Cat.

…

Coming Up in July:
No firm plans, to be honest. I usually do a nod to the American Revolution, plus Space Camp, but I’m weary/wary of politics and am running out of astronaut books (I’ve read over fifty of them at this point). I’m tempted to do a Blast from the Past repeat: that was a fun way to bridge July & August last year.

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Moviewatch: June 2024

Apocalypse Now, which was…..different than I was expecting. Of course, I’ve seen Sheen’s son Charlie in Platoon and my Vietnam movie knowledge is very muddled.   Wonderful shots in the beginning, though:  as horrible as war is, they managed to make Hueys flying to deliver death beautiful. 

Mighty Aphrodite, 1995. Woody Allen is improbably married to Helena Bonham Carter, and they adopt a child who is so intelligent and charismatic that Woody feels compelled to seek out the mother. He finds that she divides her time between being a hooker and a porn actress, and — horrified for her and his son — befriends her with an eye toward helping her find a better life for herself. His growing emotional bond with the mother is happening at the same time that he’s increasingly alienated from his wife, who — again, improbably — is seduced by Peter Weller and focused solely on her career to the diminishment of everything else. (Woody is a sports writer, but is wholly focused on his family: we rarely see him on the job.) There is a recurring Greek chorus led by the singular talent that was F. Murray Abraham. My favorite Woody Allen movie to date, and I doubt it will be surpassed.

Trainspotting, 1996.
Friend: Hey, you like trains, right? And movies about trains?
Me: Oh, yeah! Loved Unstoppable. Great movie.
Friend: Let’s watch Trainspotting.
Me: Ok!
(an hour later)
Me: ….we’ve only seen like one train in this and it was a passenger car, not even an engine. This is just a bunch of Scottish dope fiends ruining each other’s lives. And there’s a dead baby!
Friend: (evil laugh)
Me: Let’s watch something funny tomorrow night. -_-

All the Boys Are Called Patrick, 1957.
A French horndog picks up two girls and makes weekend dates with them. They’re roommates. They find out.. Short film, an early Goddard.

The Thin Man, 1934. Oddly funny noir murder mystery. A young Cesar Romero shows up, looking more sinister than dashing. 

Love Lies Bleeding, 2024. Very violent thriller in which Kristen Stewart, whose father Ed Harris is a murderous criminal of some kind, falls in love with a female bodybuilder named Jackie. Their plans to visit a bodybuilder competition in Las Vegas are derailed after Stewart’s brother-in-law beats her sister up so badly that she’s hospitalized, and then Jackie — under the influence of steroids — absolutely destroys said brother-in-law’s skull in a graphic way. Stewart then makes the rash decision to dispose of the body in such a way as to draw attention to daddy dearest’s favorite dumping ground for bodies, which leads to lots of drama and casualties. Definitely riveting. My first time seeing Stewart: I know she caught a lot of flack for her acting in the Twilight movies, but she must have improved since. 

Dune, 2021. Beautiful interpretation of the first third of the book. My mental version of Paul was more like Christian Bale or young Keanu Reeves (Devil’s Advocate Reeves, specifically)

El Topo, 1970. I have no idea what this movie was about because it was in Spanish and had no subtitles, but a friend who was supposed to join me and a mutual friend to watch Dune was late, so we convinced him that this movie set in the desert with credible approximations to Paul and Lady Jessica was Dune. We spent the next hour spontaneously interpreting every scene in the context of Dune, like my pointing out the southwestern  fauna and emphasizing any mention of saguaro in the book,   It was hilarious.   I talked to our victim on Monday and he said he assumed since he was late, we’d started watching the original one first, and he had no idea what it was like so he just rolled with it.He’d figured it out by the time  the six-shooters and horses appeared.  (“Oh, well, yeah. In the seventies movie they were doing a space western setting, sort of like what they did with Firefly..”)

Dolemite, 1975.    Described to me as  hilariously bad, this one….was interesting. Our main character is a pimp and all around toughguy in LA, who is set up for an arrest so that his rival, a full-fledged criminal kingpin, can take over his club.   City cops are completely corrupted and in bed with the kingpin, but another party is interested in using Dolemite to expose them.  Dolemite is released and manages to get the baddies with help from his squad of karate-master club girls.   There’s a lot of great cars in this movie. Evidently, it was based off a character the main ‘actor” (he’s better than The Amazing Criswell but that’s as far as I can go) invented for his stand-up routines in which he tells stories in rhyming couplets.  Not a film to rewatch, but I enjoyed the cars, the music,  the frequently bad acting & directing, and that glorious mid-seventies fashion that could leave nothing to the imagination or absolutely boggle it. Why were so many people wearing mounds of furs in LOS ANGELES? 

What’s Up Doc, 1972. My introduction to the very striking Barbara Streisand. She plays a prototypical manic pixie dream girl who begins stalking a musicologist whose travel bag is the same as three other people’s — bags including lots of jewels, secret documents, and misc crap. Leads to a gloriously madcap comedy with an absolutely chaotic ending . Great writing, and SF was a wonderful city to stage auto chases in. 

Tremors, 1990. After I mentioned I’d watched Dune, a coworker said “I prefer the sand-worms in Tremors.” Upon learning that I’d never watched it, she gave me a 4-disc set with orders to watch at least the first one. Fun horror-comedy in which rednecks are the heroes. My country favorite Reba McEntire is a supporting character as part of a husband-wife prepper team. I never knew how much I needed to hear Reba talking about rifle and shotgun gauges. “BROKE INTO THE WRONG (GORRAM) REC ROOM, DIDN’TJA?!?!”

Sunset Boulevard, 1950.  Gloria Swanson, a movie star from the 1920s, plays Norma Desmond, an aging moving star from the 1920s who in 1949 has an idea to re-ignite her career: having a struggling writer edit her massive script for a personal biopic. Although he thinks it’s irredeemably awful,   working for her means living in a mansion with endless trinkets and clothes, and even though he’s at first offended by the notion of being kept like a pet,  his integrity is fighting a  hard battle against comfort. Ultimately, things don’t end well. The movie has one of the most famous lines in cinematic history.  Fascinating look into late ‘40s Hollywood, with a strong acting cast. 

Fannie Hill, 1964. The story of a sweet girl who gets connected to a brothel but somehow manages to survive two hours to the end of the movie without being deflowered until she’s married. Friend of mine wanted to watch this because it was Russ Myers, who he likes.

Faster, Pussycat! Kill! Kill!, 1965. Another Russ Myers film. Three crazy hotties who are into racing sports car murder a dude and then kidnap his girlfriend and drive into the boonies where they catch wind of an old handicapped man with a buried fortune and a mentally impaired son and decide hey, this guy is ripe for the plucking. Things do not go according to plan.  Beautiful cars, fun music.  Sleazy. 

Wilde, 1997. Stephen Fry plays Oscar Wilde in a biopic which also features Jude Law and Ioan Gruffud. I still prefer Jude Law in All the King’s Men, which has also monopolized my appreciation of Sean Penn.. He can only ever be Willie Stark.

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