I’ve been looking forward to the full-cast audio edition of Harry Potter and the Goblet of Fire for a while now, because (1) the full cast audio books are BRILLIANT (2) I’m addicted to them and have accepted that all my audible credits belong to the series, (3) this is a hinge book in that it replaces the younger voice actors with older voice actors (4) it’s a hinge book in that it guides us into the far more serious and morally interesting back half of the Harry Potter series. The first three books, despite having a nice spread of death and danger, are mild adventures compared to the outright murder that closes Goblet of Fire, and the dark turn the books take after this. Goblet of Fire, in the parlance of the O.W.L’s, largely gains Outstandings with a few Exceeds Expectations. The only squib is the fact that Harry and Ron’s new voice actors sound a bit alike sometimes, but I imagine more exposure will tune my ear to tell them apart more readily.
Revisiting Goblet of Fire this time was especially enjoyable because it’s been ages since I enjoyed this particular story: I cannot count how many times I’ve read the first three books, which I know back to front. While I’ve read every book in the back half at least twice (more for Half-Blood Prince), it’s been ages (like a decade) since I did a proper re-read. Given how much the movies cut out, there was a lot in this I’d simply forgotten, so unlike the first three books I was listening with honest “Golly, what will happen next?” expectations. Yes, I know what happens with the Tri-Wizard Tournament, but I’d forgotten all about Ludo Bagman: his entire story is absent from the movies, from his trial before the Wizengamot to his shady treatment of the Brothers Weaseley. One standout scene that I don’t remember is the one where Invisibility-Cloak’d Harry gets stuck in a staircase’s trick stair and drops not only his incredibly loud and awful clue-egg (which screeches), but the Marauder’s Map. Filch, Snape, and Moody all convene (in their night clothes) to argue with one another while Harry’s trapped and thinking every time I think this can’t get worse, it SOMEHOW GETS WORSE: the tension is awful even though it’s a bit hilarious if you’re not involved in it. “A pajama party, eh?” growls Moody.
Even if I had an encyclopedic familarity with Goblet of Fire, I still think I would have loved this book. While it took some time to get used to the new voice actors — especially Harry, who jumped from a thirteen year old to someone who sounds like he could apply for car insurance — I generally enjoyed them. As mentioned, there was some overlap between Ron and Harry’s new voice actors, and that’s taking into account that the reader gets to to experience Harry largely by himself for several hours when Ron is being moody and dramatic and not speaking to Harry because he thinks Harry put his name in the Goblet of Fire and didn’t bother to tell him. There are a lot of new actors in this book, and they all knock it out of the park; Mad-Eye Moody is wonderful, as are Ludo, Barty Crouch, and Voldy himself. (Spoilers if you’ve not read this, the big V makes a comeback at the end.) The sound design in general is OUTSTANDING, and this is a book where good design really matters. It opens with the Quiddich World Cup, for instance, and they manage to integrate crowd noise, announcers, and dialogue wonderfully: I never felt overwhelmed and that would have been very easy to do. Background atmospherics are good: I especially loved hearing Arthur Weasley giggling like a schoolboy smacking tent stakes. One HUGE highlight is the Song of the Mermaids: I liked it so much that when I got home I loaded up Audacity so I could excerpt it and send to a friend who was on the fence about trying the full-cast audio series. She loved it, and frankly it’s much better than the song that was put in the movies. I’d give you proof, but YouTube wouldn’t allow it. If you’d like the clip, though, just swish and flick.
I loved every minute I was listening to this: I even loved it when Audible-in-my-car decided “Oi, I’m not syncing with Audible proper and now you get to listen to stuff you heard yesterday”. As a production of Goblet of Fire, this is definitely an O in the O.W.L’s. However, this is probably the book with the murkiest planning: as readers know, we find out that one of the principle characters, Mad-Eye Moody, is not “himself”: he is, in fact, a Death Eater pretending to be MEM. The problem is that MEM is not written that way: I fully believe Rowling was writing MEM as himself until 2/3rds of the book was done and then it occurred to her that ooh, it would be jolly interesting if someone were pretending to be MEM. Moody is such a distinctive character in the opening part of the book, with a great passion for destroying the Dark Arts, that I simply cannot buy that he’s being impersonated at that point: I realize that’s Rowling’s official canon, but it does not work for me. The premise of the book is also a little absurd: serious effort is undertaken so that Harry Potter will not only enter and compete in a tournament (effort that attracts a lot of attention, because how the hell has a fourth champion been entered into the “Tri”-Wizard Tournament), but that he wins. He needs to win so he can touch the cup and voila, be transported to a graveyard where Voldy’s weird corpself is waiting. Honestly, there’s easier ways to do that: how Voldemort managed to become a terror with this kind of planning is beyond me, especially when the noseless git couldn’t even taken over a high school. Just imperio a Gryffindor to give Harry a book on Quidditch, and bob’s your uncle.
At any rate, I’m awfully sorry I’m finished with this already. Order of the Phoenix doesn’t release until March 10 and the wait makes me feel like Harry at the Dursley’s. Sidenote: I’m starting to love Hugh Laurie as Dumbledore.







