Delta V

Daniel Suarez is a rare author whose every work has been a hit for me, unlike Scalzi & Doctorow who have had misfires. Delta-V continues in that tradition, beginning with a cave diver named James Tighe who is recruited for a daring new expedition.  One of Earth’s many eccentric billionaires has a new venture that he believes will not only make him richer than Croesus, but give humanity an incentive to expand beyond Earth – and more importantly, acquire the means to do so. For strategic reasons, the billionaire has shrouded the project in secrecy and misdirection, and that will mark the rest of the book, imperiling the characters’ lives several times.   Delta-V covers the intense training and bonding of Tighe and his fellow crewmen, as one after another wash out  – and those who survive go further into space than anyone has gone before. The result is a hard-SF thriller that combines some Martian-like scrambles for survival alongside lots of betrayal and manipulation from back on Earth. While it was more demanding than most of Suarez’ other works, the depiction of the ship and suspense over what was really going on made it a solid read even with the industrial chemistry.  Suarez provides quite the list of suggestions for readers whose interest gets piqued and want to learn more. The tech itself is of interest, as the Konstantin is the first ship to simulate gravity through spinning, and Suarez shares depictions of how he envisioned it on his website. Mild spoilers if you check it out, but just close your eyes, hum, and look at the photos.

Readers who like Suarez should be delighted to know that he has a new book coming out in March, called Shadow Zone.

Coming up: another review tomorrow, plus some SciFiMonth2026 challenge responses. Reading le Guin.

Quotations

“Because in the modern world money does not represent value, Mr. Tighe—money represents debt. And the more debt that is created in the world, the more money there is.

“When I dive an unexplored cave, it’s not a thrill. It’s almost the opposite. I feel in focus. It’s a heightened reality—like how you might feel if a tiger walked into this room right now; you’d be 100 percent in the present. The past and the future would cease to exist.”

“Our brains use carbon dioxide levels in the blood as an alarm signal. The more carbon dioxide, the more the alarm. If we were breathing pure nitrogen, we’d suffocate in complete calm. Wouldn’t even feel it.”

Someone had designed and launched the world’s first artificial-gravity ship and concealed that fact from everyone on Earth by doing it in pieces— hiding the activity through dozens of shell companies

“Corporations are not democratic, and yet they rule every aspect of American life. If democracy is so important, why is this the case?”

“Space is a goddamned frontier. What’s the use of going to a frontier if it has rules?”

” Personally, I find the respect of enemies to be sweeter than friendship. And certainly more honest —nobody ever lies about hating you”

Awed murmuring in Mandarin came in over Tighe’s radio as he continued to stare, transfixed. No matter what happens, now it was already worth it. Tighe opened up his helmet visor so that he could behold the universe not through a light field display but with his own eyes. As he did so, he gasped with renewed awe. No cathedral could ever compare. No subterranean flowstone sculpture. Nothing in his adventurous life could have prepared him. A wave of gratitude swept over him.

Clarke’s voice came in over the radio. “Dave, Han, J.T. What’s happening? Why aren’t you moving?” Morra laughed, followed by Tighe and Jin. Tighe closed his visor and reactivated the helmet’s external camera system. He glanced at the go, no-go countdown timer. They’d been gawking at the cosmos for a full ten minutes.

“Sorry. Just paralyzed by the indescribable beauty of the cosmos. We’ll get to work.”

Chindarkar’s laughter came in over the comm link. “You look like a couple of astronauts beating the shit out of a robot.”
Tighe went with it. “You pay . . . on the first of the month . . . like everybody else!” He kept kicking.

“This is my purpose. This has always been the purpose of people like us. We blaze trails. We chart oceans. We push back frontiers. Without us, humanity slowly dies.”

“It’s exploration! Don’t you understand that? Do we not take risks anymore?” He gestured outside. “Is everything going to be done by [—–] machines from here on? Why do we even bother to exist, Alan?


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The Lifecycle of Software Objects

The Lifecycle of Software Objects is one of the more interesting SF books I’ve read in recent years, and until the last ten percent or so it was headed toward a rare five-star review. That’s how fascinating I found it. LSO is in part about emergent intelligence: its plot is centered on ‘digients’, who were originally considered as something like an intelligent virtual pet or a software toy. The digients are purposefully kawaii, resembling cute animals or anime characters, presumably to encourage attachment to them. Digients’ intelligence grows over time, rather like a small child’s; they need active attention from their human owners to help them develop. Unfortunately for the digients, time marches on and humans lost interest in their toys, and ‘suspended’ them. An AI consciousness” capable of being ported to a real-world body is simply put on hold, a sleep without rest. A small community of the original users, including those who had made livings training the digients, have held on to theirs — but that becomes increasingly difficult as the digients continue to mature as sentient beings while the digital world they were originally created for is phased out. The users are left to look for ways to port the digients to the ‘new’ digital world that is taking over, but the money involved is considerable, and at the same time they are wrestling with questions of sentience and responsibility. While some of the issues in this book have been raised before — our responsibility toward created artificial lifeforms has been on the table since Frankenstein at the very least — what made this book fascinating for me was the discussion on how intelligence is fundamentally social, that the digients needed interaction with one another and with humans to properly develop. I found that an interesting concept to think about, and enjoyed seeing the various AI personalities emerge throughout this novella. There was a bit at the end that really put me off, though, when the digients’ owners are approached by a company that creates sexbots and we get some debate about that particular industry. Very squicky all around. I’ll definitely be looking for Chiang in future.

Quotations

FROM: Zoe Armstrong
You won’t believe what my Natasha did today! We were at the playground, and another digient hurt himself when he fell and was crying. Natasha gave him a hug to make him feel better, and I praised her to high heaven. Next thing I know, she pushes over another digient to make him cry, hugs him, and looks to me for praise!

They’re blind to a simple truth: complex minds can’t develop on their own. If they could, feral children would be like any other. And minds don’t grow the way weeds do, flourishing under indifferent attention; otherwise all children in orphanages would thrive. For a mind to even approach its full potential, it needs cultivation by other minds.

The adolescents who dominate these communities seem unconcerned with the fact that the digients aren’t human, treating them as just another kind of online friend they are unlikely to meet in person.

“I’ve got to hand it to you for sticking with Jax for so long. What you’ve achieved is impressive.” He makes it sound like she’s built the world’s largest toothpick sculpture.

“Talk about a risky investment. You’re showing us a handful of teenagers and asking us to pay for their education in the hopes that when they’re adults, they’ll found a nation that will produce geniuses.

The idea of love with no strings attached is as much a fantasy as what Binary Desire is selling. Loving someone means making sacrifices for them

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Agrippa

Purple cover with a Roman sword and  the title AGRIPPA

When one looks at Octavius/Augustus’ victories, one finds Marcus Agrippa standing  immediately behind the emperor, no doubt casing the room and looking for errant senators who want to cry, “Speak, hands, for me!” and engage in some unconstructive criticism of the Emperor. I was most made aware of this when reading The War that Made the Roman Empire, concerning the battle royale between Octavian and Marc Anthony.  Robert Harris’ Agrippa focuses the spotlight on Octavian’s right-hand-man and relative by marriage, letting us see how an adolescent friendship turned into a relationship that forged an empire.    Robert Harris is an old favorite of mine, with a bench of diverse thrillers to his credit and easy familiarity with the late Republic, and  yet despite the presence of nitro and glycerine, this book didn’t explode for me. It was perfectly enjoyable,  but I’m used to Harris being excellent.

We meet Marcus Agrippa when he encounters a young boy being bullied, and Agrippa intervenes; the boy is Octavian, and he was being beaten up because his uncle Julius Caesar had just been a naughty boy and crossed the Rubicon River with troops, in violation of Rome’s orders. Rome had had a recent issue with generals marching on Rome with troops and quite a few people literally lost their heads during the dictatorship of Sulla which followed. (Actually, they lost quite a bit: Sulla realized that looting people was an easy fundraising scheme. This continues to work in our day, but generally with less murder and almost no heads on pikes.)  Agrippa and Octavian become fast friends, and considering that Octavian is a favorite nephew of Rome’s new master, Agrippa’s career prospects are bright so long as no harm befalls Cae- oh, dear.  Octavian turns disaster into triumph, however, and Agrippa zooms along in his wake – not passively following his old friend, but actively helping him make their fortune.  Harris incorporates some battles in this, but not nearly as many as I would suspect: it’s largely about Agrippa navigating his complex loyalty to Caesar (the name he gives Octavian after the real Caesar is assassinated). Caesar can make him one of the most powerful men in Rome, yes, but Caesar will also casually demand he divorce his beloved wife to marry into Caesar’s family.   One aspect of Agrippa I did not know about was that he was engaged in a great many building projects in Rome – aqueducts and the like – and Harris’ version of him was prouder of those than his battles.

This was enjoyable and informative; it runs through territory I consider myself familiar with. I didn’t actively dislike anything  and yet I’m so used to Harris plumbing new terrain, making the familiar exciting again somehow, that when I finished this I was slightly disappointed. It’s like coming to see Babe Ruth hit homers and instead he bunts. The play chosen is good, it works, Babe gets on base, but it doesn’t make you stand up and cheer, waving your hat around.

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WWW Wednesday

Today’s topic from Long and Short reviews is “Something I always thought was true, but isn’t”. One thing the presidents project taught me was that things we receive as compressed crises that unfold within a few months, like the American Revolution or the secession crisis that led to the Civil War, were in reality much more long-term affairs. We get a sequence of events in school, and sure, there are dates appended, but when you settle into reading people’s stories during that time you realize how much time was passing within that sequence. It’d be like people in the future writing about the Afghan War not really understanding that a child conceived at the beginning of it could have grown up to fight in the very same war as his father.

WWW Wednesday

WHAT have you finished reading recently? Agrippa, Robert Harris. Review today, probably. It was very…average, as in “The time I spent reading this was sufficient to the entertainment received, but it does not live up to my Robert Harris expectations.

WHAT are you reading now? Surging forward on Delta-V by Daniel Suarez; pecking at This is How You Lose the Time War. I picked that up because so many of my goodreads friends like it and it has birbs on the cover. So far it’s two irritatingly named people (Red/Blue) exchanging letters with one another as they fool around with the timeline. I am told that I will like it the more I read it. Still technically reading Into the Planet. It’s “this is interesting enough but I have other things I could be reading” territory.

WHAT are you reading next?

I could name any random title and you and I both perfectly know it would have no bearing on what I actually read.

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Cool find: Bradbury a la comic book

Tonight I stumbled upon a comic adaptation of Ray Bradbury’s “And there will come soft rains”, which until I’d read “The Veldt”, was the most unsettling Bradbury I had encountered. Unfortunately, one can’t share the premise without spoiling the story, but let’s say it’s about an automatic house that keeps living when…well, its owners don’t. It opens on August 4, 2026, and yes I did make a post about the original back in August, and shared an audio version of the story. I think this is the only spoiler-free page:

A page from a comic book version of And There Will Come Soft Rains, depicting automatic appliances cleaning the house
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Arthur C. Clarke on whales and nuclear holocausts

Recently I listened to two rather different Arthur C. Clarke stories.

“All the Time in the World”. I originally experienced this as a Twilight Zone episode,  or so I thought,  in which a frustrated bank teller embraces a nuclear war as an occasion to finally get around to his TBR pile, only to be frustrated by breaking his eyeglasses. The premise of THIS story is rather different, and Clarke notes at the beginning that not only does he not remember how his story was adapted, he can’t imagine how it was adapted given the technology at the time.  His confusion stems from the fact that the original premise involves aliens offering human burglars a special tool – the Accelerator, a bracelet that seems to slow down time –  provided they will steal various art works.  The only shared point between stories is….uh, nuclear holocaust, and I’ll leave it at that. The ending has the same bittersweet feeling. On further research I found out that the Twilight Zone episode was adapted from a completely different story, “Time Enough at Last”, which would explain the very shallow Venn-diagram overlap.

“Deep Range”. A…story about near-future humans shepherding flocks of whales using dolphins as sheepdogs to defend them against deep-sea beasts. Can’t really say more than that, to be honest.  It was an enjoyable enough way to spend 20 minutes but I don’t think I’ll remember it in a week.

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Teaser Tuesday + SciFiMonth2026 One Word Reviews

Teaser Tuesday

“Memories breed memories. They multiply like vermin. As soon as I catch one, another emerges — some incident or conversation I had forgotten about entirely. My pen cannot keep pace with them all.” – Robert Harris, AGRIPPA

Is Agrippa science fiction? No. But I’ve been waiting on it in our holds system for a month now, of course I’m reading it!

Today’s prompt from SciFiMonth2026 is “one word reviews for the last 10 SF titles you read”, which works suspiciously well with today’s Top Ten Tuesday Topic which is “one word reviews for the last ten books you read”. I’m going to go with SciFIMonth2026’s variant.

(1) I Am Spock, Leonard Nimoy. Spock.

(2) SHELLI: R-Evolution, Doug Brode. Intense.

(3) Star Trek: The Entropy Effect. Reprint.

(4) All Systems Red, Martha Wells. Funny.

(5) The Time Traveler’s Passport: Six Stories, various authors. Disappointing.

(6) Husk, Nathaniel Eliason. COOL!

(7) Cancelled: The Shape of Things to Come, Danny King. Amusing.

(8) When The Moon Hits Your Eye, John Scalzi. “Weird!” to quote Cyberkitten’s comment on my review.

(9) A Closed and Common Orbit, Becky Chambers. Sweet.

(10) SHELLI: Murdermind, Doug Brode. Thoughtful.

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The Pigman

Now Lorraine can blame all the other things on me, but she was the one who picked out the Pigman’s phone number. If you ask me, I think he would have died anyway. Maybe we speeded things up a little, but you really can’t say we murdered him.

Not murdered him.

Recently on substack someone asked about books we read when we were younger which have stuck with us for reasons which we could not explain. I didn’t have to think about it for a moment: the answer was The Pigman by Paul Zindel. I discovered it in the discard sale at the library, probably lured by the strange title, and it has never left my mind since. The fact that I have not visited it in the life of the blog is baffling.

It opens simply, with two bored teenager (John and Lorraine) who have created a game involving telephone booths. They dial a random number in their town and would take it in turns to see who could keep a stranger talking for the longest time. And then they found Mr. Pignati, a lonely widower who loved to talk and had no one to talk to. When Lorraine identifies herself as being a charity worker for the “L&J Fund”, Mr. Pignatti cheerfully volunteers to pay $10 if they are able to pick up the money directly. So begins a fascinating friendship and a troubled period in their lives.

John and Lorraine find Mr. Pignatti entertaining company, as he’s full of little games himself — like personality quizzes embedded inside stories. After a few visits the kids confess their lie to Mr. Pignatti, but he has been hiding something himself: his wife Conchetta isn’t away on vacation, she’s passed on. The Pigman is happy to keep entertaining the kids, as they to the zoo and visit a department store that sells exotic snacks like chocolate-covered aunts*. Mr. Pignatti, despite his age and sadness, reveals to have a freer spirit inside, and revels in roller-skating with the kids. Only…it turns out old men with serious wine habits should take physical activity easy, and things take progressively sadder turns.

When I read this for the first time, I was rather young and not prepared for the more serious themes: it was in fact the first book that ever made the old eyeballs leak a little. John and Lorraine enjoy being treated like adults in the Pigman’s house, but adulthood is not merely drinking wine and eating ants: it comes with losses, responsibility, and the heavy weight of consequences.

I’m glad I went back and revisited this: if not for SciFiMonth2026 I’d be sorely tempted to read Zindel’s direct sequel and his book The Pigman and Me, which was about the inspiration for the story. I remember it as being thought-provoking when I found it back in the day.

[*] I love this typo and I am keeping it.

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SciFiMonth2026: Engage!

It’s SciFi Month, and for the third year in a row I’m planning on participating. What will I be reading? Well, let’s make some wild plans so I can laugh wildly or shake my head ruefully in a month’s time, eh?

Classics:

  • I’ve read bizarrely little of Arthur C. Clarke aside from a few short stories and 2001: A Space Odyssey
  • Bob Heinlein. I’ve read a fair bit of him, but not some of the works he’s most known for like Stranger in a Strange Land
  • Return to le Guin?
  • It’s been a long time since I reread any of Asimov’s SF aside from the original Foundation collection, pre-Mule. Going back to some of his stories might be fun.

Contemporary

  • There’s Suarez, of course, and Scalzi is dropping another novel on November 3rd. I’ve already begun reading Delta V by Suarez to kick things off.
  • There are two books in Chris Hadfield’s Apollo Murders series I haven’t gotten to
  • Standing interests in cyberpunk and solarpunk titles. Snow Crash is an obvious potential, and I’d also like to revisit Vernor Vinge.. His early conception of cyberspace fascinates me.
  • One of my favorite Star Trek authors did a Tiberium Wars novel. Kane lives in death!
  • Been a while since I read any Becky Chambers

Streaming

  • Watching either Foundation or Fallout would be in order, but given the recent death of Sir Patrick Stewart, I also may binge The Next Generation. Part of me is also tempted to play an SF oriented game like Tiberian Sun or Bioshock, but given that the Tolkien seminar is ongoing, I wouldn’t bet on any of these streaming predictions to manifest.

Patrick Stewart portraying Captain Picard saying "Engage"
Clear skies and following seas, captain…

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Moviewatch October 2026

I did not watch a lot during October, but the monthly recap was ungainly enough without throwing in movies. No TV streaming, either — just history and literature lectures from Brad Birzer and evenings spent on my own writing.

Scarface, 1983.
I’m not sure how many times I’ve watched this since 2005, when I bought my DVD of it, but despite regarding it as a waste of money the first time, I’ve grown to like it more with every viewing. The story of a Cuban refugee who becomes a drug lord and destroys his own life and the lives of everyone around him through excess and greed. Love the 80s Miami aesthetic. The murder, quasi-incest, and keeping a tiger on a short chain, not so much.

Tony: I’d kill a Communist for fun. But for a green card? I’mma gonna carve him up real nice.

Tony: Me, I want what’s comin’ to me.
Manny: What’s comin’ to you?
Tony: The world, chico. And everything in it.

Tony: You gotta get the money first. When you get the money, then you get the power. When you get the power, THEN you get the woman.

Frank: Remember what I told you, Tony, when I started you. The ones who last in this business are the guys who fly straight. Low key, quiet. The guys who want it all – chicas, champagne, flash – they don’t last.
Tony: Joo finished?

Vamos a bailar
Esta noche
Vamos a gozar
Hasta la mañana

Río, lloro si quiero
Cuanto te ansiaba libertad
Mira ¿Ves? Los sueños si existen, mi amigo
La libertad

Dallas Buyers Club, 2013. Fun fact: the reason I originally watched this film a few years ago was because Andrew Heaton used it in his EconPop series, in which he used movies to demonstrate economic argu- HEY, WAKE UP! This is a great drama about a man who is diagnosed with AIDS, realizes the government’s regulatory structure is keeping him and other victims from finding medical treatment, and improvises ways for people to get the treatment they need outside the scope of the law. And it’s got good acting! It’s a fascinating character drama, apart from the political implications: Matthew McConaughey’s character Mr. Woodroof goes from being a stereotypical Texas redneck to someone who’s besties with AIDS-afflicted men and stares at food in the grocery store like processed foodstuffs are pointing a gun at him and his immune system.

Mr. Woodroof: It’s one thing for me not to like ya, but why can’tcha be a better friend to yourself?

Mr. Woodroof: Sometimes I feel like I’m fightin’ for a life I ain’t got time to live

I Know What You Did Last Summer, 1997. A rewatch. Haven’t seen this since…Jennifer Love Hewitt was a regular feature in Teen PEOPLE magazine. I…somehow forgot Sarah Michelle Gellar was in this. Was Melissa Joan Hart in it it, too? Why did that generation have so many teen girl stars with three names?! …and is that Johnny Galecki?! Anyway. Four teenagers graduating high school go to the beach and have a nice time with Johnnie Walker, and on the way home they hit someone who was standing in the middle of a curvy hilly road. Frankly, I think if you’re going to stand on the middle of curvy hilly roads in the middle of the night you get what’s coming to you, but the kids agree that hitting someone to death is a bad thing. A plurality of the kids (everyone but JLH) believes that telling the cops about hitting someone while the car stinks of Mr. Walker is like, a total vibe-killer, so they dump the body in the water. Months later…..(horror chords). JLH receives a “I know what you did last summer” note, despite being the only one in the party who cared about Mister Deathwish. Weirdly, JLH is the only one who goes to college after high school: Sarah is working in a department store, the black-haired dude is a fisherman, and the guy who looks like Justin Timberlake is just…living with his rich parents. Even Johnny Galecki is working for a fishery, and I’d assumed he was the nerd because he’s Johnny Galecki. This does NOT bring back the nostalgia the way SCREAM does: maybe Scream had novelty going for it, but the smaller cast and far more generic music also didn’t help. I liked seeing JLH and SMG, but that was about it.

Killer: Happy Fourth of July. Let me give you some advice: the next time you leave a man for dead, make sure he’s actually dead.
Me: Solid advice, actually.

Freddie Prinze Jr: I love you, Julie. No one gets me the way you do.
JLH: I understand your pain.
Me: What is this dialogue?

Scream 2. 1997. Haven’t seen this since it originally hit Blockbuster. “Stab 2? Who would want to do that? Sequels suck!” Like Scream, it parodies horror movies – but in this case, sequels. While a few members of the original cast cycled back on, no one has anywhere REMOTELY the chaotic charisma of Matthew Lillard in the original. Lillard’s Stu is the highlight of the original Scream, really. (And there should really be a viewer discretion tag for Meathead doing an off-key rendition of “I Think I Love you” in a university cafeteria. I can deal with stabby murders, but that level of cringe is real violence. The only time my college cafeteria broke out singing was to “Don’t Stop Believin'”. That was a weird breakfast hour.) Unexpected pleasure: David Warner!

Gail Weathers; Who got punched here, again?
Me: Who deserved it, AGAIN?

Me, watching Scream 2: Who is this Sarah Michelle Gellar lookalike?
Me, consulting IMDB: Ah. Sarah Michelle Gellar.

"Boo!" says image of Sarah Michelle Gellar
AHH! There she is again! She’s everywhere!
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