2021: January Review

Last year I began posting monthly ‘face the verdict’-type posts to keep track of my TBR. I’m going to try making that a more general month-in-review post that also takes care of un-reviewed works, and keeps track of my challenge goals at the same time. In general, January went a…weird way. I usually start the year off with a shotgun burst of topics, as if a year’s worth of variety had to be compressed into one month, but this year January was dominated by southern history and lit.

Challenge Progress:

Science Survey: Two books read, two categories (Flora & Fauna, Biology) filled. Looking good so far. The Survey consists of twelve books read in twelve different categories (biology, anthropology, physics, geology, etc).

Classics Club Strikes Back: Three books down is a promising start!

Climbing Mount Doom: I read one title from the TBR, Alabama: Making of an American State. Two’s the goal, so slightly behind here.

“More Southern Lit”. With eight titles of southern lit or southern history, I’d say I’m doing well on this particular goal.

The Unreviewed:

Mama’s Last Hug by Frans de Waal was either my last read of 2020 or my first read of 2021; I remain deeply conflicted as to how to count it because I only read the last chapter on January 1st! The book itself varied from fascinating to tedious; fascinating when de Waal used animal emotions to reflect on our understanding of emotions in general, tedious when he tried to use animal experiments to argue for political points. There were some choice quotes, too:

“Politicians sell themselves as public servants, participating in modern democracy only to fix the economy or improve education. Servant is obvious double-speak. Does anyone truly believe that they join in that mudslinging for our sake? This is why it is so refreshing to work with chimpanzees: they are the honest politicians we all long for.”  

We may not be in full control of our emotions, but we aren’t their slaves, either. This is why you should never say ‘my emotions took over’ as an  excuse for something stupid you did, because you let your emotions take over. Getting emotional has a voluntary side. You let yourself fall in love with the wrong person, you let yourself hate certain others, you allowed greed to cloud your judgment or imagination to feed your jealousy.  Emotions are never ‘just’ emotions, and they are never fully automated. Perhaps the greatest misunderstanding of emotions is that they are the opposition of cognition.” 

Some Assembly Required by Neil Shubin is a biology work I’ve been reading slowly off and on. As with his Your Inner Fish, it primarily looks for insights into the past development of life based on genes. The most memorable chapter for me came early on, when Shubin pointed out that structures with an obvious, perceived purpose were co-opted from earlier uses: lungs beginning as air bladders for fish, for instance. Shubin also drives home the lesson that the way genes are expressed and regulated is more important than the genes themselves: genes are less static lego bricks composing us and more members of an orchestra, following the music but able to improvise.

Beyond Tenebrae: Christian Humanism in the Twilight of the West, Brad Birzer. Review to be posted as soon as I think up an introduction that is not an essay-long history of the word humanism.

Battle for the Southern Frontier: The Creek War and the War of 1812, Mike Bunn and Clay Williams. I’ve been visiting sites relating to the Creek war in Alabama and read this for context. Although it serves ably for an introductory survey, being slim and readable, it was light on documentation. Andy Jackson cuts a loud figure towards the end, and I wonder if Jim Kirk’s (“The word is no. I am therefore going anyway”) was inspired by him. At one point, after being expressly told not to attack Pensacola, for fear of arousing Spain’s ire, Jackson attacked seized it anyway to prevent the British from using it to invade from the south. More to come on Jackson, I think. I have a more substantial book, John K. Mahone’s War of 1812, on order: it was recommended to me as the first book to examine the ties between the titular war and the Creek conflict.

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Wisdom Wednesday: On Living and Working Amid Madness

ariseandwork

“When you wake up in the morning, tell yourself: the people I deal with today will be meddling, ungrateful, arrogant, dishonest, jealous and surly. They are like this because they can’t tell good from evil. But I have seen the beauty of good, and the ugliness of evil, and have recognized that the wrongdoer has a nature related to my own – not of the same blood and birth, but the same mind, and possessing a share of the divine. And so none of them can hurt me. No one can implicate me in ugliness. Nor can I feel angry at my relative, or hate him. We were born to work together like feet, hands and eyes, like the two rows of teeth, upper and lower. To obstruct each other is unnatural. To feel anger at someone, to turn your back on him: these are unnatural.”

Marcus Aurelius, Meditations.

Related:
Wisdom Wednesday: Rise and Shine
Marcus Aurelius: A Life, Frank Lynn
The Meditations, Marcus Aurelius. That link is to The Emperor’s Handbook, a modern-English translation.

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Then and now

“Know where this is?” someone asked, and showed me their phone. I had to stare in fasciantion. I knew that “AMERICAN” sign, all right. I’d driven by it enough times on my way to high school on those long morning drives up to north Dallas County.

Although I assumed Plantersville’s main street had been livelier in earlier times, I didn’t appreciate how genuinely ‘townlike’ it was until I saw this shot. For my entire life, Plantersville has consisted of a combined gas station & general store. Fun fact: this grassy area above is where I once terrified my driver’s ed teacher by accidentally drifting off the road. And yes, that’s a deer on a stick. It presumably inspired both of these shots.

There is absolutely no trace of the depot remaining these days, and that pump was selling gas for $0.75 per gallon when it stopped service.

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Fried Green Tomatoes at the Whistle Stop Cafe

Fried Green Tomatoes at the Whistle Stop Cafe
© 1987 Fannie Flagg
416 pages

“You know, a heart can be broken, but it keeps on beating, just the same.”

Evelyn Couch is too young to feel this old. Despairing and lonely, she sits by herself in a nursing home waiting room as her husband (who generally ignores her, unless dinner’s late) dotes on his mother, and takes solace in a purse full of candy bars. But then the little old lady on the couch starts talking, and Evelyn and the reader are transported to another time,   to a small town in rural Alabama,  where once a man was murdered and two women faced off against the Klan. 

I read this book for the first time in high school, having watched the movie inspired by it several times, and I was glad at the time that I’d experienced them in that order. The movie has a straightforward narrative (Ninnie Threadgoode telling the story of Ruth & Idgie and their café to Evelyn in a series of flashbacks), while the while the book is more….creative, shall we say, with traditional narrative scenes mixing it up with newsletters from Whistle Stop and flashback chapters that don’t necessarily follow the right order. It’s as if Ninnie tells us stories as they come to mind. Through the bits and pieces the story emerges; we meet Idgie, Ruth, Sipsey, and countless others; we watch them through the Depression and War, standing at their side during tragedy, heartbreak, and joy alike. We love and hate with them, and when the cops come looking for a man we know needed killing, we’re in the same boat as most of the town: not knowing what happened, but not caring that he’s dead beyond the consequences for Idgie and Ruth.

At the core of Fried Green Tomatoes are Idgie and Ruth. Idgie is a dynamite character in her own regard; I’ve never met anyone else in fiction quite like her.  Imagine if Huck Finn was a girl* and you’ll be on the right track to understanding Idgie:  she was a tomboy, a prankster, a spinner of tall tales,  an absolute hellion who never backed down from a fight or let go of someone she loved. That includes Ruth, who came to Whistle Stop to teach and was as demure and sweet as Idgie was loud and belligerent.  The two formed an unlikely bond, one that Idgie’s relations teased her for;   Idgie’s fascination with Ruth made the newcomer the only person who could rein the wild child in, and their relationship makes the novel,  creating as it does the opportunity for the Whistle Stop Café that becomes the center of the community.  TTheir relationship is ambiguous, not because they don’t have an obvious bond but because the exact nature of that bond is not thrown onto a table and dissected for the reader. This is a love story but not necessarily a romance story, and what Flagg keeps hidden makes the two all the more compelling to read about. Flagg does a good job of communicating how complicated people and their relationships can be, even beyond Idgie & Ruth.  (Grady, one of my favorite secondary characters,  can be likable or unlikable depending on what he’s doing, as he’s frequently conflicted between his affection for people and his sense of  What Ought to be Done. )

Although there’s so many more things I should/could be reading than revisiting a story I know by heart anyway, I’m glad I picked it up again.  There’s a great deal to appreciate about a book like this, beyond the reader finding a vicarious sense of belonging by learning the story of these people and their cafe — as Evelyn does, before she starts fully living her own life. For female readers, for instance, I imagine there’s a great deal of appeal in it being about two strong relationships wherin women save one another. It’s a genuine southern classic with an enduring attraction for me, as oddly-presented as it is.


[*] There’s a version of the book with a blurb from Harper Lee stating that Idgie is the kind of girl Huck Finn would try to marry. I’m inordinately pleased to recognized the two characters’ commonalities, but I don’t think either Idgie or Huck was the marrying kind!

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The first and probably last time I ever share a rap video: “Fake Woke”

[Verse 1]
I think it’s crazy I’m the one who they labeled as controversial
And Cardi B is the role model for 12-year-old girls
There’s rappers pushing Xanax at the top of the Billboard
But if I mention race in a song, I’m scared I’ll get killed for it
It’s backwards, it’s getting exponentially dumb
It’s more difficult to get a job than purchase a gun
Eminem used to gay bash and murder his mum
And now he doesn’t want fans if they voted for Trump
We’re ashamed to be American, you should probably love it
‘Cause you have the right to say it and not gеt strung up in public
As children, we werе taught how to walk and talk
But the system wants adults to sit down and shut up
Cancel culture runs the world, now the planet went crazy
Label everything we say as homophobic or racist
If you’re white, then you’re privileged, guilty by association
All our childhood heroes got MeToo’d or they’re rapists

[Pre-Chorus 1]
They never freed the slaves, they realized that they don’t need the chains
They gave us tiny screens, we think we’re free ’cause we can’t see the cage
They knew the race war would be the game they need to play
For people to pick teams, they use the media to feed the flame

[Chorus]
They so fake woke, facts don’t care ’bout feelings
They know they won’t tell me what to believe in
They so fake woke, same old safe zones
They so fake woke, facts don’t care ’bout your feelings

[Verse 2]
I think it’s crazy all these people screaming facts, but they fake woke
Hate their neighbor ’cause he wears a mask or he stays home
Has a daughter, but his favorite artist said he slays hoes
Picks her up from school, music slaps on the way home
Censorship’s an issue ’cause they choose what they erase
There’s a difference between hate speech and speech that you hate
I think Black Lives Matter was the stupidest name
When the system’s screwing everyone exactly the same
I just wanna spend Thanksgiving Day with food and my family
Without being accused of celebrating native casualties
We got so divided, it’s black and white and political
Republicans are bigots, libtards if you’re liberal
There’s riots in our streets, and it’s just getting worse
Y’all screaming, “Defund the police”, y’all are genius for sure
They’re underfunded already, they’re way too busy to work
Order food and call the cops, see what reaches you first

[Pre-Chorus 2]
Segregation ended, that’s a lie in itself
That was a strategy to make us think they were tryin’ to help
They knew that racism was hot if they designed it to sell
We buy up every single box and divide us ourselves

[Chorus]
They so fake woke, facts don’t care ’bout feelings
They know they won’t tell me what to believe in
They so fake woke, same old safe zones
They so fake woke, facts don’t care ’bout your feelings

[Verse 3]
Use violence to get peace and wonder why it isn’t working
That’s like sleepin’ with a football team to try and be a virgin
Politicians are for sale, and someone always makes the purchase
But you and I cannot afford it, our democracy is worthless
If a man has mental illness, call him crazy, say it silently
When country’s going crazy, we accept it as society
Get sick and take a pill when the side effects get you high
You get addicted like these rappers dyin’ fighting with sobriety
Censoring the facts turns our children into idiots
They claim it’s for our safety, I’ll tell you what it really is
Removing information that empowers all the citizens
The truth doesn’t damage points of view that are legitimate
They’re tryna change amen to amen and women
How’d we let ’em make praying a microaggression?
Instead of asking God for the strength to keep winnin’
We cheat to get ahead, and then we ask Him for forgiveness

[Pre-Chorus 3]
Feminism used to be the most righteous of fights
But these days it feels like they secretly hate guys
I don’t trust anyone who bleeds for a week and don’t die
I’m just kiddin’, but everything else that I said is right

[Chorus]
They so fake woke, facts don’t care ’bout feelings
They know they won’t tell me what to believe in
They so fake woke, same old safe zones
They so fake woke, facts don’t care ’bout your feelings

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Backroads Alabama: Looking for Creeks, trains, and a dog named Fred

For the last several weekends I’ve been visiting various places throughout Alabama, ranging north and south, many with a connection to Alabama’s role in the Creek war. On the agenda were Fort Mims, Claiborne, and St. Stephens.

I often read around the Creek war, but never about it. From what I’ve gathered this weekend, tensions rose sharply in the early 19th century between the Creek peoples of the area and early American settlers, who were pushing past Georgia into the ‘southwest’ territories. In one instance, a Creek faction known to be belligerent sought arms and ammunition from the Spanish in Mobile, and were ambushed by American settlers, then counter-attacked. In the resulting tit-for-tat fracas, civilians took took refuge in a homestead turned fort, along with soldiers and allied Creeks. The belligerent faction of the Creeks, the Redsticks, launched an attack that caught the fort’s residents off-guard, and used the fort’s defenses against it — using the portholes built into the walls to fire into the fort. Hundreds died, but the Redsticks would only have a short-lived victory.

The Redstick faction was then expressly targeted by the full U.S. army, throughout the Southeast, with battles across the Alabama Territory and Georgia. The most famous reprisal came when Andrew Jackson, confronted the Redsticks at one of their own fortified sites, in a bend of the Tallapoosa river. Although the Redstick commander arranged his barricade to invite attackers into a reverse U, Jackson waited with artillery booming until his Creek allies across the river began a rearguard attack, and then commenced his own assault. Surrounded, and their only possible line of retreat likewise cut off by Jackson’s men on Bean Island, 80% of the Redstick forces were killed. Their commander, Menawa, survived; interestingly, he was the son of a Creek woman and a Scottish fur trader.

Through the trees there’s a series of white posts; that’s where the Red Sticks had their barricade. American cannons were painted blue in honor of the French practice.
The river, and across from it Bean Island. Here Jackson stationed troops to prevent a sideways escape across the river, effectively hemming the Red Sticks in from three directions.

The commanding general at Fort Mims, Ferdinand Claiborne, gave his name to a nearby stockade-turned-river town, Claiborne. I’d never heard of Claiborne until last year, when reading parts of Rivers of History; Claiborne was named as one of Alabama’s early river towns, one larger than Cahaba and St. Stephens, both sites of early Alabama government. One of its more famous sons, William Travis, died at the Alamo; the town itself appears to have peaked in 1830 and withered away after the Civil War. General Claiborne is all over the place during the Creek wars; he appears to have had general supervision of many of the forts.

The fort itself is no more; only a sign in a lot not far from the river bears witness to its existance. The battle at Holy Ground took place midway between Selma and Montgomery; it was there that one of the Redsticks’ more flamboyant leaders allegedly drove his horse over a ridge into the water to escape. Not far from the Claiborne signpost is a Masonic lodge, the oldest building in Monroe County and possibly once part of the town.

Marker for the old fort

St. Stephens, a fort-settlement created by the Spanish, had been ceded to the English and then passed into American possession, is nearby. I haven’t done any background reading into the fort and its brief history, but it sits in the granddaddy of dozens of Mississippi and Alabama counties, Washington, and was the territorial capital of Alabama before statehood. According to the signage, the old town was deserted by the 1820s, though apparently the incorporated village of St. Stephens (a couple of miles away from it) was formed in 1830.

That ridge across the lake is where the fort was.

In eastern Alabama, I paid a visit to Rockford to see its old jailhouse, built entirely of rock; and to pay my respects to Fred the Town Dog. I was told he was buried near the rock jail, but I only found a sidewalk leading to a tree stump and a pile of stones. Possibly a grave, but surely Fred the Town Dog had a placard, at least. He was Fred the Town Dog, appearing in Christmas Tales of Alabama and an Animal Planet special! After wandering around downtown Rockford chatting with people, I found someone in the post office who knew exactly where Fred was.

The goodest of boys, I’m told Fred wandered into town with the mange, took up residency near the liquor store, was nursed back to health by the town residents, and later became the ‘author’ of a newspaper column. Then he was bitten by something Mysterious and died. (“Mysterious” is always used to describe the animal bite in the Fred accounts I’ve read.)

Much further east is the small town of Wadley, which I reached late in the afternoon after exploring Horseshoe Bend. I went there to see one of Alabama’s four extant Mission Revival train stations. Judging by appearances there may soon be only three extant Mission Revival train stations in the state. The inside looked rather junked up; I was curious but didn’t have a flashlight or company, so I decided not to tempt fate.

Let’s wrap up by looking at a couple of buildings in good shape: the Masonic lodges in Claiborne and St. Stephens!

The oldest structure in Monroe County. (And yes, that’s the same Monroe County that Harper Lee’s Monroeville is in.I drove through it several times last weekend!)
Lodge in St. Stephens, Al.
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Plague, Inc: The Cure

Back in August I made mention of a game I’d been playing during all my free quarantine-time, Plague, Inc. It’s a pandemic simulator in which the player’s goal is to actively destroy humanity with a disease; I’d heard of it because its publishers had announced that they were working on a new game mode, The Cure, in which the player instead is spearheading a global fight against a pandemic. It was released yesterday, and I’ve been failing at it since. It’s FREE TO PLAY (apparently), until “Covid-19 is under control”.

Part of the game unfolds as one is used to: tiny red dots slowly fill the globe as a disease breaks out and spreads across the planet, following the lines of transit. This time, though, instead of guiding the plague to different symptoms and increasing potential vectors, the player attempts to thwart the virus by building a response network, imposing quarantines, educating the populace, expanding treatment options, etc. Strong quarantines are an option, but they can backfire just like strong symptoms do in the regular game mode, provoking a counter-response: this time, populaces can start not-complying, and they’ll do so even as the country is collapsing around them from the dead. So far I’ve played five games and…failed 4/5ths of them.

My first attempt was oddly the most effective, despite my not knowing what I was doing: I didn’t even know how to access tools until the game yelled at me to do something before it was too late, and I was slow to explore the various options, so by the time 93 million people were dead, I’d slowly woken up to the fact and and was starting to issue vague announcements that people should you know, wash their hands and stuff. Eventually the plague spread too far and killed too many and I was fired. But hey, we had a vaccine and it was just about to start being distributed!

My second and third attempts also resulted in my being fired, apparently because I was imposing too many strictures and people were still dying. I’ve gotten better at not letting the disease spread, though. I mean, all of Central Asia is dead, and so is South Korea, but they had it coming — noncompliance was at 100%! All I did was close everything and order everyone to stay at home and watch Netflix.

Finally, on my fourth attempt, I managed to not get fired long enough to see the vaccine finished, manufactured, and distributed. It was a close-run thing: I got all the way down to 2% authority before I imposed censorship to stop people from complaining. Those wicked Canadians broke the gag order, but by that time I’d already started shipping vaccines and my authority rose.

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Alabama: Making of an American State

Alabama: the Making of an American State
© 2016 Edwin C. Bridges
264 pages

In December of 2019,  the streets of Montgomery were thronged with people as the citizens of Alabama celebrated its 200th anniversary. The three years prior had been full  of special events, lectures, etc themed around the history and heritage of the state; Alabama: The Making of an American State was one of the many books published during that period, offering a generously illustrated narrative history of the State from its earliest residents to the present day.   A recent weekend trip exploring sites connected to the Creek War in Alabama  prompted me to begin reading this for background information, and I was greatly impressed by its content and presentation.  

Although a historical overview doesn’t necessarily need a thesis, Bridges offers one, arguing that Alabama has played a surprisingly central role in many of the United State’s pivotal moments. This goes well beyond the obvious roles Alabama played in the Civil War (hosting the first capital of the Confederacy, and providing 2/3rds of the South’s munitions in the latter years of the war) and the Civil Rights movement.  Bridge’s account shows how Alabama’s early settlement contributed to rising tensions with the Creeks; in the intertwined conflicts of the War of 1812 & the Creek Wars,  Alabama was the site of several decisive battles. The masssacre at Fort Mims by a belligerent faction of the Creeks prompted not only swift and merciless reprisal, but propelled men like Andrew Jackson into the national spotlight. Alabama led the way in creating the New South,  embracing rails and industry with enthusiasm, and one of its native sons, John H. Bankhead,  was instrumental in the creation of a national highway system.  The 20th century story is more  familiar – industrialization and wars,  economic diversification, Civil Rights,  the Huntsville contributions to the space race, etc.  

Despite being a lifelong Alabama resident and student of history,  I learned more than a few things from Bridge’s artful history.  I didn’t realize how complicated the Creek wars were, for instance: they didn’t simply pit white settlers against native Creeks, but often mixed populations and people of mixed loyalties against one another.  I didn’t realize how long it took the plantation oligarchy to fully establish itself, triumphing over Alabama’s far larger freeholding population. Though fiercely independent,  the yeoman class’s zeal to be not dictated to often resulted in their being subtly manipulated, instead,  generally to their detriment.  Although the yeoman freeholders are long gone,  their spirit lives on – as does their steady manipulation by both state and national politicians. 

If you’re looking for a survey of Alabama history, Bridge’s work recommends itself. The narrative is easy to follow, doesn’t drift into partisan editorializing, and absolutely abounds with quality photographs.

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The Wonder Boy of Whistle Stop

The Wonder Boy of Whistle Stop
© 2020 Fannie Flagg
304 pages

One of my favorite movies growing up was Fried Green Tomatoes at the Whistle-Stop Cafe: why on Earth this movie became a favorite in my very sheltered household, I cannot say; it was a story of a woman struggling to find a path forward for herself, of the interesting relationship between two women in the ’30s of Alabama, of Klansmen and murders and possibly cannibalistic barbecues — not exactly family friend stuff. I most loved it for the character of Imogene “Idgie” Threadgoode, whom I’d call an irrepressible tomboy if that didn’t feel like a disservice to her character; Idgie was no one to be boxed, labeled, and dismissed. I read the book that the movie was adapted from in high school, and recognized the story though I found its presentation in the book to be…fragmentary and disjointed. Fannie Flagg adopts that same odd style for its sequel, The Wonder Boy of Whistle-Stop.

If you’ve never encountered the book, or the movie, it’s two intertwined stories that intersect in the small town of Whistle Stop; of the extraordinary bond shared by two women, Idgie & Ruth, as they survive the death of the man who brought them together, Idgie’s brother and Ruth’s husband. — and become parents to Ruth’s son, as they run a cafe together, frustrated the Klan, and possibly kill a man. Their tale, unfolding in the thirties, is told decades later by Idgie’s sister-in-law Ninnie, who encounters a down-in-the-dumps woman (Evelyn Couch) and seeks to inspire her by Idgie’s example. (Now, I haven’t read the novel since high school, so it’s liable I’m mixing it with my impression of the movie.) Wonder Boy is a sequel in that it follows the lives of several Fried Green Tomato characters, chiefly Ruth’s son Bud and Idgie herself — but it also revisits the original story. Because of the fragmentary narrative style, we bound from 1930s Whistle Stop to 2009 Atlanta with the turn of a page, there and back again, going back and forth and seeing our main characters as they are and as they become; Bud as a small child, Idgie his doting aunt/co-mother; Bud as an old man with grandchildren, and Idgie a distant memory. I’ve watched the film so many times over the years that only a gentle stir was needed to bring everyone to life again. Frankly, I’d forgotten that Evelyn Couch was even in the original book, but here she plays a much more active role, no longer the spellbound hearer of Ninnie’s tale. In fact, she plays a lyinchpin role in the novel’s almost too-perfect ending, in which all the loose ends are tied up and every tear dries. It’s sweet to the point of saccharine, but sometimes there’s a need for that.

Those who are familiar with the characters and the story of the original book will find themselves right at home; it’s messy but fun, and filled with characters both known and loved. It’s left me wanting to revisit the original novel, and soon!

Incidentally, I recently paid a visit to the the inspiration for the Whistle Stop Cafe. Unlike Whistle Stop, Irondale AL is not deserted; it has instead become a suburb of Birmingham. The cafe was run by three women in its original heyday, and is incredibly popular still today. I was there when the doors opened, and when I’d finished some of the best fried green tomatoes I’ve ever tasted, the line was out the door.

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Where I Come From

Where I Come From: Stories from the Deep South
© 2020 Rick Bragg
256 pages

“I write about home so I can be certain someone will. It is not much more complicated than that.”

What a joy Rick Bragg is to read! A native son of Alabama, Rick Bragg is a journalist-turned-folklorist in the tradition of Kathryn Tucker Windham, who here collects a series of articles inspired by the people and places of the Deep South (sans Mississippi, amusingly), resulting in a title of steady humor and down-home nostalgia. I’ve previously enjoyed his tribute to his mother’s cooking, and an oral-history reflection of the fate of a mill village, but this varied series of vignettes will keep me digging into Bragg’s bibliography.

Most of the pieces are fairly representational of what I’ve come to expect from Bragg. There are the semi-biographical musings, as Bragg tells stories about characters in his family or his youth. ‘Characters’ are usually people, but not always; many of them are dogs, and one frequently-hailed character in this collection is a now-shuttered hotel in New Orleans. Although most pieces have a Bama connection, Bragg’s love for New Orleans manifests itself repeatedly in fond vignettes set in the city, and a few other places of the Deep South receive attention as well. There are odder ducks in the collection, like Bragg’s letters to Santa…..and Santa’s reply! Several pieces hail southern luminaries after their deaths; Bragg’s friendship with Pat Conroy and his one encounter with Harper Lee are the basis of two such items. As a whole, Bragg’s latest is a fascinating hodgepodge of topics, from the opening tale of his hooking an already ill-tempered goat while fishing, to his ruminations on the popification of country music.

While I’ve not read many of Bragg’s works (this makes three), I readily admire his celebration of the South’s unique quirks that leaves politics where it belongs — outside. Even when his people are an absolute mess, he still looks on them with love, reminding me a bit of Bill Kauffman’s affectionate tales of Batavia that wander in through all his writing. Bragg sums up his appeal for me in a short piece on why he writes about ‘home’ — so he knows someone is, so the stories of characters of common clay won’t be forgotten. Bragg always reminds me of a world that’s fast fading away, one in which no everyone has been homogenized by the television to think and talk in predictable patterns. The people and places he brings to mind are those that were Characters, who gave to the world real joy in their diverse quirkiness.

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