Live, from New York — It’s SATURDAY NIGHT!

At the end of 2022, a friend of mine discovered that his former roommate had left a boxed set of SNL’s first five seasons — or at least, season two of the same. He was a teenager when SNL first aired and grew up it, and offered to introduce me to it, since I’d never seen anything of SNL. I was immediately smitten by Jane Curtin and Gilda Radner, and became fond of the Weekend Update routine. After plowing through season 2, I found a full boxed set on eBay, and we subsequently finished seasons one through four, my friend explaining the various seventies references and jokes that would have gone over my head entirely. I bought this volume to learn more about the early years of the show, though it covers everything up to the early 2000s. The subtitle is important, because lines from interviews constitute nearly the whole of the book, so there’s no narrative beyond what the interviewees contribute themselves. That largely works, though it does create some frustrating gaps: for instance, they mention Gerald Ford’s cameo in passing, but not how that happened. Still, the interviewees are largely good at delivering the general story of how things happened. I was surprised to learn that the show was created just to fill up space after Carson pulled permission to air his reruns on late Saturday nights: interesting that something so creative and culturally significant originated as an airwave band-aid. I imagine this book is of great interest to serious fans of the show, but once we’d left the era of the Not Ready for Prime Time Players, mostly what kept me powering through was recognizing names that gained more fame later on, sometimes in part because of the exposure the show gave them. Although Lorne Michaels created the show with the intention of using unknowns, later showrunners purposely hired comics who already had an audience, though this could trap the show into depending on one or two particular people instead of a strong ensemble, with severe consequences if they left. Learning how the show worked — or didn’t, sometimes — was interesting, as were the lives of the cast and writers, and the office politics. I was not surprised to learn that drug and alcohol abuse were rampant, though not everyone partook: Jane Curtin was as straight-edge as her character in “Weekend Update”. More than once, hosts took the stage and conducted the show under heavy influence. My favorite factoid was learning that Dan Akroyd and John Belushi bought a building with a ground-story bar, and after the show they’d just go there and hang out with friends: this was an incredibly cool incidence given that I watched the show in a ground-story bar space that served as a private spot for socializing. This was a fun-enough volume, though I imagine I would have enjoyed it more consistently if I’d seen the show beyond the original cast. (And technically, I still haven’t finished it….once I have, no more new Gilda.) My exposure to the show outside of these DVDs has just been ocassional clips, which don’t communicate the full experience of the show — the sometimes strange, sometimes awesome music, gags like having a monster ‘attack’ the studio audience, that sort of thing. Jim Breuer’s “Joe Pesci Show” is a favorite from later years, especially the clip where John Goodman is somehow pulling off a Robert de Niro impersonation despite weighing twice again as much.

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Top Ten Tuesday

Today’s treble-T is covers with things found in nature, so off to the science shelves I go. Et voila!

Time for Tuesday teases!

I have changed the names of many characters in this book, because most of those people own guns.

Boredom, I knew, was a dangerous thing. For some children, it led to experiments with sex, and drugs, and alcohol, and lighting one another on fire, sometimes with the alcohol. For some of us, the never-ending rural ennui led to destructive habits with literature.

The World’s Largest Man, Harrison Scott Key

[Washington Park’s] prime tenant was a team with the wonderful designation of the Brooklyn Bridegrooms, so named because several of its members chose to marry shortly after the team was formed.

After several years of suffering, the team’s marketing officials tried to make the most of the situation by offering “Croix de Candlestick” pins to fans who stayed through the rare extra inning night games, which showed a snow-capped version of the team’s monogram and had the Latin motto Veni, Vidi, Vixi (slightly changed to “I came, I saw, I survived”). 

Ballpark: Baseball in the American City, Paul Goldberger

Genesis never disappoints, crammed as it is with nudity, murder, and many delicious set pieces involving nudity and murder in addition to DIY boatbuilding instructions.

You can’t help but laugh at these people, who behave exactly like people. When Adam and Eve break the rules and eat the fruit and their eyes are opened and human history begins and God shows up and asks if they did the One Thing He Asked Them Not to Do, Adam, the first man, paterfamilias of all humankind, the archetype for every loving husband in human history, rats out his wife and disappears into the shrubbery.

How To Stay Married, Harrison Scott Key

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Lovers and Other Strangers

Where is this place, this retroland of glamour and sleaze? Where are these tenebrous backrooms and beachfronts vivid with bunting? Not of our time, surely, yet the details of their composition — a provative pose, a yearning expression, a cigarette held just so — are certainly of our world, a kind of limo where past and present elide, a dance to the music outside of time.

Perhaps twenty years ago now, while looking for modded content for The Sims*, a painting to place in game caught my eye. It was of a man and woman at a train station, the man in a somber grey suit and the woman in a bright red dress, their embrace ending a long separation. It was called “Back Where You Belong“, and led to my becoming a fan of Jack Vettriano, a miner who taught himself to paint. A print of that painting and another, “Lazy Hazy Days” now decorate my bedroom, and until very recently (when I hung a print of Grant Wood’s “Spring in Town”) he was the only artist to be featured there. Lovers and Other Strangers collects a hundred of Vettriano’s paintings into a single volume, prefacing them with a biography of the artist, and commentary on his work. There are a few other collections like this on Amazon, all with a theme: another is “A Man’s World” and focuses just on male subjects. This particular collection, as the name hints, is marked chiefly by the ‘torments of romance’, and so incorporates some of my favorite pieces like the aforementioned, plus “Dance Me to the End of Love”, “The Singing Butler”, etc. I’ve included a collage of some of my favorite pieces collected in this volume below, and as you can see Vettriano’s paintings all have a historic setting — though he’s not limited to a particular timeframe. In addition to his characters’ dress, which speaks to past eras like the 1940s, Vettriano’s backgrounds also add to the nostalgic feel, given the frequency of settings like train stations, booming factories, and cozy cafes that have been replaced in modern America by fields of asphalt, the rustbelt, and remarkably ugly fast food chains whose decor says one thing only: give us your money and get out. Romance, love, and even eroticism are a strong part of Vettriano’s work; while he doesn’t paint couples exclusively (many of his works have a sole male or female character, or depict casual socialization between groups of men, etc), they’re arguably his most memorable — sometimes for the beauty, sometimes for the pathos. There’s palpable emotion in a lot of his work, like sorrow, heartbreak, and wistfulness along with the joy and warmth of other paintings. One thing I noticed in studying the gallery in this book is how often there’s a voyeur-type figure in the paintings — spotted in a mirror, hovering in the background. Given the intimate moments we’re witnessing, like a man smoking a cigarette in bed, a letter dangling from his hand and despair on his face — I wonder if that figure is meant to be the viewer, in some way. I’m glad to have stumbled on a copy of this, as there were a few in here that I haven’t seen before despite actively following Vettriano and plotting to fill my entire living space with prints of his work for twenty years.

* Fun fact: things came round full circle, as I made a “Back Where You Belong” painting to include in houses for The Sims 4.

For frights and giggles, here was an early experiment of mine with Bing Image Creator, attempting to recreate “Back Where You Belong” with Frank Sinatra and Amy Winehouse.

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The World’s Largest Man

When Harrison Scott Key was young, his father opted to uproot the family from Memphis and moved to an old farmstead out in the country – -the reason being, a boy needed to grow up outdoors doing things. Harrison did indeed growing up doing those things — attacking the dirt with a shovel in a pretense of farming, sitting in the woods freezing and sneakily reading a book while he was meant to be watching for deer with an intent of obtaining supper — but always felt a bit uncomfortable doing it, like he’d slipped the left boot onto his right foot. He’d rather be grocery shopping with his mom, honestly; that was the kind of hunt he excelled at. The Largest Man in the World is Key’s memoir of growing up as someone who didn’t quite understand his father, and who was not himself understood; the memoir follows him into his own adulthood, as he became a father to girls and developed a newfound appreciation for his own father’s befuddlement. Rod Dreher, a writer from Louisiana, referred to Key’s book as “the greatest, funniest, and tenderest evocations of Southern culture that ever was”, and while I won’t go that far (Rick Bragg and Sean Dietrich, anyone?), this book did keep me laughing all day. Part of it is his frequent absurd exaggerations, which nonetheless capture the peculiarities of growing up in the south; any story worth tellin’ is worth exaggeratin’, as they day. As a teenager listening to the patter around the family table, I often wish I had a recorder to capture the unique way deep-country people talked; not the accents, but the expressions and cadence. That’s also part of the magic here, especially at the beginning. Although the book is definitely funny, it’s not a ‘comic’ book in the way of Lewis Gizzard or someone similar; Key deals with serious themes like racism, people trying to understand one another, and marital issues as well. The latter were hard to read about knowing that Key has recently published a book called How to Stay Married, in which (with his wife’s permission) he reflects on the long night of the soul he and his wife went through after he discovered that she was having an affair.

This funny thing happens when people ask where I’m from, especially when I’m at academic conferences, where people are so often from uninteresting places. “Mississippi,” I say. “Oh, wow!” they say. I can tell they’ve never seen a real live racist before, or at the very least someone who’s related to a racist, or has seen one in the wild. It’s exciting for them. They want to tweet it. They want to write a memoir about it.

For my tenth birthday, Pop presented me with a Remington 12-gauge pump. “This gun right here can kill a grown man,” he said, which made it sound like we’d been trying to kill grown men for many years without success.

I do believe in the power of Jesus and rifles, but to keep things interesting, I also believe in the power of NPR and the scientific method. It is not easy explaining all this to educated people at cocktail parties, so instead I tell them that it was basically just like Faulkner described it, meaning that my state is too impoverished to afford punctuation, that I have seen children go without a comma for years, that I’ve seen some families save their whole lives for a semicolon.

Boredom, I knew, was a dangerous thing. For some children, it led to experiments with sex, and drugs, and alcohol, and lighting one another on fire, sometimes with the alcohol. For some of us, the never-ending rural ennui led to destructive habits with literature.

I enjoy talking about hunting about as much as I enjoy talking about new technologies in women’s hosiery, but I have very few subjects that I can discuss with my father, and those subjects are: Football, Weather, Money, Children, Children Today, Beating Children Today, and Hunting.

The camp house was no gentleman’s hideaway. It was a double-wide trailer, dog pens, a grand old Confederate flag that looked like it had been chewed by aphids and a pack of abused coyotes, the smell of old blood and rotting carcasses; it might have been a kind of romantic hideaway, if you had kidnapped your lover and planned on turning her hide into a lamp.

Out there, the beauty and the violence were all mixed up. Like the time I saw the many-pointed buck swimming across the Coldwater River one January day, perhaps the most sublime scene I have ever witnessed, and how my cousin steered his boat that way so he could stab it in the neck with a knife. It would not have been my first inclination to engage the creature in such brutal gang warfare, but then, I assumed that this was what you did in Mississippi, perhaps because there were so few actual gangs.

It was pretty clear that fights were over dignity and honor and women, and since I had no dignity or honor or women, I felt safe. Nobody had any reason to want to hit me. Then I learned that some people will hit you for no reason at all.

Mom came staggering up from a darkened corridor. “You done had a cigarette,” Pop said. “I can smell it.” “Kiss my butt,” she said. “It’d be a lot to kiss,” Pop said. These were my role models.

n the eighties, when the prevailing wisdom was that American cities were full of gangs, drugs, homeless people who raped joggers, joggers who raped the homeless, and Satanists who sat around sacrificing children and playing Dungeons & Dragons, the narrative of many a film was “moving out to the country” to get away from all the danger. But we knew what the movies did not: that the country was much worse. We had no Satanists, but we did have tractors and hay balers, which I am pretty sure killed more children during that same period than Satan ever could.

My wife was a riddle. I think all women are. Men are not riddles, even the smart ones. We are independent clauses, such as: “I like meat.” “Water feel good.” But a woman is a sentence eighty yards long with no commas, a cryptogram, a Finnegans Wake, and a man is holding the book, and he is trying to read it, and he is confused. “Women are funny,” Pop said, on the phone. “They sure are,” I said.

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Neo Cab

This is going to be an unusual review, because Neo Cab isn’t a book. It’s a visual novel that people experience as a video game, a novel set in a dystopia that touches on so many topics — corporatocracy, the multiverse, free will, the way social media reduces people to shallow performance artists — that as soon as I finished, I began replaying it to see what characters and threads I’d missed on my first run. The setup is simple: we open on a gig cab driver named Lina approaching the city of Los Ojos from the countryside, reflecting on the change she’s about to make in her life. An old friend of hers named Savvy, who she had a fight with some time in the past and has not seen since, has just invited Lina to stay with her in the city, and it seems like an opportunity not only to restore their friendship but to make a little coin. Almost immediately, though, Savvy disappears, and as Lina desperately works the streets in her cab trying to earn money to meet the necessities — energy for her car, a place to sleep for the night — she also begins asking questions, trying to figure out what Savvy was involved with and what might’ve happened. The story is nonlinear, evolving as the character chooses different fares for the night, and has different conversations with passengers. They’re a capricious lot, and even fares who seem to like Lina may leave her a three-star review or worse if the conversation doesn’t go a way that pleases them — but conversations that please the fare don’t necessarily bring Lina any closer to the truth. I haven’t re-played the game enough to know if reaching a resolution is inevitable, but in every instance I’ve tried the clues start turning up soon enough. I was personally surprised by how absorbing the story and the characters were: I honestly felt invested in what happened in their fates. The environment is very cyberpunk, of course, from the neon-saturated city to the soundtrack — and the main story is about a group of activists trying to take on a huge corporate behemoth. Lina will get involved with this as she tries to find out what’s happened with Savvy, though their relationship is more important to the exact ending one gets than the player’s decisions to take on Capra. This isn’t Tech Support Error Unknown where the player’s role as a tech troubleshooter makes them choose between hacktivists, the corporation, and the police. There’s also the disturbing amount of bio-tech and human augmentation, from people having holoscreen surrounding their heads to one girl living in a mechsuit to protect her from the elements. Although the ending is a little rushed, between the writing and the aesthetics Neo Cab is unforgettable and cool.

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The Royal Society

Over ten years ago I devoured a history of science series by Ray Spangenburg and Diane Kit Moser that played a large part establishing my basic adult understanding of science. While reading it, I was particularly fascinated by the role that the Royal Society played in the scientific revolution, and it has remained an object of interest ever since. The Royal Society is a very brief history of the titular institution, from its beginnings as an informal gathering of ‘natural philosophers’ and continuing to the present day. Its quite readable, but lamentably short: scarcely over a hundred and twenty pages, in fact, because there’s a hefty appendix with biographies of some of the Society’s more notable Fellows. The Society’s early decades are easily the most interesting, given the period of science they capture: this was an era where amateurs could make significant contributions to scientific fields, when polymaths and generalists predominated instead of hyper-specialists. The best minds of Europe were beginning to unravel some of the most fundamental secrets of nature, laying the foundation for the industrial revolution, modernity, and the conquest of humanity by its own devices. The Society was part of this, publishing papers and funding expeditions across the world — or, badgering ship captains to bring them something interesting. Although some women had connections to the society, presenting lectures and even receiving medals, not until after 1945 when corporations and the like were banned from discriminating on the basis of six were women admitted as Fellows of the society. Although I enjoyed this as a light history of the Society, Bill Bryson’s edited collection of essays on the Society’s influence, Seeing Further, is more substantive.

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In the Company of Trees

In the Company of Trees is a little volume of photos and reflections on trees, a pleasant mixture of science and cultural writing peppered with arboreal quotes — though not, curiously, the classic “I think that I shall never see / a poem as lovely as a tree”. (That verse is partially appropriated for the title of one section, though.) A piece on the life of the strangler fig tree is followed by a history of Christmas trees, for instance, and connected by a bit of German verse hailing the trueness of Tannenbäume. The photos are often gorgeous, and despite having read full-length monographs on trees and forests, I still learned a few things: I’d never heard of the Wollemi evergreen, for instance, an ancient species considered a living fossil and now being actively propagated, nor of fig stranglers. The trees that feature here hail from every part of the globe, including Antarctica, which was once subtropical. This is a coffee-table kind of book, attractive and easy to dip in and out of. Those who want a hardier read would most enjoy Peter Wohlleben’s The Hidden Life of Trees, one of my favorite science books ever.

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The Littlest Library

Such is my mood for cozy village novels featuring libraries and bookstores that I read this even knowing it was a romance. And I liked it. Granted, it’s set in a cozy rural village in Devon and features a librarian, so even with the romance bit it’s playing straight to my tastes — and frankly, the romance bits aren’t that much numerous than I’ve found in Bernard Cornwell’s Sharpe books. Instead of happening among battles and political plots, though, they emerge amid exciting village politics, like whether the red phone box should house a little library or a defibrillator machine. As the plot opens, our lead Jess Metcalfe is a librarian who has just lost her job and is planning on fleeing the house that reminds her all too much of her recently deceased grandmother, the woman who raised her. On a drive she takes a left turn and finds herself in a quaint but slightly decaying little village and is immediately distracted by a similarly quaint-but-decaying cottage within, and the grumpy guy with broad shoulders who lives next door and has an oh-so-adowable-and-precocious daughter. No points for guessing where the plot goes from there! Jess buys the cottage and discovers that she’s now responsible for the red phone box on the property, and decides to turn it into a little lending library that proves to be a newfound nucleus for the village to rally around, finding joy in arguing about books instead of slowly drowning themselves in wine. There are various little drama-strings that get all tied up at the end, so this is basically a Hallmark movie in a book — but frankly, right on the heels of a few grim SF reads, it was just what the doctor ordered.

Highlights:

“I haven’t accidentally moved into one of those Agatha Christie sets, where the body count climbs relentlessly but there’s always cucumber sandwiches for tea?”

“I appreciate there’s a lot of ‘accidentally getting pregnant,’ and I just want to reassure you we’ve worked out what causes it now, what with Rak being a doctor and all.”

Coming up: The Royal Society, air conditioners, this and that…

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The Downloaded

In the 26th century, two groups of humans are awakening. The first are a group of scientists who think they’re on a spaceship headed toward Proxima Centauri, there to begin Earth’s first colony. The second are criminals who were part of a experiment: a la DS9’s “Hard Time”, they’d serve their prison sentences virtually, living decades in their heads while only a short time passed for realsies. Both parties have their bodies frozen and their consciousnesses stored on a Quantum Computer. Only…..something’s gone wrong, for both parties, and instead of finding themselves colonizing space or going home to see their loved ones, both groups wake up in an Earth lab hundreds of years in the future where the only known living humans are Mennonites. Too bad they’re going to die because in addition to the civilization-ending Whatsit that happened, there’s a-coming a planet-busting asteroid known as Brimstone, so the humans’ only hope is to board the hundreds-of-years-old spaceship and get the hell out of Dodge. The result is a mixed bag, an audio drama with a solid ensemble cast and sound effects that is quite enjoyable to listen to when the voice actors aren’t being brought down by the author’s uninteresting political insertions (lecturing people on covid face-diapers? Really?) and the thoroughly depressing storyline. The mix of ‘interesting premise’ and ‘insufferable author’ is consistent with his Hominids trilogy, the first of which I liked well enough, but found just obnoxious enough not to bother continuing with — and that was before I’d completed my transition from ‘increasingly dispirited progressive’ into ‘thoroughly cranky libertarian’. If you’re really into Brendan Fraser and like audiodramas, this will probably be enjoyable, but I can’t imagine trying to finish the book without the strengths added by the cast.

And now, a Fraser-related palate-cleanser:

Ah-ah! Eee-eee! Tooki-tooki!
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Tuesday Teasing

I was starting to get the feeling there was a lot Sloane hadn’t told me. Blood pressure cuffs. Enchiladas. Tall, strange men who weren’t her fiancé. This was turning into a very intriguing book club.

The Lonely Hearts Book Club, Lucy Gilmore

Irish folk songs, as far as I can tell, have mainly to do with drinking, pretty girls, missing your homeland, beating up British soldiers, and taking somebody else’s things.

The Lies of Our Time, Anthony Esolen

Turkeys have been known to attack and seriously injure grown men, and once, down by the road, one of them attacked our dog (a dog who was no longer living when I began to feed deer), as we learned when we heard her screaming as if she’d been hit by a car. We ran to her aid and found her cowering under some bushes. In a nearby tree a big tom turkey was looking down at her with his feathers all fluffed.

The Hidden Life of Deer, Elizabeth Marshall Thomas
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