Ender’s Game
© 1985 Orson Scott Card
384 pages
Related:
Starship Troopers, Robert Heinlein. Humans vs bugs, but more SF war and political philosophy, less childhood stress.
Ender’s Game
© 1985 Orson Scott Card
384 pages
Related:
Starship Troopers, Robert Heinlein. Humans vs bugs, but more SF war and political philosophy, less childhood stress.
The Fall of Saxon England
© 1975 Richard Humble
242 pages
History never rests. In the middle of the first millennium, the great tide of the Roman Empire began at last to recede. Its legions stationed in distant reaches of the realm, like those in Britain, were removed to better protect the heart of Rome from its many enemies. The Britons were left to their own devices, and into the vacuum left by Rome swept a multitude of European immigrants: Angles, Saxons, Picts, and Jutes. Latin was an unknown tongue to them, but they came, they saw, and they conquered. Establishing their own kingdoms the tribes reigned supreme for a few centuries — but then came the Vikings. Beginning in the late 8th century, the Saxon lands became the object of attention of the Danes, and for two centuries invaders, raiders, and aggressive settlers would pummel the island. Isolated raids gave way to massive armies that broke several of the Saxon kingdoms, while the rest fell under the lead of one man — Alfred the Great — creating a patchy but unified English resistance. His brilliant successes would be undermined by less able successors, however, pitted against wilier foes. The Fall of Saxon England is a blow-by-blow account of the Viking siege of England, ending with the invasion of William the Bastard. Hailing from Normandy, itself a Viking-taken area of France, 1066 put an end to Saxon self-rule. This storied military and political history of an England between Rome and Normandy has a sad end, but many of the actors are brilliant. Of special interest is a section on King Arthur, who the author speculates might have been inspired by Ambrosius Aurelianus. Highly readable, Humble delivers an education into how the great Saxon kingdoms, later earldoms, emerged and evolved until the Norman conquest.
The Copperhead
© 1893 Harold Frederic
108 pages
War can destroy a city without the first shell falling on it. Such was nearly the fate of Four Corners, New York, a small farming community in its upper reaches. Far removed from the battlefields of the Civil War, the village nonetheless suffered its injuries. So far as Abner Beech was concerned, the world consisted of the Four Corners; the South was a distant land, its problems those of its own people. Before the crisis erupted, he was not alone in his sentiment: most of his neighbors were kindred spirits, one Methodist lunatic excepting. That was Jee Hagadorn, from a long and illustrious line of puritanical scolds. He is, among other things, an Abolitionist, and once the war begins he ascends from the fellow everyone avoids to spearheading the town’s support of the war effort. Abner Beech is astonished at how quickly his neighbors become enthusiastic about the prospect of great hordes of young men lining up to kill one another, and scandalized by the impending doom that lays in store for the Constitution in the wake of Abe Lincoln’s assumption of war powers, and widespread support of it. Beginning the book as a pillar of the community, Abner quickly falls from grace to become a pariah, spurned at church and forced by his own contrariness to keep to himself on his own farm. Matters worsen as his own child marches off to war, wooed by the lunatic warmonger’s daughter, and eventually he is subjected to a torchbearing mob outside his home. Although the original novel’s Beech is not nearly as sympathetic as his dramatized counterpart in Copperhead (the viewing of which prompted me to read this), he is nonetheless heroic in both holding on to his principles, and his in being easy to forgive. The story ends on a happy note, indeed far happier than the movie’s. Modern readers will find Beech prickly, but the enduring lesson has not changed regardless. War is a sinister thing, able to turn friends into bitter enemies simply for holding the wrong opinion.
Faith and Treason: The Story of the Gunpowder Plot
© 1997 Antonia Frasier
384 pages
I dedicated the month of April to England in part to clear space for reading a little Dickens and a little Austen, and here the month is past and I haven’t read one of either. The month was still a success, though, with lots of history and historical fiction, and more to come. Read of England will carry on until I have read Dickens and Austen, and yesterday I launched into Great Expectations. This is no self-punishment, because I’m not out of my mood yet and have two more English histories I’d like to take on before moving on to another big theme.
So far, and note that a couple of these haven’t gotten comments yet but will:
English Classics
…maybe Come Rack! Come Rope!, but does it count if no one has ever heard of it?
English History
Boudica, Vanessa Collingridge
Faith and Treason, Antonia Frasier
The Fall of Saxon England, Richard Humble
Fiction, Set in England
Armada, John Stack (Historical)
In a Dark Wood, Michael Cadnum (Historical)
The Other Queen, Phillipa Gregory (Historical)
Ruled Britannia, Harry Turtledove (Alt-History)
The Inimitable Jeeves, P.G. Wodehouse
Bachelors Anonymous, P.G. Wodehouse
Books by English Authors
Medieval Essays, Christopher Dawson.
.
More will follow. After this reading will be fairly mixed until mid-June, when I’m planning for a bounty of books relating to colonial America and the patriotic rebellion of 1776. More on that later.
Also, the 2015 Reading Challenge continues apace, and I am twenty books into it. Those taken:
A book with more than 500 pages (Politics on a Human Scale, Jeff Taylor)
A book published this year (The Empty Throne, Bernard Cornwell)
A book with a number in the title (Selma 1965, Chuck Fager)
A book written by someone under 30 (I Am Malala, Malala Yousafzai)
A funny book (Bachelors Anonymous, P.G. Wodehouse)
A book by a female author (Boudica, Vanessa Collingridge)
A mystery or thriller (The Iron Web, Larken Rose)
A book of short stories (The Inimitable Jeeves, P.G. Wodehouse)
A book set in a different country (Map of Betrayal, Ha Jin)
A nonfiction book (Winter World, Bernd Heinrich)
A book based on a true story (The Marriage Game, Alison Weir)
A book based entirely on its cover (The Internet Police, Nate Anderson)
A book that came out the year you were born (Ender’s Game, Orson Scott Card)
A book with a love triangle (The Other Queen, Philippa Gregory)
A book set in high school (The Chosen, Chaim Potok)
A book with color in title (Green is the New Red, Will Potter)
A book that made you cry (The Pigman, Paul Zinde
A book set in your hometown (Casualties, David Rothstein)
A play (“The Importance of Being Earnest”, Oscar Wilde)
A book you started but never finished (The Human Zoo, Desmond Morris)
Bachelors Anonymous
© 1973 P.G. Wodehouse
191 pages
Ivor Llewellyn and his lawyer Mr. Trout have been through five divorces together, but it’s time to say goodbye. Llewellyn is headed for England, but he leaves with parting advice from his good friend Trout: for heaven’s sake, man, steer clear of marriage! Trout’s own secret at avoiding matrimony is simple: he belongs to a discrete club of gentlemen who, when one of their members is headed down the slippery slope of copulation, rescues him. At the first batted eyelash, the first romantic date, the members of Bachelors Anonymous step in fight off the lady-types and redeem their pal. While there is no such club in England, Trout suggests that his friend look into employing some reasonably level-headed fellow in London who can help safeguard him from unwanted female affection. They find such a man in young Joe Pickering, whose heartfelt first play has just been ruined by a diva stealing all of the lines. In the comedy of errors that follows, however, and a string of coincidences so preposterous that even the characters are boggled at them, the book ends with at least two marriages. Wodehouse is a delightful absurdist; there is some pleasure just in the silly situations he comes up with, but the style of the story works to great effective. The characters are often pompous, and Wodehouse sneaks in little barbs that are completely nonsensical, but in a novel of this sort not altogether rout of place. He informs the reader, for instance, that one particular character’s flight to England arrived on time, thanks to the complete lack of a hijacking. It’s so apropos of nothing, and yet if the flight was hjacked, it’s the sort of random happenstances that would fit into a crazy, silly story like this. This is nothing but entertainment, of course, but it’s lively and stylish.
In a Dark Wood
© 1998 Michael Cadnum
256 pages
In a Dark Wood tells the story of Robin Hood, the merry thief of Sherwood Forrest, from the perspective of the sheriff whose peace he breaks. Sir Geoffrey of Nottinghamshire may be the High Sheriff, but he’s no villain given to dressing in black, kicking children, and shaking down widows for the king’s tribute. He is a dutiful functionary of the Realm, obliged to administer the king’s business. Before him lives are weighed in the balance, arguments are settled, taxes taken in. It’s soul-smothering work, really, and his wife is no relief, taken up as she is with a handsome falconer. When a prankster takes up residence in the forest flanking the king’s High Way, demanding tolls, Geoffrey is at first annoyed, and then – interested. This Robin is no simple thief. He doesn’t seem to be interested in taking great hauls, sabotaging the king’s interest, or persecuting innocent travelers; he’s out to have fun. He must be stopped, of course; the king’s law is perfect and none who thumb their noses at it can get away scot-free. But Geoffrey shies from becoming the man’s ruin, just as an overtaxed man might feel a pang of regret after suddenly roaring at a giddy child to stop singing. There is something wrong in the silence that erupts. There are no heroes here, no villains, only men crushed by the burden of responsibility and those free of it finding ways to rescue one another from meaninglessness. It’s an interesting take on Robin Hood that restores the sheriff to his full humanity.
Related:
The British History Podcast, Episode 10: Boudica’s Rebellion
At first, keeping a ward of Queen Elizabeth seemed like an honor and a boon. If she had only been a confined guest for a short time, she might have very well been. Alas for the Talbots the young queen initially being sheltered from those rampaging Scots quickly becomes an object of suspicion and intrigue. As the English court dithers about what to do with her, she hangs as a millstone around the neck of the Talbots. She’s a very royal creature, Mary; Queen Consort of France, Queen Regnant of Scotland, and — shall England be added to the list? It could, for Mary has Tudor roots, and that posits a problem for Good Queen Bess and an opportunity for her enemies. How easy would it be to justify overthrowing a spinster queen reigning over a schismatic church , replacing her with a merry young princess who Europe loves and who is perfectly capable of producing a few proper heirs? She’s a lightening rod for trouble, this Mary, and maybe it’s just as well that she’s in England, under watchful eyes. Mary’s royal appetites, however — the size of her staff, her curious insistence on bathing her face in white wine — are going to drive her guardians into bankruptcy if she doesn’t get them killed first. Although the model of saintliness to her hosts, Mary is constantly writing letters and scheming ways to escape to Scotland and regain her throne, or even to claim Elizabeth’s. England’s leaders aren’t blind to this, and they have a spy within the house that casts suspicion on Shrewsberry himself. For his part, he is slowly smitten by Mary, and doubly so when people keep asking him pointed questions. What has she done to make them so angry, poor innocent lamb? Eventually things go south, of course, and this being Tudor England it ends in executions.
There’s a lot going on this novel. It’s historical fiction, and Tudor drama gives an immediate kind of soap opera drama. Personal and political are mixed; Elizabeth’s advisers want to keep a close eye on Mary, but her presence in England heightens her threat. Throughout the book the Earl of Shrewsberry is gradually seduced by Mary; not sexually but in a style reminiscent of courtly love. He wants to be her knight in shining armor, even though her whims are destroying the fortune his wife has painstakingly built up and his defensiveness regarding Mary erodes his reputation at court. Mary is playing him like a lyre, though, as her own chapters reveal to the reader. I’d expected this to be sympathetic, and the book does make her out to seem a utterly lovely creature much of the time, but…jellyfish are also pretty. They are no less deadly for it, and when Mary is finally tossed into the tower and dispatched the only person I felt sorry for was Bess. I may give Gregory another try or two; soap operas aren’t much my style, but she has a great variety of works out there from the looks of it. She certainly succeeds in bringing to life again a long-dead queen.
Joe Steele
© 2015 Harry Turtledove
448 pages