Immoderate Literati

This is a screencap I took back in May, something I spotted while reading reviews of Wilbur Smith’s River Gods. At least no one is ambivalent about it!
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Week of Enchantment: Santa Fe, the City Beautiful

I headed for Santa Fe in the early dawn, driving even as the sun rose.  I’d been assured that the capital’s traffic was nothing like Albuquerque’s, and found this to be the case. It didn’t want for cars, but the roads didn’t lend themselves to Daytona imitations. (Santa Fe is also considerably smaller, both in population and in physical expression; when I climbed a hill north of town,  it made a happy picture, a quiet little city whose buildings didn’t tower over the trees.)   I’d been warned that the main road is a confusing horseshoe, and I did get properly lost trying to navigate it into Old Town. But because it’s a horseshoe, all roads lead to Paseo de Peralta, and  — to end a long story — I managed to find a parking lot just a street behind an Old Town entrance, and still have no idea how I managed it.

La Fonda

The parking lot attendant was marvelous, using my trip book to tell me where I was (just off the map by an inch), and soon sending me on my way. I wandered, first, going up and down streets willy nilly, soaking in the architecture so completely different from anything I’d ever ever seen. Even the subdivisions in Santa Fe are built in a style imitative of pueblos; it’s a code ordinance.  My two foremost objects of desire were San Miguel’s and the Palace of the Governors. Respectively, they are the oldest church in North America, and the oldest continually-used public building in North America. (Oddly, St. Augustine in Florida is the oldest European city in North America, but can’t dispute Santa Fe’s titles.  St. Augustine was razed at least once, though, so that may have cost it a few building records.)

It was just after seven a.m. here, the morning as cool as all the others I had expected. (Fun fact: I packed a suitcase full of shorts, with one pair of jeans for Carlsbad Caverns.  The days were so cool I spent the entire week wearing the same two pairs of blue jeans.)

Nothing was open for gawkers yet, but San Miguel made for a marvelous shot.  After obtaining a superior map from the visitor’s center, I returned to my sight seeing.  Santa Fe kept me in awe from seven until late in the afternoon.

First up was the Loretto Chapel, which is beautiful inside and out.  This is no longer a chapel, but a museum maintained by the city, and — as grateful as I am that this building has been preserved by their administration —   what has not been saved is any sense of atmosphere.   The crowd didn’t kill it for me, nor even did the man taking tickets inside the building itself. Some perverse soul decided to mount loudspeakers throughout the space that drone on about the history of the building and the staircase.   I found it appalling. Loudspeakers? Why not mount televisions, too,  so the kiddies won’t be bored?  

 The big attraction here, apparently, was the staircase. I’d never heard of it and assumed (from its mentioned appearance on ‘Unsolved Mysteries’ — it had a ghost associated with it, or healed people who climbed it, something like that.  I took a cursory shot of it but was more interested in the Stations of the Cross, easily the most elaborate of any I’d see.

The actual story with the staircase, as I learned later, was that the church architect died before creating access to the choir loft. The nuns prayed for help from St. Joseph, traditionally a carpenter, and lo! Some mysterious stranger showed up, constructed it without any visible means of structural support, without nails, and then vanished.  

After extracting myself from the building, I followed the Exit signs and found myself in a classy downtown hotel; they’re joined at the hip.

I returned to San Miguels, this time to see its open insides. I had plenty of company, but the women staffing it inside  were enthusiastic and friendly;  personable, not businesslike. They gave the visit a special kind of warmth.  Now hungry, I stopped at a nearby pizzeria (The Upper Crust), which was a favorite of people who actually LIVE in Santa Fe, and enjoyed a couple of slices before moving on.

Next I sought out the Basilica, the largest building in Santa Fe and one that looked so glorious on Wikipedia I knew I’d seek it out.  The basilica is named after  St. Francis, and proved to be too grand to really capture in a picture.  Draw close, and its size fills the eye; retreat, and it is coyly veiled behind trees and other buildings.

 Its interior is vast, so large that even the amount of visitors couldn’t diminish the awe it inspired. I sat for a while to admire some of the detail on the ceilings and pillars.  There are buildings that would require a lifetime of daily visitation to take in half their glory, the graceful touches that long-dead artisans added, and this is one of them.   I’d never been in a church so large than the sanctuary seem effectively in the middle, though I have seen them on TV.  

To the left of the sanctuary was a chapel devoted to La Conquistadora, the oldest icon of Mary in North America.

Not too far away was the old Plaza itself, and I knew I’d found the Palace of the Governors when I spotted Alabama flags. (Not really, of course, but the Spanish ‘Burgundy Cross’ is derived from St. Andrew’s cross, which both Alabama and Florida use as our state flag.)  The palace itself is a museum devoted to Spanish colonial history ,and connects to a more modern building that covers New Mexico’s 20th century.

It contained a fair few artifacts from colonial days — Spanish armor, weaponry, a full-size wagon from the days of the Santa Fe trial connecting New Mexico to the east — as well as native American pottery.  The building itself was an exhibit, though, with glass ‘windows’ built into the floor  revealing parts of the foundation.

My PC wallpaper since Oct 1st. 


What a delight that plaza was!  Now in the full of the day,  people filled it with music , food, and happy chatter. I ignored most of the gift shops, being more interested in the architecture, but “The Christmas Shop” had to be looked into. I saw one in Albuquerque’s old town, too.  I searched for the proprietor and told him about the coincidence, asking if it was a New Mexico thing — when they said Christmas all year, I assumed it only meant a mixture of green and red chile sauce — or a tourist thing.  It’s the latter, according to him. My curiosity mollified, I moved on.

My day in Santa Fe involved a lot of back and forth movement, but the last place I sought after was the Cross of the Martyrs, a concrete cross mounted on a hill, dedicated to the friars who died when the Pueblos drove the Spanish out of New Mexico for a little while. Here, I made my boob-of-the-day decision. I didn’t look for approaches to the hill, but beelined for it. Going around a small building, I noticed steps leading to the hill proper, and what seemed to be a dirt trail.  I realized as I clambered up, though, that I hadn’t seen a dirt trail, just dirt; the hill’s vegetation was patchy.  I pressed on, though, the rising slope and its challenge making the journey only seem more authentic, more pilgrimage-y.  When I slid down and hit something spikey, so much the better!

Twas then that I heard laughter, and – – now high enough that I could  see around the hill — spied two people strolling along. So there WAS an easy way! No matter. I’ll climb this the pilgrim way!

Ah, well.  After  repeated falls,  I realized I was just making an fool of myself for machismo or extra credit tourist points. I eased around the hill to where I’d seen the strolling pedestrian. Getting back on THAT path required threading myself through a barbed wire fence, but soon I was strolling along in tight S-curves up the hill.  Having arrived at the cross, the pilgrimy thing to do was to kiss it. I settled for wetting my index finger and touching it.   There was more to the hill, a path going to what I think was a picnic place, but I was worn out from my Ascent of Idiocy.

My last visit in Santa Fe was to the public library, where I printed off my boarding passes for my morning flight.  I found it a little surreal.  People sitting around reading,  or quietly looking at information on the computers — where were the moms with screaming children,  the librarians running around juggling?  The same attendant at the parking lot gave me easy directions back to the interstate, and soon I was on my way.

I have a few regrets from Santa Fe, but they couldn’t be helped. I had intended to visit the  branch of St. John’s here, a genuine liberal arts college. I say ‘genuine’ because St. Johns actually takes the Great Books seriously; they’re used to form the mind and character of the students. I drove right past the Missionary Hill sign,  too tired to remember St. Johns being down that road. Still later, once I hit the interstate, I was too tired to contemplate turning off to take the Sandia Peak Tramway.  This is a little cable car that can take visitors up the mountain, there to bask in the countryside. I’m sure it would be marvelous, but I’d been seeing Epic Vistas for a week now.   What I wanted more than anything, with my heavy eyes, was to return to my motel and sprawl in bed.

The next morning was a sad day, of course, but had a triumphant start.  Waking up long before dawn, I checked out and hit the interstate in the dark.  I’d slept  fitfully the night before, and at three am was listening to the never-easing rush from the freeway itself; now I joined it.  I had to find the airport for the first time  and return my car before the dawn, but I also had to find gas. My trip book came with the answers, though; a lone station near University Blvd that would take me to the airport.  I reluctantly turned over the keys to that Kia Rio, in which I’d spent so much time, and ran (suitcase in hand) to catch a shuttle-bus that got me to the airport’s check in counters.   Even so early, just after six,  people filled the lobby for early flights, and despite my early rising I still wondered if I might make it out in time.  All went well, and as much as I disliked leaving the vistas of New Mexico behind, I was able to savor my flight home in the knowledge that I had planned and executed everything to great success.  This week of constant travel was the most ambitious thing I’ve ever done, and I return knowing I have the traveling bug.

I will visit New Mexico again, assuredly, hoping to land in Sante Fe and explore it more fully, then heading north to Taos. My experience of Albuquerque and Santa Fe was slightly warped by my being there during the start of the Balloon Fiesta, so both cities were crowded. Apparently it’s a Very Big Deal, but I had no idea of its existence when I made my arrangements.

A month later, I still see the New Mexico countryside streaming by when I close my eyes, can still imagine the roar of ABQ’s interstates, and still long to see Santa Fe again.  What a week, what a place, what an adventure!

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Jasmine and Stars

Jasmine and Stars: Reading More than Lolita in Tehran
© 2007 Fatemeh Keshavarz
180 pgs

Fatemeh Keshavarz’s Jasmine and Stars: Reading More than Lolita in Tehran rebukes Azar Nefisi and other writers for contributing to a ‘new Orientalism’ that looks at Iran only as a place inferior to the west. The author opens Jasmine and Stars with a reminiscence of her summers spent in Shiraz. Growing up, Keshavarz’s family spent the nights outside, bringing out wooden cots so they could fall asleep to the view of the glittering stars above, and wake up to the smell of jasmine flowers that her grandmother used during her morning prayers. As exquisite as these summers could be, there was a moment of gloom: the annual migration of grasshoppers. Their migrating mass blocked the starlight and threatened the fields, and some lollygaggers would fall from the skies and litter the yard. Most of the literature westerners read about Iran or the middle east — Reading Lolita, Tehran Honeymoon, The Kite Runner — focus on the transient grasshoppers, with nary a mention made of the beauty around them. In response, Keshavarz simultaneously provides tales of jasmine and stars — recollections from her youth, mixed in with reflections on Persian literature — and directly critiques the substance of Reading Lolita in Tehran.

Her greatest problem with RLT is the depiction of literature as something foreign, as though Nefisi’s literature circle created the only opportunity for her students to ever encounter thoughtful literature. Keshavarz holds that there is no culture on Earth more passionate about its literature, or literature in general, than the Persian people. As illustration, she discusses many works, only one of which (Rumi’s poetry) has any name recognition in the west. She also points to the enormous popularity of particular authors and poets, most of whom have produced literature the authorities would not endorse, but do not oppress. The Persia of her youth, and the Persia she visits regularly today, is one that engages with literature and arts constantly — filling public theaters. Similarly, Keshavarz contends that the depiction of Iranians in literature like RLT is simplistic: the women are naive, and the men all knuckle-dragging tyrants. As a counter, she recalls many stories about extraordinary men and women she knew in Iran, and continues to visit – stern military officers who spent their nights painting, and of an illiterate peasant farmer who so loved a particular poet that he committed her every verse to memory.

Jasmine and Stars is a fascinating little mix of literary reflection, criticism, and memoir that provides readers with a welcome view of Iran beyond its political structure.

Related:
Interview with the author on NPR’s Speaking of Faith/On Being, covering “The Estatic Faith of Rumi”.

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Week of Enchantment: The Garden of Eden is Missing its Critters

From here  I moved to the attached Gardens, one of the most beautiful, romantic, and sometimes weirdest spots in New Mexico.  Beauty first:  Moorish gardens open the area,  ending in a tree-lined walkway that is utterly  peaceful

This goes around a park with a lagoon, and following the arbor-laden path took me to several greenhouses. The greenhouses are massive, multiple-story places.

  Another area of the gardens is done up in Japanese style, including round stones buried in the water used as a stepping bridge. The strangest part of the gardens, though, is the multi-acre farm in the middle.

“Farm”? Yes, farm. In the middle of Albuquerque,  there are apple orchards, vineyards, and rows of other crops.  Despite the abundance of rusting old farm equipment and the penned-in steer and horses, this isn’t a museum. There’s a barn on the premise that actually makes cider.  The irrigation used, at least in part, is traditional, as the farm is maintained here to remember how agriculture on the Rio Grande used to be.

Downtown Albuquerque, everyone!

One exceptional and enclosed area houses butterflies, who flit by constantly. I made it my mission to take a picture of one of the blue ones in flight, although the young woman on station warned me it was impossible.

A nearby building housed bugs, which were far less photogenic. I deleted several pictures of leaves before I remembered those were shots of LEAF INSECTS. D’oh.

The gardens took an enormous amount of time to enjoy, and that cypress walk was just as lovely going back. If I lived in ABQ, it would be an obvious place to go on a date.

After this, I headed for the zoo. Not that I hadn’t seen enough animals this week, but it was two miles away; how could I resist?  I didn’t realize how late in the day it was, and in fact I very nearly got kicked out of the zoo at closing.   There were three kinds of exhibits: the ones where the animals were not there for explained reasons, the ones where the animals were not there for unexplained reasons, and the ones with actual animals.  The polar bears were no-shows, and I arrived just in time to see the chimpanzees disappearing into a wall like hairy Oompa-Loompas.   Bear in mind this wasn’t at closing, but starting around 4 a lot of the animals were being wheeled in,  so I wound up doing a lot of trekking and not seeing much at all.   After an hour and a half of wandering, booming voices warned me the zoo was closing in fifteen minutes, at which point I started scurrying.

In total, waste of energy, time, and $8.  I did see a few things, though:

Breathing steam! …or mist.
Is it five o’clock yet?

Zoom issues again, hence the blurriness. 

I came back to admire this fella after being disappointed by another exhibit, and was just in time to see him turn his back on a group of people.  Heh.

Grant’s Zebra. I’d like to know who this Grant fellow was. Every zoo I go to, he’s donated zebras. 

A hippo! 

The only primate I managed to see before closing, and at this point I was frantically trying to find a way out so men in carts didn’t come after me. 
Although I’d planned to go downtown and look at a piece of ‘pueblo deco’ architecture, at this point I was so tired of walking the only thing I wanted to do was return back to my room.
And so, back up Central I went, passing under something claiming to be Rt. 66, home to rest up for Santa Fe and my last day in New Mexico. 


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Week of Enchantment: Tourists, Sharks, and Gardens, oh my!

Emerging from the natural history hours later, and returning to old town, I discovered that everyone else had woken up and joined me.  Cars poured in and filled the once-empty plaza, but with them came pleasant music and even pleasanter sounds. Those bronze figures shared earlier were planted outside a museum of history and art, but from what I could tell the art was modern.  My attempt in Las Cruces to find a southwestern art museum had resulted only in a large Japanese pottery exhibit, so I wasn’t  excited about the prospect of paying $12 and being dismayed again.  I could see all the art I wanted on the streets!

Entering the outdoors ‘mall’, I drifted until I spotted a restaurant.  This was the first and only time anyone asked me “Red or green”. I’d been waiting all week to be asked, and I knew the answer.  “May I have it Christmas?”  I’d like to report on the experience of having red-green chile sauce, but the dish I had it on (a chimichanga) was so large that I didn’t taste much of it.   The only unqualified dining sucess I had all week was on Friday, since after a long day of driving I tended to either look for fast food I didn’t recognize, or better  yet grabbed a chicken and Hatch green chile burrito from Allsups gas stations.  Those were quais-regional AND cheap.

Entrance to the ‘mall’
Plaza central to the left
I saw this guy go by four times — looking for a parking place, I’ll warrant. 
Inset: I SAW THAT CAR IN ROSWELL, TOO! 

As much as I enjoyed the sights and sounds of the plaza,  one place downtown I wanted to visit was the Aquarium, Zoo, and Biopark.  It turns out that the entrances of the Aquarium-Biopark and the Zoo are two miles apart, although on my map they were parked in a continuous blob of green.  The aquarium-biopark was amazing, the zoo was an amazing disappointment.  But first, the amazing.

The ‘underwater tunnel’ won me over immediately to the Aquarium, as I’ve been longing to see the one in Atlanta, but that place is an interstate spaghetti bowl. After a few minutes enjoying the sight of fish over my head,  I next encountered a large tube of jellyfish, and a shallow pool of manta rays. One of the rays would ‘surf’ the side of the tank, flashing his underbelly, but they’re so fast I never caught him in the act.  The big attraction, of course, is a floor-to-ceiling tank that features hundreds of fish, including several sharks.

The basement of the aquarium included several model ships, and I spied an actual boat in the back of the place. It may have access to the nearby Rio Grande.

On to the Gardens!

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Short rounds: explosives and Martians

Tonight I finally gave up on Hayduke Lives!, the sequel to Edward Abbey’s Monkey Wrench Gang. The plot only arrives four-fifths of the way into the book, having been preceded by lots of stream-of-consciousness rambling, pointless arguments, and enough breast fixation to embarrass even a frat brother.  There’s more bosom-gazing here than in a supermarket romance novel, making me wonder if Abbey was yanking his readers’ chains. I like Abbey, but not enough to make it the last forty pages. I signed on for manhunts and rants, gosh-darn it!

Another quick comment: while I was waiting for my flight to take me to Texas and New Mexico back in late September (a month ago this very day), I started reading Out of the Silent Planet. I thought a story about a man whose country walk was interrupted by an unexpected trip to Mars might be apropos for a plane ride.  There are some maliciously ambitious scientists, see, performing an experiment, and while doing a favor for an old lady and trying to find her son, Dr. Ransom happens upon them and is abducted. He wakes up to find himself on a ship, and later on a bizarre planet full of creatures who seem terrifyingly weird, but prove to be peaceful and rational company — much more so than the men who abducted Ransom.   The book’s most interesting point is the metaphysics of its world, I suppose, as Lewis infuses science fiction with medieval cosmology. The planets are not merely  islands of matter in an ocean of nothingness, but part of a heavenly plane where ethereal creatures known as Oyéresu rule. Earth is an anomaly, its presiding Oyarsa having rebelled against the heavenly higher-ups.  Having read the third book in the ‘space trilogy’ already, I know the cosmology gets even more interesting, with the Oyarsa of other planets being the basis of the Greek gods.  A medievalist like Lewis definitely brings the unexpected to the table when he tries his hand at science fiction.

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Reads to Reels: Brave Cowboy/Lonely are the Brave

Lonely are the Brave dramatizes Edward Abbey’s Brave Cowboy, and I daresay improves upon it.  As with Abbey’s original, the plot features a cowhand who still lives and breathes in the Old West, thrown into conflict against the forces of the modernizing west. When he learns that a friend is imprisoned, he rides to the rescue, arranging a jailbreak and fleeing to the mountains to elude the law. But in the modern west, sheriff’s posses include Jeeps, helicopters, and CB-radio coordination.

Here again is the solid story, of a man defending his friends and their conscience against cold, bureaucratic tyranny.  The sheriff here is a warmer character, though, played by Walter Matthau, who admires his foe from afar.  The acting in general is superb, and the cast includes many a familiar face aside from the stars. Carroll O’Connor, better known as Archie Bunker, appears  several times as a truck driver….and George Kennedy, whose booming voice and massive teeth appear in Cool Hand Luke to Oscar-winning fame, shows up here as one of the cruel deputies. The cinematography manages to capture the beauty of New Mexico even rendered without color.   The ending, too, is improved with a dash of ambiguity, creating ample reason to believe the cowboy will hit the saddle again.  I enjoyed the music, done by the same fellow who later scored several Star Trek films, and could only find one little fly in the ointment. The cowboy’s friend, Paul, is imprisoned not for fighting the draft, but for helping Mexicans cross the Rio Grande.    I suppose on the eve of American involvement in Vietnam, defying conscription wasn’t quite as palatable as it might have been in the early fifties when the book was set.  (Central characters Jack and Paul had served in the Army, after all; their contempt was not against fighting, but what they and Murray Rothbard viewed as state slavery.)

Lonely are the Brave is easily the best book-to-film adaptation I’ve seen, in terms of faithfulness and cinematic quality.

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The Brave Cowboy

The Brave Cowboy: An Old Tale in a New Time
©  1956 Edward Abbey
277 pages

“Where’re your papers?”
“My what?”
“Your I.D. — draft card, social security, driver’s license.”
“Don’t have none. Don’t need none. I already know who I am.”

When  stock wrangler Jack Burns heard tell that his old friend Paul had gotten himself thrown in the can, he knew there was only one thing to do: get himself thrown in so he could arrange for a jailbreak. So,  riding north he goes on his not-so-faithful horse, Whisky. Two problems:  one, Paul doesn’t want to be jailbroken, because it’s only a two-year sentence and that’s a lot easier for his young family to bear than a lifetime of being hunted.  Two, the sheriff isn’t an old-timey fellow with a tin star and nothing else. He’s got helicopters.

  The Brave Cowboy is a western in the modern era,  and ends fairly badly for those who pay more attention to the ‘western’ part than the ‘modern’ part.    One of Edward Abbey’s earlier works, it features two quasi-anarchists, one of whom is imprisoned for resisting the draft,  and several other characters whose paths violently intersect toward the tale’s end.  It’s a sad story,  almost announcing the Death of the West.    Burns isn’t a lantern-jawed hero on a white horse, but he holds to an older sense of honor, and he counts among his friends more recognizably ‘good’ characters. (Paul is such a fellow,  a pillar of his community who refused to comply with the Selective Service: not because he objected to soldiering, he objected to the government’s assumption of ownership over citizens’ lives.)  Abbey’s terrain description is more functional than poetic here; his talent for conveying the ecstatic beauty of western vistas may have still been in the honing.  What’s not absent is Abbey’s attitude, his righteous beef against the government and corporate power, against anything oversized and overmighty: half the book is a chase scene through the New Mexico wilderness, as Burns on his horse defies and eludes the local cops, State Police, and even the Air Force, while living off the land.

Dated and crude, but it’s hard to lose with a cowboy fighting the Man.  Burns may be a prefigure of Hayduke, from The Monkey Wrench Gang — there’s even a horse named Whisky in Abbey’s sequel to MWG, Hayduke Lives!   Another note: this book was the basis of Lonely are the Brave.

A few interesting covers:

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West of the Revolution

West of the Revolution: An Uncommon History of 1776
© 2015 Claudio Saunt
288 pages

In 1776, the bid of thirteen colonies for independence wasn’t the only interesting goings-on in North America.  From Alaska to Cuba, colonial and native powers were fighting, trading, exploring, and competing with one another. West of the Revolution begins with Russian forays into the Aleutian islands,  moves south to Calofornia, where Spain frantically attempted to create a safeguard after catching wind of the Russians,  and then takes readers across the Rockies and plains until the Mississippi is reached. There, we travel south to Cuba, which was not only a prospering sugar plantation but a potentially powerful trading partner of the Creek people in the Southeast.   Brief and full of interest,  West of the Revolution not only sheds light on what else was happening in 1776, but provides the context for future developments in American history —  the drive towards the Mississippi and the hunger for Florida.  There’s also a rare look into Canada, or rather the Hudson Bay area and still later, a region that encompasses both Canadian and American states. A section on the Black Hills, known to Americans as the home of Mt. Rushmore,  makes plain their importance to the Sioux and other tribes: the Hills are an oasis of rain in a relatively dry region, and for generations a source of food and materials in lean periods.   I discovered this book via a podcast (Ben Franklin’s World) and can pass on the recommendation,  no less for the information on Russian and Spanish colonization as for the tour of North America, this most diverse and extraordinary continent.

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Week of Enchantment: Epic? Nay, MAMMOTH!

The natural history museum in downtown Albuquerque is monstrously big, and after arriving at its service doors I made my way around the campus (“building” does not suffice), admiring the way the landscape was sculpted and filled with plants to deliberately portray different areas of New Mexico.  I was very nearly the first person in, and decided to do only the museum tour. There’s a planetarium, but I was just at the VLA yesterday and had seen massive photos of galaxies, not just stars, there.  The museum is so incredibly HUGE that simulated stargazing wasn’t missed. (And…the last time I visited a planetarium, it turned out to be a light show and I fell asleep.)

Where to begin with this place?   Its heart and soul is natural history, with an extensive and winding tour through time that involves dinosaurs, the ice age, and early American man.   The museum tells the story through massive skeleton reproductions, murals, ‘real-life’ models, and flat pictures.  Just as Carlsbad gave the definition ‘cavernous’ real weight, here too the megafauna gave ‘mammoth’ a new meaning.   They were imposing even as frames, and people used to summon the courage to attack them for meat!

Note the the man in the foreground for scale.

A computer science wing attracted my interest going in, though I found it too noisy; television monitors are everywhere,  with interviews of various people like Bill Gates talking about New Mexico’s role in turning computers from warehouses into pocket conveniences.  They had all manner of interesting gadgets there: early portable radios, an array of vacuum tubes and transistors; teletype machines, even a UNIVAC.

The plate said UNIVAC, and I’ve realized now that UNIVAC is a brand name and not a particular machine. 

 The noise moved me out, though, and into the space science hall. There I played with a Mars rover, rotating its camera around with a joystick. It’s not as easy as it sounds, because the rover’s eyeball isn’t obvious.  Massive models of the planets (“and Pluto”) line the wall, and a small theater offered a depressing film on environmental destruction, ozone depletion, that sort of thing.  Natural history is king here, from the the T. Rex models to the enormous rock collection. There’s even a reproduction of a cave, and live animal exhibits.  In another area, Actual Science is done — there’s a closed off area visible by glass where people were peering into dishes and studying their computers.  Perhaps they were an exhibit: “Science At Work”.   The museum also has live animals, at least fish and reptiles.

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