Rifleman Dodd and The Gun

The Gun, and Rifleman Dodd
© 1933 C.S. Forester
311 pages

“There was sorrow in Dodd’s heart as he looked down on the pitiful scene, but it did not prevent him from turning away and setting himself to survey the next adventurous quarter of a mile of his route. There are many who give up, and many who procrastinate, but there are some who go on.”

C.S. Forester is best known for his Horatio Hornblower stories,  naval adventures set in the Napoleonic Wars.   These two short works, The Gun and Rifleman Dodd, are less known but equally entertaining and detailed. Both are set in Napoleonic Iberia, as both a peasant resistance and the shattered remnants of the old Bourbon Army fight for Spain and Portugal’s liberty from Napoleon,  with the generous support of English seapower and the Duke of Wellington.

The first story, The Gun,  follows an eighteen pound siege gun which abandoned on the field after a crushing Spanish defeat, but recovered by a priest and a few farmers, The gun passes from hand,  as many realize its incredible potential and attempt to shift it to the best place — and those who particularly value it seize it by force. It does get put into action, however, fomenting rebellion on the plains and sending the French into retreat for the first time.

Rifleman Dodd pieces together the adventure of the eponymous rifleman after he is cut off from a retreat, and lost behind enemy lines. A hard-worn veteran of five campaigns, Dodd knows how to soldier and stay alive, and so when he encounters a group of Portuguese irregulars, he becomes their leader and becomes a phantom menace to the French, who are haunted by visions of a green Englishmen.  Even as they methodically begin sweeping and scouring the hills to destroy his hiding places, Dodd and a couple of survivors — and finally, Dodd alone — endeavor to put flames to Bonaparte’s plans.

Although a sketch of their plots gives both of these novels an air of romantic air,  they’re not fanciful in the least.  Forester does not shy from the brutal behavior of both parties, French and irregulars, as they fight tooth and claw with one another.  Forester also does not reduce the French to a distant enemy:  in Rifleman Dodd, he tells their story in alternate chapters, and every person Dodd kills is named as he falls.   There’s no denying the adventurous drama of the last bit of Rifleman Dodd, however, as he beards the French lion in its den.  Good stuff!

As a bit of trivia, Bernard Cornwell mentions a missing rifleman named Dodd in one of his Sharpe novels, also set in Spain.   This is a deliberate reference to Rifleman Dodd, and one of Cornwell’s stories about becoming a writer involves trying to find more stories like Dodd, and then realizing he’d have to write them himself.  Three cheers, then, for Rifleman Dodd, which was not only a great little story by itself, but one that gave us the force of nature that is Sharpe.

Rifleman Dodd was originally known as Death to the French. I speculated that the title was changed after the outbreak of World War 2, but Rifleman Dodd seems to have just been the American title.

Related:
Cornwell’s Sharpe books
Forester’s Horatio Hornblower sea stories

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Wisdom and Innocence

Wisdom and Innocence: A Life Of G.K. Chesterton
© 1996 Joseph Pearce
540 pages

“I cannot help but thinking you were England — the Merry, chivalrous, simple-hearted, fearless England that I loved.” – an old friend’s letter to Chesteron
Mention the name G.K. Chesterton today, and most who have a glimmer of recognition will venture that he was a Christian apologist. Chesterton was no theological pendant, however; at the peak of his career, which he still occupied at the time of his death, he was a bestselling author, editor, and journalist  recognized by many as something unique.  More than that, however, he was fun, with an amiability that led even his antagonists to maintain warm relations with him even as they heatedly debated through public newspapers. Pearce’s title, Wisdom and Innocence alludes to a core dynamic expressed in the life of Chesterton — the embrace of romance and reality, wonder and wisdom, faith and reason. The same man who could earn praise from medieval scholars for his biography of St. Thomas Aquinas and hold public debates against H.G. Wells and Bertrand Russell might just as easily entertain a house of small children single-handedly the same night, with equal joy.
Although Chesterton was baptized into the Anglican church, his parents were  merely bowing to social convention when they brought him before the fount and priest;  they were hazy Unitarians and spiritualists. In his youth, Chesterton experimented with the occult, becoming convinced that there was something more than the material world, and had a distinct appreciation for what we might now call the divine feminine.  Chesterton did not write a Surprised by Joy equivalent about his embrace of Christianity via the Anglican church, but the tipping point occurred when he was beginning to teach and met a young nihilist who believed in nothing, not even the possibility of truth. Judging by letters Chesterton wrote thereafter, encountering this man was a staring-into-the-abyss movement that set him searching for meaning and order. He found it in the Anglo-Catholic movement of the Anglican church, and his sympathy for Catholicism would only strengthen over the years, until he finally converted and became one of the Church’s most vocal champions.
Chesterton didn’t unsheath his pen only to defend the Church on  theological grounds, however. For him, the Catholic faith undergirded western civilization, and even the material expression of society – the organization of the means of production, for instance – -had a religious importance. From an early age Chesterton held the large industrialists of the day in contempt, and critiqued capitalism first from the left, and then later from Catholic theology.  Marx may have cheered the fact that the family had been destroyed as an economic unit, but for Chesterton this was the crux of the problem.  He objected and resented to the fact that so much land and property were pooling into the hands of a few titanic industrialists and their bankers. To take away a man’s economic independence, to reduce him to a proletarian laboring for nothing but money – to force him  and his children to abandon a home for a hovel, and spend their energy for another besides improving their own home and familial enterprise, was to undermine human dignity and tarnish a creature made in the image of God.  In general, Chesterton found modernity absurd, unhealthy, and (in the case of fascism) regressive.   He regarded the strident nationalism of the early 20 century as a return to tribal barbarism, and a betrayal of the cosmopolitan aura of the Roman and Catholic world.   His early denouncement of Hitler, at a time before democratic leaders were eying the ill-shaven Austrian with envy for his energy, earned Chesterton kudos after the evils of Hitler’s regime became apparent.
Wisdom and Innocence is an incredible biography, a review of not only GKC’s life, but his work.  Pearce is exhaustive, poring into Chesterton’s poetry and smaller stories as well. Pearce also visits Chesterton in the company of his friends and rivals.  Chesterton and an Anglo-French writer named Hillaire Belloc were especially close, united in their love for their faith, literature,  and wine, and Chesterton himself inspired many who became friends  His two chief friendly antagonists were George Bernard Shaw and H.G. Wells, who shared his concern about the power of tycoons but little else.  This book is nearly as big as its subject, and well worth reading for anyone who has a serious interest in Chesterton.  The depth which it goes into may be a little much for very casual readers, however:  it had chops scholarly enough to merit Aleksandr Solzhenitsyn  granting Pearce an interview for his later biography, Solzhenitsyn: A Life in Exile.
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Right Ho, Jeeves!

Right Ho, Jeeves
© 1934 P.G. Wodehouse
284 pages

What ho, readers all!  What better way to start off a new month than a Wodehouse story, featuring our favorite lovable idiot Bertie Wooster and his impeccable valet, Jeeves?   Unlike previous laughs with Wodehouse, this is a full novel and not just a collection of short stories. The premise is ever familiar:  Bertie would like nothing more than to drink and cavort, but he has pals in the soup and an aunt sending increasingly threatening telegrams. There’s nothing to do but be a sport and leg it down to Brinkley House, there to fix the woes of the world — and by “fix”, I mean “make them worse until Jeeves arrives to put things in order again”.  After studiously ignoring the attempts of his hand to get him to travel into the country and lend at a hand at an awards dinner, Bertie is forced to do so anyway to lend relationship advice to a few friends (who will wind up engaged to the wrong people), and after some spirits are added, general merriment follows.

The chief appeal of a Wodehouse/Wooster novel is not the familiar plots or even the comedy that ensues when Bertie tries to finesse social situations and make matters worse for the wear of his subtle touches,  but Wodehouse’s use of language.  I would venture to say that a reader can’t appreciate how funny English can be until they’ve read Wodehouse.  All of the Wooster stories are rendered in the first person, through a narrator who is a ball to listen to. He’s brimming with opinions, so full of them that he has to abbreviate things at random., trusting that you know perfectly well what he meant. Mix this in with physical comedy, like drunken speeches and  frequent chases through the halls and grounds of places like Highclere Castle (used for Totleigh Towers in the television series), and it’s a hoot all around.   This one features a bit of comeuppance against Bertie; ever resentful of people preferring Jeeves’ schemes to his, Bertie spends most of the novel  trying to take over. Jeeves has his revenge when he uses Bertie in the grand plan at the end to resolve everything at a stroke.

Ultimately, however, Wodehouse’s language has to speak for itself:
———————————————————————————–
“And yet, if he wants this female to be his wife, he’s got to say so, what? I mean, only civil to mention it.”
“Precisely, sir.”

“In this  life, you can choose between two courses. You can either shut yourself up in a country house and stare into tanks, or you can be a dasher with the sex. You can’t do both.”

“Well, Gussie.”
“Hullo, Bertie.”
“What ho.”
“What ho.”
These civilities included, I felt the moment had come to touch delicately on the past.

“I’m not saying I don’t love the little blighter,” he said, obviously moved. “I love her passionately. But that doesn’t alter the fact that I consider that what she needs most in this world is a swift kick in the pants.”
A Wooster could scarcely pass this. “Tuppy, old man!”
“It’s no good saying ‘Tuppy, old man!'”
“Well, I do say ‘Tuppy, old man!’. Your tone shocks me. One raises the eyebrows.

“I can never forget Augustus, but my love for him is dead. I will be your wife.”
Well, one has to be civil.
“Right ho,” I said. “Thanks awfully.”

“You are falling into your old error, Jeeves, of thinking that Gussie is a parrot. Fight against this. I shall add the oz.”

“It seems to me, Jeeves, that the ceremony may be one fraught with considerable interest.”
“Yes, sir.”
“What, in your opinion, will the harvest be?”
“One finds it difficult to hazard a conjecture, sir.”
“You mean imagination boggles?”
“Yes, sir.”
I inspected my imagination. He was right. It boggled.

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The World as Stage

Shakespeare: The World as Stage
© 2007 Bill Bryson
245 pages

Shakespeare: The World as Stage surprised me when it arrived. Such a slender little volume for a man whose legacy is strong even today!  Bryson’s aim is not to deliver a volume of literary criticism, or even to fix on some minor detail and create an revisionist vision of Shakespeare, but to stick to the facts.  As it turns out, there aren’t that many.  While we know bounds more about Shakespeare than many of his contemporaries — and more of his works have survived him than them as well —  the man didn’t leave much documentation.    In creating a narrative that connects the few facts we have  — birth,  employment as an actor, success as a  playwright, death —  Bryson also supplies background information about Elizabethan and Jamesian England, and concludes that Shakespeare’s greatest accomplishment was not “Hamlet”, but rather managing to survive childhood.   England was plagued by disease after disease, so much so that public records sometimes inserted the phrase (in Latin), “here begins plague”, as if to assure future historians that no, this isn’t an error, that many people really did die in that April with its shoures soote. 

If a reader is looking for a light history of Shakespeare that won’t lead them off the road into some niche theory of the bard,  Bryson here provides a concise, cautious, and enjoyable biography of the man and his times that will fill the bill admirably.

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Read of England, 2018!

At long last it’s April, my favorite time of the year — a time of perfect weather, budding flowers, and reading of England! Well…it’s the last week of March, anyway, and I can’t wait anymore.   If you’re new, every April I like to devote my reading entirely to English history, English literature, and English personalities.  Why April?  April 23rd is the feast day of England’s patron, St. George, and the anniversary of William Shakespeare’s death.   Every year brings a different mix of history and literature, and some years I strike the balance better than others.  This year I’ve already amassed a proper pile of potential books to go after, not including the English lit on my classics club liist, and I’m chomping at at the bit. Let’s start the fun!

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The Return of Horatio Hornblower

Hornblower Addendum
Collected 2011 eNet press
79 pages

Has it been eight years since I last sailed with Horatio Hornblower?  The naval adventure series by C.S. Forester, and the A&E movie series based on it were one of the highlights of 2010, and in the years since I’ve subjected many friends to those same movies so I could have the pleasure of watching them again in company.  In hunting for books like Horatio Hornblower, however, I stumbled upon a collection of Hornblower tales I’d missed — or, mostly missed.  This is not a substantial collection by any means; it’s rather shorter than the shortest Hornblower work, Hornblower and the Hotspur, or Hornblower in the West Indies,  and two of its five stories have been previously collected.   The stories are chiefly of interest to those who know and admire Hornblower already,  as they put him in fascinating or morally demanding situations.  The last story here has him encounter a seeming lunatic who claims to be the emperor Napoleon, for instance, while another has him tasked with securing an Irish deserter and discovering a secret compartment in the man’s trunk filled with gold. In all instances Hornblower proves himself to be a perfectly honorable and charitable fellow.  Perhaps the most interesting story in the one in which Admiral Hornblower is asked to take insane King George III to rendezvous with another ship, but they’re stumbled upon by an American frigate in the latter part of the war of 1812.

Although this collection really only recommends itself to the completists among Hornblower readers, I felt instantly at home as soon as I started reading the first story. Forester and his naval hero were good to experience again.

I’d planned this book to be a Read of England post, but it’s more “fun-sized” than a regular read. I am gearing up for that, however — we’re a week away from a solid month of English glory!

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Skygods: The Fall of Pan Am

Skygods: The Fall of Pan Am
© 2011 Robert Gandt
351 pages



How does a world-class airline fall so quickly from the heights that its pilots are accidentally locked in the building when it closes its doors for the last time, forced to jump from a fire-exit door onto shrubbery below?   The decline and crash of Pan-American Airlines wasn’t as abrupt as memory has it, as Skygods narrative history demonstrates, but a drift toward failure that was nearly corrected a time or two but never long enough.   Skygods‘ history of Pan-Am uses the stories of its captains, executive, and crew to make personal a proud airline’s fall from glory.

Pan-Am isn’t an airline I ever flew on,  closing as it did when I was six, but as a  brand name I heard about it often enough growing up — and I witnessed the airline’s complete self-confidence in movies like 2001: A Space Odyssey.   That complete self-confidence was part of its early pilot culture,  when a airline created by a Navy buff adopted aspects of navy lingo and dress.  The planes were “Clippers”, and their crews wore smart uniforms, answering to their lord and commander in the air —  the Master of Ocean Flying Boats.  It wasn’t just a name:  Pan-Am specialized in overseas destinations, beginning with a Key West to Havana run, and to serve the undeveloped world by air, it used floatplanes or flying boats.  Pan-Am captains were alpha males later running jet engines, often wrong but never in doubt.    Juan Trippe, the effective creator of Pan-Am and its chief for decades, was certainly confident in his own vision and the airline. He  pushed commercial aviation into the jet age against its reservations, twisting elbows and manipulating one company against another, forcing them to do his bidding.  Trippe got what he wanted — jet airlines that could go faster and over greater distances — but  at a price. The brutal deal-making  clouded Pan-Am’s  reputation,  making it political enemies, and Trippe’s greatest dream, the 747, would bleed the rest of Pan-Am’s life.

Pan-Am had taken on enormous obligations in creating that fleet, but it had enormous assets, too: it wasn’t just an airline, it owned a pricey chain of hotels.   It was an international corporation with an antiquated culture, however; even in the sixties it operated like a small transport firm from the thirties, with such lax accounting measures that no one could tell what lines were profitable or not. When Trippe was dreaming of doubling his capacity with 747s,   flights to Europe on 727s (another Trippe coup) were flying half-empty.   And those “Skygods”, the captains who ruled their ships with an iron hand? They were getting old, with an easy arrogance made more volatile by forgetfulness.  In this period,  eleven new jets, their crews and passengers, were destroyed in spectacular crashes abroad.     Although Pan-Am would reform its approach to command and develop a stellar safety record,, it couldn’t win back political favor: its old monopoly on international routes was slowly pried away, while the old bar on domestic routes was retained.

Although Pan-Am’s profits dwindled into losses year after year, the  downward spiral seemed to be arrested by another CEO, who closed a lot of low-performing lines and put employees on furlough.  The airline began making money again, only to blow it all  in a bidding war  for a southern airline with domestic routes.  The integration of the two airlines was not handled well,  and from then on Pan-Am’s successive directors kept repeating the other’s mistakes:  they’d sell off a performing asset, use the money badly, and come out worse for the wear.    Pan-Am just couldn’t adapt to slug it out in the domestic markets,   and in gutting its international flights to finance the domestic fight, it essentially consumed itself to death.  Outside matters didn’t help, from an oil crunch to an act of very public terrorism that saw Pan-Am Flight 103 smeared across the Scottish countyside. 

I don’t know that any extinct airline enjoys the reputation in death that Pan-Am does, receiving adulation in modern films like Catch Me if You Can and the series Pan-Am.  And then there’s the case of a man who spent hundreds of thousands of dollars to recreate a first-class cabin and lounge from a Pan-Am 747 in his garage, then expanded it in a separate building.   Those who remember it — or those who are simply curious about it — will find in Skygods an easy but sad  narrative of the airline’s return to Earth.

CBS apparently did a short clip on the anniversary of Pan-Am’s closure:

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Door to Door

Door to Door: The Magnificent, Maddening, Mysterious World of Transportation
© 2016 Edward Humes
384 pages

Are you interested in the Port of Los Angeles? Do you hate cars and find hushed reports of every auto death in a single day great reading?  Do you long for the day when you can sit in your Google or Uber shuttle doing your sodoku while it toodles down the road?  Well, here’s your book — Door to Door, a book which describes itself as being about transportation but which is mostly about the aforementioned port, with a few other essays grafted on, vaguely united in their common theme of complaining about cars and aging infrastructure.  What is here is enjoyable to read,  at least for people like myself who find  transportation fascinating, but it’s not a good book; the organization and few topics chosen make it seem more like a collection of essays written by someone chiefly interested in Los Angeles.  I’ve read Humes before, in his Garbology, and according to my notes it was likewise a grab-bag of topics.

In the age of globalization, logistics is a growth industry. Even if robots take the jobs of cabbies and long-haul truck drivers,  the demand for consumer goods is such that more ships and trucks will be required to carry them.  At the Port of Los Angeles, which handles a third of all goods consumed in the United States (from bananas to smartphones),  the managers there are finding themselves in the position of the New York harbormasters in the late fifties:  the ships arriving are too large to handle easily.  When containerization first arrived,  they required infrastructure at so  different a scale than the old break-bulk shpping that it was  easier for cities like New York  and  London to build new docks altogether. But now the container ships have outgrown the commercial docks built especially for them.

The roads, too, are problematic, overburdened by the fact that  everyone drives everywhere; even highways built to link ports and industrial sections are now co-opted for ordinary through traffic, and the sheer number of cars makes it difficult for transit options like buses to take off. Why would people ride the bus when cars so so much faster? Some cities are exploring ways to create better transit efficiency, like creating bus-only lanes; logistics chiefs like a UPS director interviewed here believe a similar approach for freight traffic  would help the gridlock.  Humes deplores the relative spending of China, Europe, and the United States on transportation:  the US simply isn’t keeping up, he says, with a gas tax stuck in the nineties and zero mass infrastructure ideas in the works.  If we are stuck with car-centered infrastructure, says Hume, the best alternative may to work to replace the consumer fleets with self-driving cars — but cars that don’t allow humans to take over, because the cars will eventually be better drivers than humans ever can be. And if you doubt that humans are crappy drivers, he has an entire chapter called “Friday the 13th” that tells the story of seemingly every single person killed in the US by automobiles that day.  (Auto deaths by year are usually around 40,000 in the US, averaging out  to 110 people a day.  Guns got nothin’ on the automobile.)

A book called Door to Door: The World of Transportation should cover much more than it did.  The two paragraphs above give it far more organization than it had itself, because it was mostly about the port — with odd chapters like the logistics of soda cans thrown in. There are better books written about infrastructure (Infrastructure: A Field Guide) better books written about transit  options (Straphanger), better books on shipping, ((90% Of Everything), and so on.  Again, this is enjoyable enough to read, it”s just not a good as a book on transportation.

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The Inevitable

The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future
© 2016 Kevin Kelly
336 pages

No one can say where exactly a ball thrown in the air will land,  but at least on Earth it’s a certainty that a thrown ball will land.   Kevin Kelly,  formerly of Wired magazine, can’t  say exactly what the future will look like, but he is confident enough to predict what trends will continue based on present technology.   Our global civilizations have been radically transformed from the 1970s til now, but computers weren’t the catalyst for all the change we see around us. Networked computers were. By themselves,  the first computers were house-sized calculators and overpriced filing cabinets;  when they began exchanging information freely, magic happened.   What world-changing wonders can we expect from the current trends in technology?

First, says Kelly, is “becoming”:    In the late eighties, Zygmunt Bauman introduced the term liquid modernity to our sociological lexicon.  In previous generations, changes happened slowly enough that our societies were able to digest them and establish a new normal.   As the 19th gave way to the 20th century, however, the rate of change has quickened to the point that a new normal is impossible: societiy is revolutionized multiple times within a single generation, with the effect that there is no stable ground to be had, no new normal to be reached. Now our products are no longer discrete products, but services that are continually being changed — think of Office 365, or even Windows 10. Windows 10 is rumored to be the last Windows, not because Microsoft is retiring from the OS business, but because Windows 10’s frequent updates constantly add  new features that would have otherwise been developed and delivered in a new Windows.  Our phones, too, are not merely the device that came out of the original box: as we add apps and accessories, we change their nature.

The second big-ticket item in here is “cognifying”, by which Kelly means using machine intelligence for everything. There won’t be a master AI that controls every aspect of our lives, he says;  instead,  we”ll develop multiple machine intelligences for different suites of needs, and they”ll be utterly mundane — and already are. When we execute a google search for recipes or ask it for directions, we are in fact helping train and  benefit Google’s machine-learning algorithisms: we are teaching them what we’re most likely to be looking for.  Those “Related Products” that Amazon helpfully shows you are also an early example of machine intelligence, as Amazon’s database learns your shopping preferences and attempts to predict what you would like next.

Two more concepts from the book worth sharing quickly here are Accessing and Tracking. Tracking sounds obvious, but Kelley isn’t just talking about website cookies or Google & Apple recording your movements through your phone’s  GPS. By tracking, Kelly means that the door is open to quantifying every aspect of our lives.   People can already use their phone’s apps to track how much they walk per day, how well they asleep, and record their diets;  they can already use phones to monitor their heartbeat;   phones in the near future will be able to monitor blood pressure and blood sugar, as well.  Cheap cameras and cloud storage mean that we can record more moments of our lives,  and later poke through them at our leisure as if they were files in a drawer.  The cloud is a key aspect of much of what Kelly covers, but it is especially prominent in the “Accessing” chapter, in which he writes that we’re moving away from an ownership society. We no longer need to own a car;  we just need access to one. Apps and tech allow us to share resources,  and in some cases the resources are becoming so cheap that they can be offered for free: no one needs to  struggle with an ersatz Office clone when they can use the freely available OfficeOnline.

There are ten real concepts in total (there are two more chapters, “questioning” and “becoming”, but they’re less about content than thinking about our relationship with content), and the author purposely avoids mentioning any downsides. He takes it for granted that everything can be used to malicious purposes, but that would be another book entirely. (A book like Future Crimes II, perhaps...) I also liked the chapters on Interacting and Screening; one addressed the future mundane role of virtual reality and augmented reality,  in that games and movies will become more “real”, and our travels in the real world will have a digital overlay adding more information — the ubiquity of screens dovetails with that rather nicely. One disturbing possibility Kelly mentions is having glasses or ocular implants with different apps installed; one can read people’s faces and match them to a driver’s license database.   The other concepts in the book are extensions of minor things happening now, like remixing and filtering.

As someone who can be both entranced and repelled by the promises of technological — completely fascinated on a abstract level,  distantly horrified at a human level —  I found The Inevitable enthralling reading.  The author is sloppy with language, however, using “socialism” and “collective” when ‘cooperative’ would have been more accurate. For some reason he thinks libertarian individualism is contradicted by Wikipedia , when it’s merely individuals voluntarily working together toward a common goal.  Socialism makes me think more of involuntary mass actions, like taxes and slavery.

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Testing, testing

Last week I purchased a new phone, one of those modern miracles that can order a custom sandwich, rent a car, check a flight, and read me a book while also allowing Google and the NSA to keep tabs on me.   I bought it for the camera, and today I finally had occasion to try it out when a friend of mine announced he was giving a private cemetery tour to an exchange student from Vietnam who had been staying with his daughter this past week.  Although I’ve walked the cemetery in question, I’d never heard my storytelling friend do his “ghost tour”, and was more than happy to join them.  The ghost tour, which is part of the annual Selma Pilgrimage (a weekend of people touring fine historic homes, hosted by teenage girls in antebellum dresses), uses multiple locals playing the parts of deceased locals to tell the story of Selma. 
This won’t be a complete tour of the Old Live Oak Cemetery, which has incredible stonework and an attractive layout, full of live oaks and magnolia trees, but I wanted to share a few photos and/or stories.

We rendezvoused at the “Pigeon House”, a small structure in the middle of the cemetary that once was the residence of the caretaker, and was later used as a gathering spot for bands and picnics.  It’s called the pigeon house because the eaves housed carrier pigeons. if you click to enlarge the picture you should be able to see the meshed-over cubbies where the pigeons lived.
Elodie Todd Dawson,  sister-in-law to Abe Lincoln,  and partially responsible for the somber beauty that is Old Live Oak.  She and her family purchased the land and organized its layout, with the pattern of oaks and magonlias that creates bountiful shade even in the summer.  According to a local story, Elodie wore carefully-applied wax makeup and  never stood or walked in direct sunlight — if she had to travel through it, she hiked up her skirts and double-timed her way into the shade. This was called “Elodie’s Walk”. Her husband commissioned a memorial statue of her for $7000 after death, disliked the hair, and commissioned another for $5000 more.  
Old Live Oak is one of the more spellbinding places in Selma ,between its oaks laden with Spanish moss, the field of stone, and the flowering bushes.
Obelisks and crosses predominate the graves here, but some are particularly ornate. 
(Note to self:  learn to crop images on phone before sending them to my cloud…)  This obelisk has been churched up a little.
A memorial to the fallen. An inscription reads,
 “There is grandeur in graves, there is glory in gloom.”    
I first read those words seven years ago, when walking this cemetery and listening to the fallen leaves skitter in the wind, and they clicked. I’ve never forgotten the expression.  It comes from a poem called “Land Without Ruins
If you are curious about the Ghost Tour, someone on youtube posted truncated clips of two of the performances. My friend is reprising a role in the first video as a local rogue named George Washington Gayle, who put an ad in a 1864 paper for someone to shoot Lincoln, and a young lady whom I don’t know is playing Elodie, the woman whose grave I shared above.   
“Elodie’s” accent is more than little exaggerated — every actresses who does her lays on the southern drawl as thick  as they can.  
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