Friday the Rabbi Slept Late

“an unorthodox mystery”
© 1964
235 pages

The small Massachusetts village of Barnard’s Crossing is shaken when the body of a young woman is found lying behind a garden wall, and no one more than Rabbi David Small — because the woman’s purse was in his car, parked nearby at the Temple where he’d been appreciating some new books. Naturally the police have questions, and so do the members of the rabbi’s congregation, who were preparing to review their new rabbi’s contract for the next year. Fortunately, this is a small town: personalities are largely known, as are potential motives — and if they’re not obvious, they can be sussed out. Both for professional and personal reasons, the rabbi puts his powers of discernment and argument to work, using his rapport with the police chief to help figure out the truth. Friday the Rabbi Slept Late is a village mystery, run by connection, conversation, and petty motives — but is made all the more interesting by the seriousness with which Jewish wisdom and Talmudic argument is brought to bear. As a fan of village stories (the Mitford series, Berry’s Port Williams books, even John Grisham’s Clanton tales), this was right up my alley, especially given the apparent similarity between this and GKC’s Father Brown mysteries. Although the books presume some basic familiarity with Judaism from the reader, they also appear to be written for a non-Jewish audience, as Small frequently has to explain differences between Jewish religious culture (particularly, the role of a rabbi) and Catholic and Protestant culture. These range from the trivial (“Rabbis aren’t Catholic, we can marry”) to the more serious, like discussions about virtue and theodicy. The book is very much a product of the early sixties, from the constant smoking to the casual use of ‘broads’ to describe women. Some of the men are such overt pigs that I suspect Kemelman was writing to mock them. The reader can solve the mystery, since it’s based not on forensics but on human nature — I’d pinned the culprit early on, but wasn’t sure of the exact chain of events that lead to the crime. This was a delightful little discovery for me, and I’ll continue the series as I progress more on Mount TBR.

Some higlights:

“What’s going on?” he asked. “Is it a private argument, or can anyone join? I’ll bet they could hear you guys down the block.”

“Dear Mrs. Small, I’m not disagreeing with you. But we live in the world. This is what the world wants now in a rabbi, so this is what a rabbi has to be.”
“David will change the world, Mr. Wasserman, before the world will change my David.”

“Then why bother to be good?” asked Mrs. Lanigan.
“Because virtue really does carry its own reward and evil its own punishment. Because evil is always essentially small and petty and mean and depraved, and in a limited life it represents a portion wasted, misused, and that can never be regained.”

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August 2023 in Review

August is one of the few months of the year where I don’t mind if it passes too quickly. In the Gulf Coast, it’s a month for holing up inside and giving thanks for freon and electricity. The unexpected presidents obsession from July bled well over into August, but things soon livened up. It was a good month for the ol’ TBR ascent, with numerous titles going down for the count. To reach my goal before the year’s end, I need to be reading 6.66 books per month (it really is Mount Doom!), and so far I’m averaging 5.75. The biggest news this month, though, is that I began grad school classes for an MLS (focusing on digital management), which is why I have a few more “pending reviews” than usual. I’ve been pretty good about that this year.

Climbing Mount Doom:
My Name is Asher Lev, Chaim Potok
Skeleton Keys: The Secret Life of Bone, Brian Switek
Night Witches: A Novel of World War 2, Kathryn Lasky
The Dumbest Generation: How the Digital Age Stupefies Young Americans and Jeopardizes our Future, Mark Bauerlein (will be short rounded with another)
The Day of Atonement, David Liss
The Four Winds, Kristin Hannah
The Parasitic Mind: How Infectious Ideas are Killing Common Sense, Gad Saad (review pending)

Classics Club Strikes Back:
My Name is Asher Lev, Chaim Potok

Readin’ Dixie:
Started reading The Mind of the South.

The Big Reads:
I am really close to finishing The Jewish Annotated New Testament. Tried to finish it yesterday but didn’t quite make it.

Coming up in September:
I haven’t read any Star Trek in over a year (seriously, early August 2022), so I need to remedy that. Maybe I’ll do something around “Star Trek Day”, which is Sept 8. Will definitely finished off JANT .

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My Name is Asher Lev

© 1972 Chaim Potok
372 pages

How to describe My Name is Asher Lev? The book opens with Asher himself describing himself as an apostate, a traitor, a mocker — and yet the reader will find no cruel intentions here, only a young man struggling with feelings and attempting to give them form. Young Asher is the son of an important man in the Ladover Hasidic community, the right hand of the rebbe of a worldwide movement. He is the heir expectant, and despite his faithfulness to his father’s ways, young Asher has no interest in schooling, yeshiva or otherwise. Hee is drawn to art, pulled by it despite the protestations of his parents and the mocking of those around him — mesmerized by another tradition he is repeatedly warned against, enraptured by images forbidden to him and which cause confusion and pain to those around him. This is an extraordinary novel, one that dwells on both the struggle of a young man to find his own identity apart from his parents, of being understood by them despite being distinct, and at the same time an exploration of the power of art.

The story takes place from the late fifties to the sixties, ending not long after JFK is shot in Dallas in 1963. Like Potok’s protagonist in The Chosen and The Promise, young Asher is born with a place already established for him: he is to absorb the traditions of his people, watch his father studiously, and assume his elder’s position when the time comes. But Asher, growing up and seeing how heavy his father’s mantle of responsibility lies not merely on him but his mother — who is often sick with worry for her husband’s sake, as he travels abroad in Russia and other places hateful of Jews, and who works to keep the family fed during these long seperations — is moved by the intensity of their feelings and seeks to capture them on paper and canvas. He is discouraged repeatedly, but reveals an enviable talent that others around him feed, and soon art commands him to rebel. He ditches school and wanders into museums, studying the paintings there that strike him, and attempting to copy them in his sketchbook. To make images as as an Orthodox Jew is one thing, but some of the paintings he copies (learning forms, shading, perspective, etc), some of the subjects that fascinate him, are scandalous to his father and to their entire community. What kind of Jew is obsessed by the Crucifixion of a man whose name is not even permitted in the Lev home? As Asher’s father takes him further and further afield, Asher has more liberty to pursue that which calls him, and as he comes of age he is fast surpassing even his mentors.

It’s a beautiful drama Potok creates here, a young man trying to capture feelings that overwhelm him, using his family’s pain to create art that astounds the world while at the same time causing even more sorrow to them that love him — for they want to understand him and his art, and yet they don’t, and they are terrified that the dark and intense imagery Asher often uses comes not from Above, but from The Other Side. Despite their alarm, they do their utmost to be patient with him — and the rebbe, who knows the way through this tension is not to resist the art but to embrace and try to use it, even more so. On Potok On Potok drives Asher, his family, and the reader, witnessing increasing maturity born of main and struggle until we reach the culmination. It’s neither happy nor tragic, but markedly appropriate.

“It’s not a pretty world, Papa.’
‘I’ve noticed,’ my father said softly.”

I looked at my right hand, the hand with which I painted. There was power in that hand. Power to create and destroy. Power to bring pleasure and pain. Power to amuse and horrify. There was in that hand the demonic and the divine at one and the same time.

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Star Trek Strange New Worlds Season II

No, Strange New Worlds is not a book. It is, in fact, a TV show. But I pay the bills ’round these parts, so I reckon’ I’ll write about what I want. The long dead period of onscreen Trek was not made better for me by the Abrams verse and early offerings like Dicovery and Discovery, but then came Strange New Worlds and I fell in love with onscreen Trek again. I watched season 1 in 2022 with wonder and rapture, and I’ve just finished watching season 2 and am offering spoiler-free reactions. In general, this was a stellar season, and I am genuinely impressed by the creativity, the fanboy flourishes, and the balanced attention on each character. I genuinely can’t pick favorites among the SNW crew, Pike aside. La’an is the character I’m watching most carefully now given her development this season.

S201: “The Broken Circle”. Chief La’an Noonien Singh, who took a departure to take care of a young girl the Enterprise crew rescued from some hellish aliens in season 1, sends a distress call to the Enterprise. She’s out in the boonies — boonies controlled by the Klingons despite not being part of the Empire — and has discovered a plot to reignite the bloody war between the Federation and the Klingons. Solid intrigue and action.

S202: “Ad Aspera ad Astra”. The first of season 2’s “The One Where ____________”, deliberately channeling show-types reused in the previous serials, this is “The One with the Courtroom Drama”. At the close of season 1, First Officer Commander Una (aka Number One, from “The Cage”) was arrested and accused of being genetically modified. “Ad Aspera” sees her defended by a civil rights attorney, exploring the limits of the law. There’s a twist in the midst, and the episode leads to an emotional connection later in the series.

“New to revolving doors, are we?”
“I’m FROM SPACE.”

S203: “Tomorrow and Tomorrow and Tomorrow”: Security Chief Singh randomly encounters a dying man in a corridor, and he thrusts a device into her hands that throws her into an altered timeline. She and the alter-Kirk (who is the captain of the United Earth Ship Enterprise in this timeline) investigate and are thrown further back into time, to …..Canada. Exciting, funny, and moving towards the end. Solid emotional drama when Singh realizes the nature of the timeline’s alteration. Could possibly be regarded as SNW’s “The One Where They Visit Present Day Earth For Some Reason” episode, like scattered episodes of TOS, DS9, and VOY.

S204: “Among the Lotus Eaters”: Enterprise discovers evidence of cultural contamination on Rigel 7 and investigates, but both the ship and landing party are effected by radiation that wipes their memories. Has one wondering how they’re going to get out of this, but the ending gives Erica Oretgas (she flies the ship) a nice moment.

“Smoky and salty and sweet and soft and crispy all at the same time! I MUST HAVE MORE!”

S205: “Charades”. Here we move to brilliance. Spock is involved in an accident, and mysterious aliens ‘fix’ him by…..removing his Vulcan DNA, so we get to see Ethan Peck playing a version of Spock that has his memories and learned habits, but who is wholly subject to human senses and whims. It’s thoroughly hilarious, especially after he discovers bacon, but made tense by Spock having to take part in a Vulcan ceremony that will decide his future marriage to T’Pring.

S206: “Lost in Translation”. A Uhura episode that’s very “Devil in the Dark”, shall we say? Also features Jim Kirk, who is serving aboard the Farragut, and acting as his captain’s liason aboard the Enterprise. Classic Trek mystery, and George Kirk gets a rare moment to shine.

S207: “Those Old Scientists”. The long-awaited Lower Decks | Strange New Worlds crossover. After salivating over the idea that he’s standing where Spock once stood, Ensign Brad Boimler accidentally engages (well, technically Rutherford did) a long-dormant portal that spits him from the 24th century into the 23rd, from cartoon Trek into real Trek, landing in front of Captain Pike, Spock, and Commander Una. Although Boimler tries to behave, the manic energy and — shall we say poor disicpline? — of the Cerritos crew come out in a big way, especially after Mariner tries to come to Boimler’s rescue. It’s hilarius seeing Cerritos antics on the same stage as serious-intense Strange New World writing. I enjoy Lower Decks, making this rival “Charades” as a runner up favorite. There’s a lot of intermixing of Lower Decks and SNW here, so that the show opens with the Lower Decks title sequence, but using Enterprise instead of Cerritos, and ends with a LD-animation scene of the SNW crew.

S208: “Under Cloak of War”. The arrival of a Klingon ambassador to the ship forces Dr. M’Benga and Nurse Chapel to confront their trauma from the Klingon war. Definite shades of “The Siege of AR-558”, “It’s Only a Paper Moon”, and a dash of “The Wounded” — that O’Brien scene, anyway.

S209: “Subspace Rhapsody”. IT’S A STAR TREK MUSICAL EPISODE. IT’S SO GOOD. WATCH IT MULTIPLE TIMES.

S210: “Hegemony” One villain Strange New Worlds has given new life to is the Gorn, who are no longer just lizard-monsters but Predator-like horrifying antagonists who reduce intelligent viewers into teeny tiny little mice-mammals, nervously snatching snake eggs and looking everywhere for imminent scaly death. “Hegemony” opens with an independent-but-Fed aligned colony being invaded by the Gorn, and the Enterprise has personal stakes in going against Starfleet orders because both Nurse Chapel and Pike’s captain-girlfriend were on the ground when things went sideways. Stirring end to the season.

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Wednesday Writing Prompt: Strange Loves

This week’s prompt from Long and Short Reviews is “weirdest thing I loved as a kid”. I suppose every kid is weird in their way — I knew one who loved eating Cool-Whip with a spoon right out of the container — but what comes to mind for me is this little game of my own invention. I think it started while on road trips, but I would close my eyes and then open them dramatically, and pretend I’d just woken up in my own body not knowing who I was or where, and then I would try to gather clues about my life and the people around me, looking at my books and clothes like a stranger would. This was more interesting on road trips, because I would try to use license plates and street signs to “figure out” where I was. This is not as easy as you’d think, especially when we were driving through border areas like the corner of Tennessee, Kentucky, and North Carolina. Similarly, I would try to shift my brain into “seeing” unfamiliar places as familiar, and familiar places as those I was seeing for the first time. Can you tell I was very much the introvert until my twenties?

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This is the greatest thing to hit Star Trek since Leonard Nimoy

IT’S A STAR TREK MUSICAL
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Killing, fictional and otherwise

Lately I’ve gotten into the bad habit of getting almost to the end of the book, and then saying — “Okay, not enough of that to take to work, I’ll start a new one and then finish the other one tonight.” When tonight comes, of course, I’m busy trying to understand SQL and database organization or get to level one hundred in the Skull Caverns, so now I have a little stack of “80-90% read” books sitting on my desk. A couple of short rounds, though:

Someone or something suggested that I would like the Jack Reacher novels by Lee Child. I can’t remember the source, oddly, but the premise of Killing Floor immediately drew me in. A man with a mysterious past disembarks from a bus and walks fourteen miles to a small Georgia town in the middle of nowhere, one that’s oddly well kept-up, and is immediately arrested after he orders breakfast at the local diner. The reader quickly gathers that Reacher is a man with formidable talents, especially in the realm of security, investigation, and combat. Reacher is accused of being involved in a murder outside of town, but fortunately for him one of the cops is an outsider in the city whose own problems with the local establishment make him take Reacher’s claims of an alibi more seriously — but there are more reasons than his own safety for Reacher to take what’s going on in this little town seriously. I thoroughly enjoyed the character and the initial mystery, but there was one extraordinary coincidence that’s remarked on and never explored properly, and Child introduces a romance almost immediately that (as someone who is just meeting the character) I wasn’t particularly invested in.

Swiching to nonfiction, I also read through the short KU title Mass Killings: Myth, Reality, and Solutions. The title largely addresses mass shootings, and Hardy helpfully advises the reader of the particular FBI-rooted definition he’s using, one which is more concise than the sloppy “Whatever we can use to boost ratings” used by the media. Hardy compares mass killings in other countries and points out that one reason most people aren’t aware of them is because they don’t get broadly publicized. He then tackles misconceptions about shooters themselves, namely that they’re bullied and just ‘snapped’: in point of fact, most shootings are planned out for weeks, sometimes even months, and the perps tended to be the ones being antagonistic toward those round them. David Cullen’s Columbine dived deeply into both the shooters’ preparation and their personalities, indicating how deeply antisocial they were. Mental illness is ubiquitous among the shooters, who are often narcissistic, sociopathic, or both at the same time. Hardy also evaluates proposed solutions, favoring most the hardening of potential targets, and pro-active intervention in the cases of those who express violent contempt or the idealization of murder of those around them. He argues that even if every single one of the most common gun control proposals were adopted, they wouldn’t be efficacious, pointing to the number of shooters who were not legally allowed to possess arms yet obtained them anyway, through theft, deception, etc. Restrictions on magazine sizes would also be pointless, given the number of shooters who have brought multiple firearms with them, and restriction of certain firearm types would also do little given the sheer variety of firearms used, most of which are ordinary arms used in self-defense, from pistols to hunting rifles and shotguns. He also strongly admonishes the media for their role in the poisonous and symbiotic relationship in the rise of mass shooters: medias make narcissistic individuals into celebrities, attracting further malignant acts in the pursuit of infamy. Recent shooters have gone as far as mailing the corporate press what amount to press kits, with their screeds and video clips for mass distribution. If there was ever one just reason to ‘cancel’ anyone, it should be the perpetrators of mass violence: do not name them, Hardy writes, and never, under any circumstances, share their manifestos. Why do the the press make sure we know the names of the murderers, but not those of the fallen?

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Top Ten Tuesday: Davy Jones’ Locker

Ahoy there, mateys! Today Top Ten Tuesday’s theme be “Water”, so we’ll be lookin’ at me favorite stories of the seven seas, both fiction and otherwise! Hope ye have your sea legs about ye! Oh, but first — a wee bit of teasin’.

“No doubt about it,” the guy said. “Hypostasis is clear in both corpses.” He looked at me. Wanted me to ask him what hypostasis was. I knew what it was, but I felt polite. So I looked puzzled for him. “Postmortem hypostasis,” he said. “Lividity.”

The Killing Floor, Lee Child

(1) The Sea Wolf. My favorite Jack London novel, childhood attachment to The Call of the Wild aside. A perfectly nice but largely useless effete is swept overboard from a passenger ship, and picked up by a whaler. After accepting that he won’t be going home immediately, Humpfrey gets his Captains Courageous act on and grows to be a man in full — one whose physical strength and technical aptitude become just as developed as his intellectual powers and cultural graces. This isn’t just an adult Courageous, though, because London has Humpfrey pitted against Wolf Larsen, a man who wants to embody the Nietzschean ubermensch, and they spar both intellectually and then physically as the book progresses. I owe this one a re-read!

(2) The Voyage of the Dawn Treader. A Narnian adventure at sea, this opens with that classic line, “There was a boy named Eustance Clarence Scrubb, and he almost deserved it.”. The kings and queens of Narnia are attempting to rescue some allies scattered hither and yon, abandoned to fates like being turned into dragons and the like. This introduced the original mighty mouse, Reepicheep. Quite fun!

(3) Sphere, Michael Crichton. One of the creepiest SF novels I’ve ever read. The US military discovers a unique craft deep on the ocean floor, and the suspense of exploring it — and evaluating what it means — is made all the more gripping by the inherent dangers and mysteries of the Deep.

(4) The Deep: Extraordinary Creatures of the Abyss. This is a large photo book with information about the endless forms most beautiful and (apologies to Darwin) most weird in the lightless depths of the ocean.

(5) Deep Seas and Foreign Going | 99% of Everything, Rose George. A journalist explores the strange and un-ignorable world of oceanic shipping — its unique labor setup, and the eerie fact that these huge ships are largely automated and empty of human activity, with very small crews.

(6) Collapse Depth, Todd Tucker. A short technical thriller part of a series of the same, this combines technical issues, politics, and a mentally distressed crewman. I’ve never read a technical thriller set on a submarine (no, not even The Hunt for Red October), so I thoroughly enjoyed learning about both the operations of nuclear subs, and the training of officers — who, going by Tucker’s account, are responsible for knowing every detail of how a sub works and might fail, rotating from department to department to become familiar with operations.

(7) The Armada, Garrett Mattingly. The best history of the abortive Spanish invasion of England, frustrated by weather, logistics issues, and the Royal Navy.

(8) John Stack’s Roman navy books. A reccommendation from Cyberkitten ages ago. Throughout his trilogy, we see Rome take to the seas to fight Carthage, improvising so Rome can use her strengths in a new arena to defeat the Republic’s most dangerous foe.

(9) Max Hennessey’s naval fiction, especially The Lion at Sea. I enjoy the historical and technical parts of his stories, but Hennessey is a stirring and hilarious writer at the same time.

‘You are a wart,’ the sub-lieutenant of the gunroom had told him firmly. ‘An excrescence. An ullage. A growth. You probably imagine that when signalled “House your topmast”, you should reply, “fine, how’s yours?” and doubtless the only time you’ll show any enthusiasm for the navy will be on full-belly nights when we’re entertaining visitors.’

(10) Horatio Hornblower. You didn’t think I’d end with anything else, did ya? A young man sent to prove himself as a midshipman finds a career of purpose and adventure after the French start revolting and trying to take over Europe. Turned into a Gregory Peck movie and an exciting A&E series featuring all manner of talent, from Ioan Gruffyd to David Warner. (Cheers to Warner for introducing me to “Spanish Ladies”. Have you lived until you’ve heard him RANT and ROAR like a true British sailor? Well, you probably have — but listening to Warner would make your life better.)

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Mythic Realms

© 2023 Brad Birzer
228 pages

“It’s our duty to search out anywhere the excellent that exists within culture, and to promote it — because the excellent is always going to be in the minority. Excellence is the particular, whereas crud is universal. We find only the goodness where we look for it.”

Brad Birzer said those words amid an interview on “Great Film and the American Spirit”, and they sum up Mythic Realms fairly well. It is common to divide books into Literature and popular fiction, or film into Cinema and regular ol’ movies — but there is often truth buried in the mundane, so much so that classics do not become classics for until centuries have passed, and people realize the buried truth is still speaking. Many a classic author was wholly ignored in their lifetime, Jane Austen and William Shakespeare being prize example. In Mythic Realms, Brad Birzer takes literature, film, and even a few TV shows seriously — probing them for what they say about the human heart and our place in the Cosmos. They are a mix of old and new, ranging from Willa Cather’s O Pioneers to Star Trek and Stranger Things.

Dostoevsky remarked that Beauty will save the world, and books have been written on written on that remark alone, and on Beauty’s connection with Truth and the Good. In Mythic Realms we explore the practical application of that, of the power that stories have to awake us, to draw us out of the drowsy haze of the everyday and into the transcendent. He begins by sharing the authors who first made him aware of the power of literature, who formed him through their words and ideas, before settling into reflections on books and film. Mythic Realms is in large part surprising because he so often focuses on obscure and and unusual picks, like the pulp era in adventure, fantasy, and SF. (C.S. Lewis and Tolkien both feature, but one can’t write a book on the power of literature without looking at those two!) The excellence that Birzer finds here — sometimes glittering on the surface, sometimes needing a little smelting — varies on the book. Cather provides the deep, earnest love of the land that makes it possible for human civilization to endure despite hardship, whether that be prairie winds or Gulf coast humidity; pulp writers like Robert Howard celebrated strength, heroism, and man’s essential fire, which may be tamed and squelched by modernity but which will never be extinguished; in Star Trek, Birzer sees not only the power, but the importance of friendship. Jim Kirk was treble the man he would have been alone, because of Spock and McCoy, whose virtues complemented and balanced his own. It is not good for man to be alone — that is true whether a man is alone in a garden, a family struggling on the plains, or the captain of a ship to the stars. The film section does deep dives into he works of John Ford, Hitchcock, and — interestingly — The X-Files. I never watched the latter, but Birzer makes both it and (gasp) the Disney remake of Beauty and the Beast sound compelling enough to sit down and experience properly.

I thoroughly enjoyed Mythic Realms, from Birzer’s personal reflection on the power of literature, his appraisals of emerging genres like science fiction and progressive rock (at some point I need to listen to some to find out what he and Tom Woods find so compelling), to the case-by-case studies themselves. He’s introduced me to more than a few new names here, and prompted me to revisit films like Vertigo that I’ve watched previously and take them more seriously. My only caveat to the reader would be to keep in mind that this began as a collection of essays, and that mark lingers in some repeatedy quotes and background information. If you take books and film seriously, though, this is a volume to look for and savor. There’s nothing like discussing either with someone who loves and is inspired by them.

Quotes from Highlighted Authors:

“Religion and art spring from the same root and are close kin, but economics and art are strangers.” (Willa Cather)

The clear white lamp of science and the passionless pursuit of knowledge are not enough for me; I must live deeply and listen to the call of the common clay in me, if I am to live at all. Without emotion and instinct I would be a dead,stagnant thing. . . . Defeat waits for us all. (Robert E. Howard)

Related:
Brad Birzer’s writings at The Imaginative Conservative, which is probably where I first found him — either there, or Tom Woods’ podcast or Liberty Classroom.
Other books by Birzer, including Beyond Tenebrae: Christian Humanism in the Twilight of the West, Tolkien’s Sanctifying Myth, and American Cicero: The Life of Charles Carroll

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