al Khamissi’s Taxi

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Step into a Cairo taxi, circa mid-2000s, and listen to the rumblings of revolution. I can’t remember how this book appeared on my radar — only that it happened recently, and that I bought a used copy almost immediately — but proved a quick and absorbing read. The setup is simple: Khamissi is a journalist who depends on taxis to get around Cairo, and in the mid-2000s he began taking notes on his conversations with cabbies, and here presents them in fictionalized dialogues. He notes from the start that despite the fact that Cairo has thousands of cabs, the life is typically a losing proposition for the drivers, especially those who are renting the car from someone else. This quickly becomes apparent to the reader, as well: we find cabbies who have been driving for twelve-hour stints or more, simply because the bills are due and they’re desperate, as well as drivers who engage in other opportunities (gambling, investing, etc) in hopes of increasing their income. Oddly, there are no (or were none, it’s been fifteen years) standardized rates, so fares were a subject of confrontational haggling. (And not the near-absurd kind created by tar’rouf in Iran.)

A frequent theme of the discussions is geopolitics: at the time, the terror-war had expanded into Iraq, something none of the drivers were happy about. They regarded Hussein as a friend of Egyptians, because he protected Egyptian nationals within Iraq, and also resented Mubarak’s relations with DC, which used financial ‘assistance’ to the government (two billion a year) to enlist its cooperation (i.e. play nice with Israel). One driver went on such a rant about it that he’d be welcome company at a libertarian pub crawl. Egyptians appear to be savvier about the stupidity of DC’s mideastern meddling than the entirety of the American electorate, calling out the fact that DC is giving money to rival factions, one of which actively funds terrorist activity against it.) Another common issue is endemic corruption, especially from local cops, and people’s utter frustration with the government. One man, though not an observant Muslim, wants to put the Muslim Brotherhood in charge simply because nothing else has worked. (Readers who followed Egypt in the Arab Spring may remember that the Brotherhood rose to power but were ousted by the military in 2013.) The collection isn’t all politics, though: the cabbies range from cynics to true believers, whether the subject be Egypt’s football scene or religion. One recollects with amusement how an extremely modest woman in a veil and hijab changed clothes inside his cab, morphing into a club worker in revealing clothes: he was so distracted he nearly rammed a car at a redlight. Another announced to the author that he was a smuggler, helping bring in untaxed cigarettes into the country. Overall, this is an interesting ‘slice of life’ kind of book.

Related:
Taxi! A Social History of the New York Cab Driver
, Graham Russell
Hack: How I Stopped Worrying About What to do with my Life and Started Driving a Yellow Cab, Melissa Plaut
Mean Streets: Confessions of a Nightime Taxi Driver, Peter McSherry

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May Flowers

‘If you are going to this woman, if you are going to walk the length of England without a map and your mobile and without even telling me first, then at least have the goodness to own up to what you’re doing. This is your choice, Harold. (The Unlikely Pilgrimage of Harold Fry)

Today’s TTT is themed “May Flowers”, but I’m going to go with a three-part presentation. First up, books with flowers in the title. Most of them I haven’t read, but when I did a search I found eight that sounded rather interesting so I’m going to share them here, and a few of them I might actually read! Second, I’m going to share some of my favorite flower photos from my Instagram, and thirdly I’m going to embed one of my favorite pieces of music, “Duo des fleurs”. Actually, let’s start with that..

(1) Flowers for Algernon. Possibly the most depressing novel I’ve ever read, and I’ve read it at least three times since middle school.
(2) The Blood of Flowers, Anita Amirrezvani. A novel about a young woman who becomes a weaver of rugs in Isfahan. The rest of these are just books I saw when I searched for “flowers” in worldcat.


(3) One Hundred Flowers, Georgia O’Keefe. This has prints of one hundred of her paintings. I’ve never really explored her art but could see this being a nice coffee table book.
(4) Flowers from Berlin, a 1985 spy novel in which an FBI agent is tracking a talented German spy whose intent is to knock off FDR.
(5) Flowers in the Sky, a novel about a young woman from the Dominican Republic who moves to New York City.
(6) A Hundred Flowers, Gail Tsukiyama. A novel about the chaos and slaughter of Mao’s cultural revolution.
(7) Dog Flowers, a story of a librarian who returns to her parents on the Navajo reservation and puts her archival skills to work.
(8) In the Palace of Flowers, a story of two slaves finding love in late 19th century Iran, in the midst of Britain and Russia’s “great game” vying for influence in the region.
(9) The Brief Life of Flowers, a work commenting on the cultural and environmental importance of flowers.
(10)Ikebana: The Zen Way of Flowers,Yuji Ueno. On mindful flower arrangment and presentation?

It’s lily season on the Cahaba river! A few stretches of the Cahaba river have the shoals required to host short-lived Cahaba lilies, which bloom for a couple of months and attract thousands of viewers. The most popular location to visit them is in West Blocton.

These are Louisiana iris, I believe, from a stand that used to bloom every late March and very early April. Sadly, they’ve not done so in two years: I suspect the especially hard winter we had in 2022, with two weeks of sustained subzero temperatures (a freakish occurrence in central Alabama) did them in.

I took this in April of last year, though I’m not sure where.

The early bumble gets the pollen..
Hi, Biscus!

Oh, and here’s another flower.

I miss bustin’ through your kitchen door
I won’t lie I know that I should’ve
Went to church with you more
I’m in a place you never thought I’d be
Most nights I wonder if you’d
Be proud of me
And I could put a flower on your grave but it would
Probably just blow away and you wouldn’t know I put it there, anyhow
I don’t feel so good anymore, at least not
Like I did before, but I still think you love me, anyhow
Yeah I still think you love me anyhow

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The Unlikely Pilgrimage of Harold Fry

A letter arrives; lives are changed. Harold Fry and his wife Maureen are retired and struggling: their relationship is dead, their beds in different rooms. Then Harold receives a letter that an old friend and coworker is dying of cancer. Shaken, he writes her a letter and makes for the post box to mail it. A decision to press on a little further and take it directly to the post office leads to Harold getting it in his head that if he walks to deliver the letter to Queenie directly that she’ll live. So…he keeps walking, in his boat shoes and without a stitch of protective clothing or preparation. Although the book begins as a slightly comic, slightly sad story of a man embarking on a crazy and very uncomfortable idea, it quickly begins maturing into something altogether deep and moving. This walk of Harold’s isn’t just about trying to will the universe into not killing someone who meant something important to him; it’s about exorcising the demons of the past. Without his phone, without the distractions of everyday life that throw a sheet over that pesky inner voice — of observation, reflection, even rumination — Harold suddenly has occasion to genuinely reflect on his life and the past. Harold may be traveling lightly, but he carries burdens with him, and now he has no choice but to feel their weight. Despite the tragedy that is revealed here, though, this is not a sad book; like The Music Shop, human connection and beauty prevail. Harold’s journey wakes him up to life again — the smell of flowers and something in the wind that he’d never catch from in a car — and brings his and others’ lives together. He meets people on the road and is changed by them just as their encounters with him change them, and Harold begans to appreciate what characters we persons can be, lovely despite of our frailties. I am really loving Rachel Joyce as a writer.

Highlights:

[Butterflies] have such a short time to live, and they spend it kissing flowers.

It’s amazing, the difference a bit of light makes. Especially when it’s inside you.

People were buying milk, or filling their cars with petrol, or even posting letters. And what no one else knew was the appalling weight of the thing they were carrying inside. The superhuman effort it took sometimes to be normal, and a part of things that appeared both easy and everyday. The loneliness of that.

Wild garlic filled the air with its sweet pungency. Once more, it surprised him how much was at his feet, if only he had known to look.[….] He had learned that it was the smallness of people that filled him with wonder and tenderness, and the loneliness of that too. The world was made up of people putting one foot in front of the other; and a life might appear ordinary simply because the person living it had done so for a long time. Harold could no longer pass a stranger without acknowledging the truth that everyone was the same, and also unique; and that this was the dilemma of being human.”

It struck her again what tumult the human heart continues to feel. To a young person, passing Rex in the street, he would look like a helpless old man. Out of touch with reality, and all spent. Yet, beneath his waxen skin, and inside his portly frame, there was a heart that beat with the same passion as a teenager’s.

Sometimes you make a mistake. You do something that you can’t undo, and that mistake becomes a part of who you are. But it doesn’t define you. You define yourself.

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May the Forth was funner when it was an inside geek joke and not a Disney holiday

Just saying.

This is a screenshot from 2020. Finally remembered to post it.
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The Store

At a last huzzah in New York, surrounded by former writers who the modern economy has made superfluous, Jacob and Megan announce to their friends that they are doing the unthinkable: they’re joining The Store. The Store dominates the American economy, just as its delivery drones fill the skies and its lobbying dollars fill the pockets of politicians happy to write laws that give it even more authority and greater profit margins. But Jacob and Megan haven’t decided to sell out, not really: they’re going to beard the lion in its den by joining The Store and then writing a tell-all. Uprooting their lives, they move across the country and settle into their new home in the company town of New Burg and get to work investigating. What they find is an utter creep show: their neighbors and coworkers act like drones with perpetual smiles on their faces, and there’s always the feeling of being watched and listened to. It would be difficult enough to make the transition from New York intellectuals to factory workers in any situation, now they’re living in what feels like a cult, where the only normal people are stoned all the time. His kids, while initially uncomfortable, are quickly sucked into involvement with Store programs, smitten by the new technology, but Jacob and Megan continue to be alarmed by the weirdness of their new lives — especially by the things that begin happening when Jacob doesn’t settle down and become a good producer-consumer clone, but continues asking questions and taking notes — harrassment from cops, the disappearance of neighbors who had shared confidences. Increasingly, too, Jacob feels like Megan is pulling back from the project, becoming more comfortable within The Store as she rises through its ranks — and soon, Jacob is on the run, all alone.

Although remniscient of Rob Hart’s The Warehouse and Dave Eggers’ The Circle and The Every in subject, The Store is…well, what I expected from James Patterson: it’s airplane literature, fast and mostly empty. Eggers’ worldbuilding and execution were deeply unsettling beause they were so plausible: its characters’ behavior were warped in ways a reader could recognize: The Warehouse succeeded because it was so closely based on the actual practices of Amazon warehouses — and in both, the inhumanity appeared, emerged from practices that were simply meant to be efficient or profitable. Here, though, The Store is set up as a creepy villain: it turns its employees into cultists, it surveils everything, etc, and there’s no apparent reason for it beyond “The Store is the baddie and the reader needs to really dislike them”. Why would any company creep new employees out by having their house filled with stuff liked that which they’ve bought before, ambush them with unsettling smiling human robotics who all say the same catch phrases, and film people constantly? It was all too forced for me, and while there was some mildly interesting character drama between Jake and his wife as she becomes less resistent to The Store’s culture, this was completely ruined by the twist ending which reveals that Jake is not the most reliable of narrators. More’s the pity considering he’s about the only character with any degree of development. Ultimately, this made for OK lunch reading — I did knock it off in two settings, so I can’t say it was uninteresting — but it’s far from the level of the aforementioned works, and not substantially interesting or memorable at all. Possibly suitable for older relatives who like complaining about Amazon.

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The Music Shop

In a struggling neighborhood in 1988 London, owners and residents like to gather in Frank’s music shop to hear what he has for them. Frank has a gift of being able to hear the music anyone needs at any given moment, and he’s happy to share them — even with a thief who ran out of his store with a record, whom he chased down and told that he’d skip the police call if only the thief would come back and listen to that band’s earlier stuff, because it was a lot better. But then a woman walks in whom Frank can’t hear the music for, a woman from Germany with a penchant for wearing green and a past she doesn’t want to talk about. After she faints on her first visit to the shop, she claims she’s not “into music” — but a connection between them leads to Frank sharing his favorite music and the stories bound up within the pieces over the course of many Tuesday meetings, all the while the neighborhood struggles with economic decline and developers who want to raze the old buildings for some brand spanking new projects. Frank isn’t a fan of the new and shiny, not because he’s a curmudgeon, but because of the qualities of the old that he defends. Take vinyl, for instance: he loves its physicality, the way it needs to be taken care of, the way it manifests art in multiple mediums — its sleeves, the liner notes, and the music itself. His stubborn defense of vinyl — his refusal to stock cassette tapes or the increasingly popular CDs — makes him source of derision and frustration to the publishing companies, and one of curiosity even to his friends, but it’s what he believes in. The Music Shop comes with some pre-packaged appeal: a small but intimate circle of strong personalities and eccentrics who are being besieged by well-meaning men in gray suits using all kinds of pressure (from lawfare to encouraging hooliganism) to push them out. There’s a strong relationship that develops here, a connection made through music — but it’s the musical aspects that really drive the book to the heights for me. I’ve loved music of most kinds since I was a kid, and I delighted in learning the stories behind particular pieces — which run the gamut from classical to punk. Like many readers, I’ll warrant, I began listening to pieces as I read Frank’s stories about them, listening for the things he was so animatedly telling people about. (Other readers and listeners have made a playlist, should you be curious.) The genius of The Music Shop is the way it magnifies one winsome thing (human connection) via another (music). I’ve already started reading another Joyce book, so moving did I find this one.

Highlights:

So it was over. The thing was lost before it had begun. Frank paced the Persian runner, up and down, trying to shake her off. Because if he thought too hard about her, he might want other things, and after that it would be a house of cards. No one would be able to put him back together. He lumbered over to his turntable. Well, he would never see her again. GOOD. She was getting married. She was an extremely busy person. That was all GOOD too. It had been a close shave but he was unscathed. He had his shop, his customers; yes, life was exactly as he had always wanted. No risk of loss or pain. Really he should be grateful she had someone else—

But CD sound was clean, the reps argued. It had no surface noise. To which Frank replied, ‘Clean? What’s music got to do with clean? Where is the humanity in clean? Life has surface noise! Do you want to listen to furniture polish?”

“We are human beings. We need lovely things we can see and hold. Yes, vinyl can be a pain. It’s not convenient. It gets scratched. But that’s the point. We are acknowledging the importance of music and beauty in our lives. You don’t get that if you’re not prepared to make AN EFFORT.”

‘You saved my life, Frank.’
‘You saved your life. I just found you jazz.”

When the music started again, she was in tears. Like a switch had been flicked, and her eyes were spouts. Because life goes on, the music told her, even when you think it can’t. Yes, there is fear. There is real cruelty. Not knowing what the [—-]. Those things are there. But listen because there is this too – this beauty. The human adventure is worth it, after all. As she left that booth, the music was in her heart.

He thought of the tenderness with which this small warlike woman had moved from one plant pot to another, pulling out dead leaves and checking the soil. Normal people just want something to love and look after, he thought; that’s all they want.
‘You don’t want to get involved with me,’ he said. ‘We’re good like this, Maud.’
Breaking away, she snatched up their empty glasses. ‘You’re a tosser, Frank. Go home.’

Music should come with a health warning. Put the right words with the right music and you get dynamite.

He reached for his headphones, but no matter how hard he tried to lose himself to music, her voice still found him.

One hundred people sing in a shopping mall. Outside, the air will stink of cheese and onion, people are being mugged, others are starving, the sky is grey, but for one brief and irrational gap in time, there is this beautiful human madness. The world is not terrible after all.

Certain elements of this novel made me think of “Eleanor Rigby”, which played in my head most of the time I was reading it, so here you are.

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Father McKenzie
Writing the words of a sermon that no one will hear
No one comes near
Look at him working
Darning his socks in the night when there’s nobody there
What does he care?
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Double play: science-y baseball and Tokyo teenage touristing

Diary of a Tokyo Teen is a graphic memoir of a Japanese-American teenager’s visit to her relatives in Japan, after an absence of five years. They live in an area not far from Tokyo, and the memoir covers her visiting various neighborhoods and sites around the prefecture, though she also uses the bullet train. Christine is half-Japanese, both by ethnicity and culture: she’s technically a Japanese citizen, but she’s so removed from Japanese life that she still gets to experience a fair bit of culture shock whenever she returns home and sees how things have changed. One of the running jokes is her discomfort with Japanese bidets, which use water for cleaning instead of wads of toilet paper. Unlike many in my generation, I missed the whole “Get obsessed with Japanese culture” thing (I enjoyed the Pokemon games in high school, and that was about it), so this year’s dips into contemporary Japanese life have been very interesting to me. There are also photographs included in the work, so I think it’s possibly inspired by a real-world trip she took back home. There was a lot of new content for me, like the Golden Pavilion, and I enjoyed the artwork.

The Science of Baseball takes a scientific look at the various material aspects of baseball — the creation of balls and bats, the maintenance of fields, the physics of fielding and hitting, the biomechanical stresses that various plays incur on the body — to see how they are at play in the game that so many love. There’s also a lot of sabermetrics, of course, and it gets a bit ‘inside baseball’ at times but not overly much so. I didn’t realize how much variability there was between baseballs and bats despite standarization, and that given batches could carry a performative biases — being more or less lively than a previous batch. This borders on inexplicable given the degree of standarization: the performance differences between different kinds of bats at least makes sense, given that fiber composition varies from wood to wood. There’s a large focus on how augmented reality tools are being used to closely study and coach pitching and batting, with some machines existing that can reproduce famous pitches from older games: the slugger who can afford one at home can theoretically practice against model pitches from all of the pitches he expects to see in the next season. Frankly the amount of computer modeling creeping in is unsettling, and I’m glad the MLB keeps a lot of tools off the field. Probably the most surprising fact in this is how obsessively cared-for ball fields are: mown and moisturized daily, and with genetically-modified grass and an array of different dirts and soils used for different parts of the field.

Highlights:

If somebody wants a perfectly predictable baseball, they’ll be better off playing MLB: The Show instead of watching actual ballgames.

Sonne isn’t just a scientist, but also a fan, who regularly says he grew up in the SkyDome (now Rogers Centre). I asked him what he notices when he first sees a pitcher and is it as a fan, or as a biomechanist? “The first thing that hits me every time I see an elite pitcher throw, is just how impressive the human body is,” he responded. “The internal rotation of the shoulder is one of the fastest movements in all of human motion, across any sport. As a kinesiologist, biomechanist, and fan of baseball, there isn’t a time that I watch a pitcher and am not blown away by how difficult, humbling, and beautiful the sport of baseball is.”

Ol’ Hoss Radbourn, the pitching great of the late nineteenth century, would often tell the tale of the time he ended a game with a homer. It didn’t go over the fence—there was none—but instead went under a horse. One of the fans had just ridden up and when Radbourn’s hit went near it, it almost kicked the outfielder in his head! (Would that have been an error, or an assist for the horse?)

Even the grass is no longer a guess. There are several teams that model out how the ball will move in both the infield and outfield grass, which allows them to tailor it in the same way golf courses do for players. Want it a bit slower? That’s easy, just cut it this way and roll it to push the ball in. Want it faster? There’s an easy solution for that, with the field able to be kept at a very consistent “track” if they want it that way.

“I often get the question, ‘how can I get my high school field to look like Victory Field?’ My first question is, how much money do you have? You can have Victory Field without trained staff, but you need proper construction and engineering, draining, specific USGA sand, irrigation, engineered soil, and various clays and soils that come from all over the USA. Our infield is from Pennsylvania, our clay is from Iowa, our warning track is from New Jersey, our grass was grown specifically on sand in New Jersey from years of research and testing. Our indoor mound clay comes from Arizona and we have a crew of people who work seven days a week to keep this field in shape.

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Worth reading: “What’s Become Of Us”?

Freya India writes today on not only how social makes us feel, but how it degrades us as people.

Over time I’m becoming convinced that our most pressing concern isn’t that social media makes us feel worse about ourselves. It’s that social media makes us worse people. […]

“We talk constantly about what like, follow and comment metrics do to our self-esteem—but don’t they also make us so shallow? We hate when people judge us by numbers on a screen, but aren’t we doing it all the time, to everyone else, even subconsciously? […]

“We also complain, constantly, about how inauthentic everyone is, how people are always performing and how this fakeness makes us feel insecure and inferior. But what about being fake ourselves? It’s so easy to be dishonest now. We can so easily disguise our vanity as virtue. Here’s a post about Palestine where I’m posing! I’m standing up for conservative values—with a hot selfie of me at a protest! People on all sides pretend their platforms are about political causes and activism when really they just provide perfect opportunities to constantly talk about themselves.”

“And actually, paradoxically, I think all this is a major part of the mental health crisis. This feeling that we are all becoming worse. Our loss of empathy, our lack of regard for others, our neurotic obsession with our own image—it’s taking a toll. […] The conversation can no longer just be about how bad social media is for our mental health. It has to be how bad it is for our humanity.”

“Modernity mined culture of its customs, denied the importance of families, made a mockery of generational wisdom—and then left the door wide open for companies to crawl in and decide what we value. What did we expect when we took down the traditions? When we uprooted our communities? And allowed a generation to be raised by algorithms and the role models it generates for them? And these platforms are always just there, too, reminding us constantly, daily, hourly, that it’s okay to have so little regard for other people. Of course we can all be cruel and selfish and insincere sometimes—but never before in history have we had a portable machine here to promote it. To indulge it. To reward our self-obsession and rename it personal branding, to protect our vanity as #selfexpression, to defend our basest desires “because you owe it to yourself”!”

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Between stimulus and response, there is a space

Daily writing prompt
Do you have a quote you live your life by or think of often?

Nearly twenty years ago I stumbled upon Marcus Aurelius, Epictetus, and the writings of the Stoics. I can’t tell you the exact story because too much time has passed: at the time I was not religious but had an inexplicable interest in spirituality, and I read a sermon by a Unitarian Universalist minister called “Humanist Spirituality: Oxymoron or Authentic Path to Enlightenment?”. It was my introduction to Greek philosophy and meditation, and I found Stoicism and Epicureanism of particular interest in their rejection of the world’s trappings and embrace of virtue and simple living. Vague interest became a serious interest and study, though, when one of my close friendships suddenly exploded over the summer of 2008, and I was dealing with a lot of pain and anger and uncertainty. It was then that I fully read the Stoics and paid attention to what they had to say, and one quote from Marcus Aurelius’ meditations especially hit home: Remember how much more we are affected by our feelings about things than the things themselves. Around this same time I stumbled upon this wonderfully sweet and wise YouTube channel that’s long gone, but it featured a 30s-something black man who always wore an Oakland Raiders hat talking about life and meaning. Once he did a reflection the idea that “Between stimulus and response, there is a space”. I learned later he was quoting Viktor Frankl, but I didn’t know that then and it connected powerfully to what I was reading from the Stoics. Stoicism has continued to be a bedrock of my life in the twenty years since, although I will freely admit that like any bedrock it has at times sunk into disrepair, grown forgotten and caked with dirt — but it’s still there. I’m much less of a Stoic than I was in those years because it’s frankly a lot easier to focused and zealous when you’re young and in college than when you’re older and have to go to work and pay bills and deal with people’s boomboxes. Of course, that’s where the real use of a practical philosophy is — keeping us grounded and growing through the challenges of everyday life, which come not as huge monsters but monstrous piles of petty issues. Remembering that space between stimulus and response is especially helpful when working with the public — helping deesclate conflicts, helping not get fired — and overcoming the seduction of passion, which makes us feel good about getting mad or indignant or whatever. The Oakland Raider cap man often closed with another saying, which is related and appropriate: Take life a little lighter than it comes.

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April 2024

Well, April didn’t quite go the way I’d expected. A lot of equipment turnover at the library + beginning of big archives project at the library + end-of-term assignments meant that after a few history reads, the only thing I read was easy-on-the-brain historical fiction. Speaking of historical fiction, Mssr Sharpe will ride again this October with Sharpe’s Storm, and Robert Harris will be releasing Precipice in autumn as well, which appears to be set immediately before the Great War. Just yesterday I heard of an author who I’ll be checking out more of, Brian Panowich: evidently he does crime/noir set in the South. Funnily enough I heard of him via the Morgan Wade Fan Club, because in one of his books he tells people to listen to her. I concur, here’s a playlist.

Read of England:
Life Below Stairs: The True Lives of Edwardian Servants. Technically read in March.
Elizabeth’s London, Liza Picard
The Club: Johnson, Boswell, and the Friends Who Shaped an Age, Leo Damrosch
Sons of the Waves: Common Seamen in the Heroic Age of Sail, Stephen Taylor
No King, No Country, Wayne Grant
A Morbid Taste for Bones, Ellis Peters
Longbow, Wayne Grant
Warbow, Wayne Grant
Broken Realm, Wayne Grant
The Ransomed Crown, Wayne Grant
The Dangerous Years, Max Hennessey
A Prince of Wales, Wayne Grant
To So Few, Russell Sullman

The Science Survey:
The Fall of Roman Britain: Why We Speak English. Sort of. Interestingly enough, this tackles a historical question with scientific tools — analyzing genes and climatic change evidence, etc, along with archaeological inquiries and some general history. I think I can get away sticking it into the Archaeology & Anthropology slot.
The Science of Baseball,Will Carroll. Again, sort of. I’ll stick it in physics and call it SAFE! Review to come.

Unreviewed:
I Judge You By Your Bookshelf, Grant Snider. This is a collection of cartoons about books, reading, writing, and poetry.

Diary of a Tokyo Teen, upcoming. Also largely graphical.

The Science of Baseball,Will Carroll. Literally just finished right before bed April 30. Will probably short-round it with Tokyo Teen.

Star Trek Lower Decks #1: This is a frustratingly short but fun LOWER DECKS! LOWER DECKS! LOWER DECKS! comic in which the LD peeps actually create a mix of Dracula + Moriarty. Solid adaption of art and storytelling, but too short. Its ending is like commercial break without the resolution of the second half. Even worse, Amazon is being all sneaky tricksy hobbitses and offering the first one on KU, but not the other two.

Classics Club and Reading Dixie:
(shrug)

Coming up in May:

My plan was to devote May to all things medieval, but so much of my RoE reading was set therein that I’m going to let May be unplanned, random, and fun.

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