Top Ten Books I’m Dying to Read

A few weeks ago I found a blog that does a weekly activity called “Top Ten Tuesdays”, but I haven’t yet managed to participate:  I’m still working on “Top Ten Books I Can’t Believe I Haven’t Read”, and….well, it’s been a few weeks.  This week’s meme is related.

1. Glimpses of World History,  Jawaharlal Nehru.  While imprisoned by the British government for his participation in Gandhi’s campaign of nonviolence, India’s future first prime minister wrote a series of letters to his daughter that constituted an epic history of the world. The letters were later collected into Glimpses, which is now out of print. Reading a biography of Nehru piqued my interest in it, and I continue to troll for an affordable copy online.

2. Anarchism and Other Essays, Emma Goldman. Reading Red Emma Speaks was a provocative experience for me, and I’d like to read this or Living My Life, her autobiography.

3. Dialogues and Essays, Seneca.  Whenever I have a little discretionary income, this is always in the running. I enjoyed reading Seneca’s letters, and the quotations that originally interested in me in Seneca are apparently from this collection.

4. Anything by John Shelby Spong, an Episcopalian theologian whose voice I adore listening to, and whose ideas are just as gentle and noble. Jesus for the Nonreligious and Liberating the Bible: Reading the Bible through Jewish Eyes are the two lead contenders for my first Spong read.

5. The Roman Republic / The Roman Empire, Isaac Asimov. Books about one of my favorite subjects by my favorite author are sure to be winners, but alas! They are out of print.

6. The Age of Absurdity: Why Modern Life Makes it Hard to be Happy; Michael Foley. Blogger Cyberkitten  reviewed this recently and it instantly caught my attention.

7. Escape from Freedom, Erich Fromm.  From what I can tell, the book is about human responses to living in a world our genes never anticipated, and feeling alienated as a result. The human desire to end alienation all too often  leads to the triumph of oppressive political and religious ideologies.

8. The Great War in Modern Memory, Paul Fussell. The author explores the war’s social impact by studying letters, essays, poems, and essays written during the war and after it. One of my professors often shares excerpts from it when one of his classes is discussing the Great War, and in the process he’s gotten me interested in reading it properly.

9. The Man Who Mistook his Wife for a Hat and Other Clinical Tales, Oliver Sacks. I’ve wanted to read this ever since reading V.S. Ramachandran’s Phantoms in the Brain. When our brains go awry, the results are… bizarre.

10. Any one of Christopher Moore’s vampire comedies. (Bloodsucking Fiends, Bite Me, and You Suck are three assuredly related titles.)

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Teaser Tuesday (14 September)

I would never be so impertinent as to give the Lady Elizabeth only two sentences — even if it is Teaser Tuesday.

What of Elizabeth then? She is a dark horse, and I do not trust her. She rarely comes to court, and when she does visit the King, she appears meek and pious, but I am not fooled. Beneath that dutiful mask, I have no doubt, lies a devious and dangerous character. I would not like to tangle with Elizabeth.

Innocent Traitor, p. 243. John Dudley, musing on which princess of the blood royal might best suit his designs.

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Innocent Traitor

Innocent Traitor: A Novel of Lady Jane Grey
© 2006 Alison Weir
402 pages

I just found Alison Weir this year and have thus far enjoyed her work in history and historical fiction. Innocent Traitor marked her introduction to historical fiction, and since The Lady Elizabeth and Captive Queen were so enjoyable, I looked forward to reading the work that presaged them. Innocent Traitor is set during the same period as The Lady Elizabeth: Henry VIII, the aging Tudor monarch, has  failed despite six wives to generate a brood of sons. All of England’s hopes for avoiding a bloody war of succession — bloodier still now with the Protestant Reformation gaining in strength and promising to make such a war one of religion to boot — are pinned on the health of Henry’s only male offspring, Edward. Meanwhile, charismatic and wily characters compete for power and influence: court intrigue abounds, and our titular character is thrust into it by her ambitious parents.

The Lord and Lady Dorset are mightily displeased at their daughter Jane for having been born a girl, but the timing of her birth — close to that of Prince Edward’s — and her Tudor blood make her a viable candidate for marriage  to Edward when he reaches his majority. From the moment Edward’s birth is announced, Jane’s parents scheme to insert her into English politics.  Jane lacks the imperious will of her friend Elizabeth: she has no interest in ruling, or in most affairs of aristocracy. She prefers studying theology and the simple pleasures of reading and conversation to noble sports like hunting, gossip, and conspiracy. Still, the examples of Elizabeth and others put enough steel in her backbone to give those who wish to casually use her pause.

Although Jane is the primary character of Innocent Traitor, hers is not the only voice. Weir relies on a half-dozen voices to tell the story: Queen Katherine (Parr); Frances, Jane’s cold and oppressive mother;  Ellen, her governess;  the future Queen Mary, and John Dudley. Weir uses the first-person voice for all of them, which required some getting used to: Dudley’s inclusion seemed especially odd at first, although he is instrumental in dragging poor Jane into court in an attempt to prevent the Catholic Mary’s succession and the return of England to the “yoke of Rome”. Unfortunately for him and Jane, Mary is a force to be reckoned with.

Innocent Traitor is not as tightly focused as The Lady Elizabeth, but it’s still a good read: Jane is as sympathetic a character as I’ve ever read, and Weir’s training and work as a historian are put to good use, portraying the flamboyant, dangerous, and miserable world of Tudor-era England in rich colors. The final fifty pages are particularly poignant. Dialogue has a historical flair, but is not overly stilted — though Jane’s childhood narrative chapters have an adult formality to them. (This was also present in The Lady Elizabeth).

All in all, an enjoyable novel, and yet one bettered by Weirs’ succeeding works.

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This Week at the Library (1 Sept – 8 Sept)

This week at the library…

  • I began the week with Lost Souls, the outstanding finale to the generally impressive Destiny trilogy. David Mack didn’t disappoint; in fact, he floored me with the service done to this vein in Trek literature.
  • Next I read Albert Marrin’s The Spanish-American War, a short history of the beginnings of American imperialism in Cuba and the Phillipines. I read it for Marrin, and his familar style was as enjoyable as ever. It should serve anyone wanting an introduction to the war or a refresher well.
  • I finally finished Will Durant’s Our Oriental History, an epic work. It is impressive not only for the writing style, but for how much Durant manages to cover. He first examines the meanings of civilization, then covers the political, economic, artistic, literary, and intellectual achievements of the major ancient-era societies and three Asian powers that have lasted to the present day. 
  • I received Steven Saylor’s Empire in the mail shortly after my weekly visit to the library and had to read it, of course. It’s a worthy successor: not as ambitious as Roma, but a good story by itself.
  • Lastly I read Michael Crichton’s Timeline, a blend of history and science fiction involving an expedition into the past when a team of historians and archaelogists travel to medieval France to fetch a missing colleauge. Entertaining and as informative as Jurassic Park given that some of Crichton’s characters lecture throughout the novel.

Selected Quotations:

[Worf] picked up  his weapons from the platform, climbed the stairs, and stepped onto a transport pad. Turning back, he said, “Victory against these odds will be almost impossible.”

Dax narrowed her eyes. “I wouldn’t say impossible.”

Worf replied with a smirk, “I meant for the Borg.”

 (Lost Souls, David Mack)

Next Week’s Potentials:

  • I’ll be reading The Life of the Greeks by Will Durant, though I’m planning a more leisurely pace. I don’t want to fatigue myself on the Story of Civilization series by trying too much at one time.
  • The Good that Men Do, which I’d planned to read several weeks ago but which was prempted by the Destiny trilogy. I may return to it.
  • Karl Marx: the Passionate Logician; Joel Carmichael. Thought Marx is an abused personality in the United States, I’m rather fond of him: I spent the better part of my second year at university reading from a set of his ‘complete works’ on and off, and the image that emerged was of a man keenly interested in improving the human condition.
  • Innocent Traitor, Alison Weir. A novel about the Lady Jane Grey, a young girl foisted upon the throne and later killed in the course of court politics. 
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Timeline

Timeline
© 1999 Michael Crichton
444 pages

What happens when quantum mechanics and medieval history meet? Specifically, what happens when a team of American archaeologists  excavating the site of a ruined medieval fortress-town  are approached by the techno-firm ITC which is sponsoring the dig and asked to undertake an expedition into the past to find their missing professor?

In unearthing the foundation of a monastery and castle, the team is already exploring the past — but ITC offers them an opportunity to do so in an altogether different way. ITC’s interest in quantum teleportation inadvertently made a form of time-travel possible, and in the years since they first realized this, they’ve moved toward capitalizing on the discovery. They have constructed machines capable of sending a person or persons into the past: Professor Johnston, the team’s leader, has used one of those machines to enter the world of medieval France during the Hundred Years War. He has not yet returned,  and so the two grad students and isolated adults involved in the history site are dispatched to find him.

What follows is a curious blend of science fiction and history as the team attempts to navigate the world of medieval France. It is a world no less dangerous than invented in Crichton’s Jurassic Park: the English-held castle being investigated at the outset of the novel is under siege by the French army, and violating social customs carries dangerous of its own — as one of the grad students, Chris, finds out when he picks up a glove thrown at him by an insulted nobleman and accidentally accepts a challenge to joust. What makes the book a thriller is that so much goes wrong on both ends: while the grad students and their guide try to avoid being taken for witches and spies, overcoming a language barrier and surviving court intrigue, ITC experiences an equipment malfunction that may prevent the expedition members from returning safety.

It’s certainly a fun story, and one rich in detail. History is a great love for me, and medieval history is a pet interest:  I enjoyed seeing the two students react to their expectations being completely confounded, and found their realizations more interesting than the actual plot. As in Jurassic Park and its sequel, Crichton has a character to lecture throughout the novel: his eccentric Marek is as much fun to read as Ian Malcolm. His lectures were in line what I’ve been learning about the medieval era through my university studies and outside reading, and I hope that this novel has seduced a reader or two to find out more about history in general, for Crichton comments on its importance more than a few times.

This should be of interest to both SF and historical fiction fans.

Related:

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Teaser Tuesday (7 September)

Lo! A traveler from a distant land! I pray thee, sir, willst ye sit down and tarry with me a while? I shall regal you with  tales from mine own adventures in reading…
…no? Have at you, sir!

He watched Chris jolt down the field, precariously hanging in the saddle. And he watched Sir Guy charging toward him, in perfect control, body leaning forward, lance couched in the crook of his arm.

Well,  Marek thought, there was at least a chance that Chris would survive.

(p. 229, Timeline: Michael Crichton)
And…bonus! Here’s another!

 Deanna Troi screamed in horror as Dr. Ree sank his fangs into her chest just below her left breast, and Ree felt absolutely terrible about it, because he was only trying to help.

(p. 9, Lost Souls. David Mack.)

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Empire

Empire: the Novel of Imperial Rome
© 2010 Steven Saylor
589 pages

Last summer — strangely enough about a year ago last week —  I had the pleasure of reading Roma: the Novel of Ancient Rome. The novel was a thousand-year epic, following one family through many generations in eleven stories. Saylor’s rendering was impressive, so much so that I preordered its sequel as soon as I had the opportunity. I rarely preorder books: I have done so on only one prior occasion.

Empire is far less ambitious in scope than Roma, covering just over one hundred years. Saylor employs the same approach as in Roma, focusing on the same family (the Pindarii) and grounding the reader with an amulet that is passed from heir to heir. In Roma, the amulet transformed through its thousand-year history from a lump of metal purported to contain the essence of a god into a winged phallus (representing said god, Fascinus), into a decayed shape roughly similar to that of a cross — appropriate, given that Roma ended in the first year “anno domini”.

Although said designation was created during the medieval era, that year did start a new era in Roman history, for after the decline of the Republic and the establishment of an increasingly autocratic Empire, the only voice in Roman politics that mattered was the voice of the Emperor, who is hailed in the books as “Dominus”. Empire  is a story told in four parts: two stories lengthy enough to count as novellas, bookended by two shorter stories.  The first begins in the last months of Augustus, while the novel ends with the appointment of Antonius Pius.* The intervening emperors — especially Caligula, Nero,and Domitian — drive the book. Their ambitions, whims,  and favor — or disfavor — force the Pindarii to think on their feet time and again. The Pindarii are patricians, once disgraced but restored to dignity when a family friend dons the purple and gold. They remain within strangling distance of the Emperors for most of the book, which is good for the reader but somewhat unhappy for them.

Although less ambitious, Empire does not disappoint: the drama here dwarfs that of his Roma sub Rosa series: on more than one occasion I bolted to my feet surprised by a plot twist. His Pindarii are far more sympathetic in Empire than in Roma, which may force the reader to be more anxious about how they might survive the Year of Four Emperors, the madness of Caligula, the Great Fire, the eruption of Vesuvius,  and the Emperors’ increasing power. Historical persons appear throughout the novel beyond the emperors:  Seneca, Epictetus,  and Seutonious are three that caught my attention, but as in Roma Saylor introduced me to more that I had never heard of, like Apollonius of Tyana. The city itself is a background character, continually changing with the ambitions and tastes of the men who rule it. In some ways, Empire is even superior to Roma: Saylor’s authorial voice is much less intrusive, as he allows his characters to handle exposition.

A recommendation, of course, to those interested. I’m still more impressed by Roma’s scope, but Empire was a pleasure.

The heirs:

  • Lucius: the Lightening Reader.  When the Emperor’s nephew Claudius is summoned to performed an augury for Augustus, he brings his friend and fellow augur Lucius Pindarius to assist him. The result ensnares the Pindarii family in imperial attention,  linking their fates with imperial intrigue.
  • Titus and Kaeso: the Twins:  Lucius’ twin boys come to age in the beginnings of Nero’s reign, and the two are torn apart by their opposing loyalties to Caesar and Christ: one of the two develops a fondness for Jewish mystics while in Alexandria and is lured into a strange new cult obsessed with the Apocalypse.  
  • Lucius the Seeker:  Lucius, unlike his father and grandfather, has no interest in either augury or family. Living off of the family fortune, he prefers to spend his days shooting the breeze with Epictetus, a Sophist philosopher, a poet, and a member of the Imperial court. 
  • Marcus the Sculptor:  Young Marcus is the favorite architect of Emperor Hadrian, who is obsessed with leaving vast monuments and building projects to posterity.

Related:

  • Roma, Steven Saylor
  • The Sons of Caesar, which follows the evolution of the Roman empire from Julius Caesar’s ascent to the fall of Nero.
  • Pompeii, Robert Harris.  (Novel.)

* Narrowly missing Marcus Aurelius, though I was delighted to see him at all: he appears as a youth, brought to court by Hadrian, who was intent on grooming him as heir.

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Our Oriental Heritage

The Story of Civilization: Our Oriental Heritage
© 1935 Will Durant
1048 pages

“Civilization is social order promoting cultural creation.”  (Opening sentence.)

Our Oriental Heritage is the introductory volume of a greater work, an eleven-book set covering prehistory to the last days of Napoleon. Judging from the preface, Durant initially planned to write The Story of Civilization as a five-volume set that went beyond Napoleon, even approaching the 20th century. This first volume begins in prehistory, Durant spending time to comment on the evolution of civilization’s economic, political, moral, and mental elements before beginning his trek proper with Sumeria. Egypt, Babylon, Assyria, Judea, Persia, India, China, and finally Japan follow. Although the majority of his subject nations have passed away into extinction, the latter three civilizations are still extant, and Durant follows their story up to the ‘present day’.

Our Oriental Heritage is epic history: not only is the timeframe at hand vast, but Durant’s approach is to tackle politics, religion, science, art, drama, and artisanry all together, giving his story depth as well as breadth. Despite the abundance of information, his presentation is never confusing. Sections are clearly delineated, and I enjoyed Durant’s writing style: he’s approachable, but dramatic, often waxing on eloquently about a particular poet, ruler, or philosophy. There’s also occasional humor —  dry, of course, as historian humor tends to be.

Throughout Durant’s work, civilizations rise and fall like waves crashing on a beachhead: they are born, he says, in stoicism, and perish in epicureanism. Those words are used chronically throughout the book, fading only in the last two general portions. I don’t rightly understand that characteristic of his writing. While the misuse of epicureanism is understandable (being common, and objectionable only to people familiar with Epicures) as referring to powerful, rich states that grow sedentary in their success, slowly rotting inside before falling to a more youthful power,  ‘stoicism’ always seemed out of place. He used it most often to refer to newfound religions or philosophical approaches that were puritanically moralistic.

Durant’s place in all this seems a bit odd: while he approves of progress and prosperity, they reach their height during these epicurean periods which involve a worship of the intellect and the decline of emotionally-charged elements of civilization, particularly religion. He habitually mourns this decay, thinking of religion as a means by which people put their persistent tendency to believe in the supernatural to use — strengthening individual characters, offering consolation to the suffering, and strengthening society and social order. Thus he tacitly approves of the vibrant religion of those who finish the decadent civilizations off and establish their own, all the while sadly recounting the horrors that the conquerors visit upon the vanquished. (Hinduism is the only religion in his book that doesn’t attack the beliefs or artifacts of other civilizations, apparently because it co-copts them. Buddhism doesn’t die in India: Hinduism simply absorbs it.)

As I cannot comment intelligently on much of the content (being wholly ignorant of some of his subjects, particularly early India and China), I can only say that I enjoyed reading the work, quirks included, and that I think my understanding of part of the human story improved for having read it. The book’s age is somewhat problematic for the reader looking for a work like this: in Durant’s world, the “present day” is the early 1930s — and much has changed since then. Hitler has been the chancellor of Germany for two years and is swiftly turning it into a totalitarian nightmare;  Great Britain is the master of India, and Imperial Japan has annexed both Korea and a northern province of China, operating it as the puppet-state Manchukwo. Durant speculates on whether Japan and the United States will fight over their competing economic interests in the Pacific: he thinks they will, in all likelihood,  for economic competition has driven war throughout human history. Although old scholarship isn’t necessarily bad scholarship, in the nearly eighty years since this book first saw publication, archaeological discoveries or linguistic breakthroughs might have added context that makes Durant’s summaries inaccurate. An inconsequential example of this is Piltdown Man, which Durant references in tracking prehistorical hominids across Eurasia: Piltdown Man is a hoax, one not exposed until the 1950s.

There are undoubtedly other books and series written in the subject of ancient history or general surveys,  probably some written within the last decade with up-to-date scholarship. Are there better books in this subject? That I can’t answer, not having read any series to recommend this book over. As said before, I did enjoy the book and do think myself edified for having read it. Durant’s distinguishing characteristic, I imagine, is his decision to give a history that does not discount one thread of human life for another — instead, he pursues economics, politics, religion, philosophy, drama, literature, and the like all with equal diligence. That approach is why I decided to start reading the series, it is why I will continue in it, and it is why I think the book worth your investigation if the subject is of interest to you.

Related:

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The Spanish-American War

The Spanish-American War
© 1991 Albert Marrin
182 pages

While still a sophomore in high school, I spotted a book titled The Airman’s War in my school library and checked it out. It become a favorite, one of the first history books I ever purchased, and I have enjoyed both Marrin and early aircraft ever since. Recently he came to mind and I checked my local public library to see if they offered anything by him: they did, and this particular book gave me an opportunity to read Marrin again and refresh and strengthen what little I know of the war against Spain.

Marrin’s story begins on the night of 15 February, 1898, when an explosion sank the USS Maine, anchored outside Havana. This incident, more likely an accident than a Spanish attack, was the seed out of which newspapermen like William Randolph Hearst manufactured a war — using his power to inflame the populace and assault any politician who did not bellow for war. From there matters deteriorate, resulting in the American occupation of Cuba, the Philippines changing hands, and a lengthy, costly war against Philippine insurgents who — surprise! — were not impressed by their former ally’s interest in the Philippines as a de facto colony.

The Spanish-American War, like most of Marrins’ works, is written in a personal style. Stories focusing on the horrors of war and perils of soldiers are set inside a colorful narrative with generous background information that succeeds in not only making the war understandable, but in demonstrating the deforming nature of war upon individuals and society. This is especially evident in the chapter on the Philippine  War, where former allies begin indulging in ritual humiliation and torture of the other side, poisoned by lust and violence. Although never shying away from the horrors of war, Marrin tends to err on the side of patriotism — informing readers that President McKinley opted to annex the Philippines not because he wanted to, but because he feared on their own the Philippines would fall to the British, Germans, or Japanese. (It seems to me that a garrison of troops and a naval base would have established American presence well enough, and the Philippine leader was so favorably disposed to the Americans that he offered ports and areas for bases.) Marrin’s account of the rise of the Anti-Imperialist League also isn’t exactly friendly: he seemed to stop just shy of giving the League a piece of his mind.

In all, a good read: I’d recommend it to those who think their knowledge of the wars deficient. Marrin’s style lends his books well toward readers who are completely new to the subject.

Related:

  • Weapons of Satire, a collection of writings by Mark Twain written against the annexation of the Philippines and the American war against Filipinos fighting for independence.  
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Lost Souls


Star Trek Destiny: Lost Souls

© 2008 David Mack
453 pages
As far as cliffhangers go, I don’t think I’ve ever encountered one as dramatic as the final pages of Mere Mortals,  the second in the Destiny trilogy, but Lost Souls’ conclusion exceeds it in intensity. It is easily the most emotionally provocative Trek book I’ve ever read. Lost Souls begins in the horror of a general Borg invasion of the Alpha Quadrant: the Allied fleet is literally smashed to pieces, powerless against the Borg armada — seven thousand ships strong.
Captains Picard, Dax, Hernandez, and Riker were spared from the opening moments of invasion by their own missions and perils, but regroup at the eye of the hurricane: while the Borg armada deploys in all sectors of the quadrant, attacking the Allies’ worlds simultaneously, their three ships make repairs and contemplate the apocalypse. While fleets throughout the quadrant charge at the Borg fleets with a courage born of desperation,  the four captains contemplate what, if anything, can be done. They only have hours, a few days at most before every Allied planet in the Alpha quadrant have been destroyed — but there remain still a few straws to grasp at.
The action unfolds quickly here, throughout a half-day. Although Mack’s emphasis is on the struggles and actions of the four captains and their respective crews, he frequently cuts to Klingon commanders fighting holding actions  and the Federation president, who can only watch the ominous black fleets devour her worlds and advance steadily toward Andoria, Betazed, Vulcan, and Earth. Mack also takes breaks from the action to follow a group of temporal refugees, the MACOs (space Marines) from Captain Hernandez’ ship, whose mutinous actions nearly destroyed the Caeliar. The squad is trapped seven thousand years in the past on a bitterly cold planet, facing death with a few members of the Caeilar who were flung into time with them. At first I thought the diversion odd, but they play a most important part in the momentous finale.
The finale is…epic, and turns an already successful story into a staggeringly well-done work. Horror is transformed into a joy and a nightmare scenario into a conclusion that is truly in the spirit of Star Trek’s highest aspirations.  Lost Souls is a stunning finale, well-worthy of being read not only by Trek lit fans, but by anyone who has watched The Next Generation or Voyager enough to become interested in the Borg. I highly recommend Destiny
On the cover: Johnathan Frakes as Captain William Riker and (I assume) Ada Maris as Captain Erica Hernandez. 
Related:

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