The Chamber of Secrets (Audio)

Harry Potter and the Chamber of Secrets (Audio)
Read by Jim Dale; Written by J.K. Rowling
© 1999, Listening Library
Eight discs, approximately nine hours.
Preview the author reading:

A few weeks ago while perusing an issue of National Geographic, I heard a rather loud exchange between a friendly library patron and an even friendlier librarian, discussing audio books. I’ve passed by the audio books section many times, but have never listened to one. I have heard dramatizations based on books — I listened to a BBC production of Caves of Steel before I hunted down a copy of the book, and my only experience with The Rise of Khan Noonien Singh is a well-done dramatization on cassette tape — but never heard one read.  I thought I might see what the experience was like, and decided to go with a shorter book I’m familiar with for starts.

Chamber of Secrets is the second book in the series and isn’t quite as serious as those that followed it. While throwing plenty of danger at Harry, the series doesn’t get dark until after the end of Goblet of Fire.  Harry’s second year at Hogwart’s School of Witchcraft and Wizardry begins problematically, when Harry is denied entrance to the Hogwarts Express and must rely on Ron and a ‘borrowed’ flying car to make it to the school on time. A warning from a strange creature goes unheeded, and soon the children of Hogwarts are falling victim to a sinister threat, a threat thought passed over fifty year ago. Harry’s own friends are not immune to the danger, and to solve the mystery and defeat the foe, Harry must descend into the bowels of the castle, into a forbidden chamber that promises death.

But it’s fun. I’d forgotten Rowlings’ humor and enjoyed hearing passages that once made me cackle, like when Harry is accused of setting a monster loose on the castle and Ron’s twin brothers take you to escorting him around the castle: “Fred and George, however, found all this very funny. They went out of their way to march ahead of Harry down the corridors, shouting, “Make way for the Heir of Slytherin, seriously evil wizard coming through…” Narrator Jim Dale was not, as I’d imagined, Stephen Fry, but despite this initial disappointment he grew on me. The author hails  from Northamptonshire, England, lending an air of authenticity to a book that would have been written in an English voice. He’s versatile, giving good service to the Scottish McGonagall and the Irish Seamus Finnegan alongside  the many English character. Some voices are dead on, others less so: Harry in particular doesn’t seem to have a distinct voice, his tending to blur with Hermione. Dale is only one man, of course, and the difficulties in giving such a broad cast completely unique voices is respectable. He reads smoothly, with no obvious pauses to catch his breath except where the book would intend them, and generally lends the sentence an appropriate emotional urgency.  Most importantly, I enjoyed listening to him. The CDs are divided into 20 to 21 tracks each, making individual sections easy to find.

I enjoyed having been read to sleep by a fun story and a soothing voice, though for my money I’d prefer investing $50 in a complete set of Potter paperbacks than into one eight-disc recording. Doubtless this would be good for passing time while driving a lengthy distance, though.

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The Devil’s Punchbowl

The Devil’s Punchbowl
© 2009 Greg Iles
592 pages

This town is under siege, and the biggest threat always comes from within.”

Recently I read an interview with David Mack, in which he stated that good drama comes from putting mature characters through hell — repeatedly. In fact, Mack said, you can tell his favorite characters by those who his plots abuse the most.  If Iles takes the same attitude, he must adore Penn Gage. Gage, once a big-city district attorney and now a successful author, returned to his family home  in Natchez, Mississippi following the death of his wife (The Quiet Game) and has in succeeding novels (Turning Angel) fought corruption and crime in his beloved hometown. Deciding to take a more active approach in reversing Natchez’s decline, Penn runs for mayor and wins: people regard him as a good man, a hero in self-serving times. Heroes aren’t immune to disappointment and frustration, though: after two years in office Cage realizes Natchez’s problems are too big for one man to handle and he wants to step down.  A friend approaching him on the eve of a busy weekend about casino riverboat fraud is the last thing he needs  — but when his friend is savagely tortured and killed a day later,  a once-simple case of fraud becomes a life and death struggle with Penn’s family, friends, and town hanging in the balance.

Sinister goings-on aboard the riverboat casino Magnolia Queen were never limited to tax fraud, for when Cage and his friend first met in a quiet cemetery the first night of the novel, Cage saw pictures to make a man’s blood run cold:  photos which documented both underage prostitution and  a vicious dog-fighting circuit run by the dark character of Johnathan Sands, the Queen’s general manager who switches between a posh English accent and a working-class Irish brogue at the drop of a hat and who will kill a man’s family just as easily. Sands and his lackey Quinn feed on the pain of others, and they target Penn after realizing he knows more about them than they’d like. Cage assumed nailing Sands for fraud would be the most effective way of taking him down, but now that Gage is a target he’ll need to work in the dark. Surviving their plans for him will require the assistance of friends — a grizzled Texas Ranger, a retired Army commando, and a combat pilot for starters; the later two have made appearances in The Quiet Game and Third Degree.

Devil’s Punchbowl is easily the most violent of Iles’ books that I’ve read: the villains’ chief interests are training killer dogs, torture, and rape. Dominant themes include the familiar (heroism & sacrifice) and the struggle between brutality and idealism. Iles uses the fascination with violence and gore to depict humans as instinctively savage creature, with Sands and Quinn being complete monsters. Penn and his allies struggle with their own conflicting desires: idealists like Penn and his old girlfriend, the journalist Caitlin Masters, want to bring Sands to justice.  Others in their party think it necessary to deal with Sands on his own terms: “I think Johnathan Sands has become a one-bullet problem.” Penn must defeat the monster without becoming the monster.

As usual, Iles’ work is rich in background: the old-south mystique haunts the reader even as Penn is soaring through the air in a helicopter or using his ‘Star Trek’ satellite phone to coordinate actions with his allies. There are also plot turns, although they’re not quite as gut-wrenching as in prior novels, and Penn is as ever a sympathetic character. He struggles with his desire to do the right thing, knowing it endangers his young daughter. Is Natchez worth his daughter? His father?

Punchbowl is a gripping read, with plenty of action for those who want it. The themes are provocative, and the main protagonists compelling. Readers will be out for Sands’ blood by book’s end, and the scenes of his pleasures are not for the faint of heart.

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Warpath

Warpath
© 2006 David Mack
339 pages
On the cover: unknown model as Taran’atar, looking “dangerous, yet vulnerable, awash in the amber of Jem’Hadar blood“.

I am dead. I go into battle to reclaim my life. I do this because I am Jem’Hadar. Victory is life.

The opening Deep Space Nine Relaunch novels introduced Taran’atar, an elder soldier of the Dominion who was assigned to Deep Space Nine to serve its commanding officer, Captain Kira Nerys. Such an assignment is unusual, for Taran’atar is a Jem’Hadar: a genetically-engineered soldier bred for fighting and obedience to the Founders, the shape-shifting race of creatures who created and controlled the Dominion which attempted to conquer the Federation and the Klingon and Romulan empires through Deep Space Nine’s final two seasons. Taran’atar proves to be a prickly, but valuable asset to Kira and her command crew,  rendering to her the obediance he once gave to his masters in the Dominion.

That makes the opening of this novel, in which he stabs her in the heart and breaks Security Chief Ro Laren’s back a bit unexpected.  While Kira and Ro lay dying, Taran’tar sneaks aboard a station craft about to test its newly improved warp engines and takes the vessel’s lone pilot hostage before speeding away toward an unknown destination.  Dr. Julian Bashir works desperately to save the lives of his captain, his coworkers, and his old friends while the station’s XO, Elias Vaughn, pursues the craft in the USS Defiant. Meanwhile, Ensign Prynn Tenmei,  Vaughn’s daughter, flies the craft at Taran’atar’s knifepoint and wonders how she is going to overcome a super-soldier fully expecting her to stop him from from fulfilling his plan — which, he’s not entirely sure of himself. He only knows that he must make a rendezvous with a face he knows to be familar, but who is yet a stranger — an ambitious, hateful stranger who we witness overcoming skilled bounty hunters.

This is the opening chapter, but not the origin, of a larger story arc which Deep Space Nine pursues in later books,  in which Illiana Ghemor — a Cardassian intelligence operative genetically altered to appear to be Kira Nerys and implanted with false memories that make her think she really is Kira  — goes insane and decides to kill every Kira Nerys she can get her hands on, which means knocking off the Mirror Universe’s Intendant Kira as well. This story arc concerns me; I think of it as convoluted, and the other story arc being developed — in which Bajor will be expected to defend its dominant religion and the Wormhole against the Ascendants, a Gamma-Quadrant power who also worship the wormhole aliens (“The Prophets”), but are imperial and fanatical, like Islamic extremists and Christian dominionists today  — is likewise problematic. The last time I read of Ascendants and Bajor’s religion, the universe was destroyed.

The arcs are just getting started in Mack’s book, though, so they’re not terribly…developed yet. Warpath is good. It’s not Destiny, but nothing is Destiny.  Vaughn and Tenmei are the most compelling characters for me: they are an estranged father and daughter, and the moment in which they find forgiveness and a new start was for me the best moment of the book. The fight scenes were curiously compelling, keeping my attention — and the humor was excellent, particularly one inside joke Mack included for Bashir fans.* The only part of the book that through me was Kira’s experience laying in surgery: while Doctor Bashir operates, she dreams that she is attempting to lead a medieval army against a medieval fortress, only to find it’s held by another medieval army and a third medieval army is on its way to take the fortress for themselves. At first I thought the General Kira of the dream was another universe’s Kira, but I realized the dream was a metaphor for Bajor’s future story arc.

Good read, though…I’m not really enthusiastic about these arcs. I’m fine with Ghemor on Kira, but the inclusion of a lot of alternate-reality Nerys makes potential confusion a safe bet. I’m still going to continue in the DS9 relaunch, but…well, it’s lower priority than the TNG relaunch at the moment.

Related:

*As soon as Bashir returned his attention to the monitor, Tarses resumed his presentation. “Now,” he said, “as you see here, the postganglionic nerve–“

“That’s a preganglionic fiber,” Bashir interrupted.

Tarses did a double take toward the screen. “Are you sure?”

“Positive.” Bashir made a sweeping, it-doesn’t-matter- gesture with his hand. “Please, continue.” (p. 148)

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This Week at the Library (20- 28 October)

Enjoyable week at the library, although I didn’t make progress in The Seventy Great Mysteries of the Natural World as I’d intended. I wound up playing three games of Civilization III instead. I continued in my efforts to catch up on Trek relaunch books, starting the excellent The Good that Men Do, which repaired the various faults of Enterprise’s finale and set the now not-dead Trip Tucker on a promising story arc.  I also picked up one of DS9’s numbered books, Fallen Heroes, which is the darkest Trek book I’d ever read aside from the Millennium Trilogy. (The Millennium Trilogy destroyed the universe. Can’t get darker than that.)

I followed up on a recommendation from one of my first instructors and read True Grit, a western from the 1960s about a young girl who hired a US Marshal to help her chase down her father’s killer. Enjoyable story, but I enjoy the movie over the book, which is…flat.

I also returned to a classic in H.G. Wells’ The War of the Worlds  in which Martians invade Victorian England.  I enjoy Wells’ style: War of the Worlds was my personal favorite this week.

Selected Quotations:
“By the toll of a billion deaths man has bought his birthright of the earth, and it is his against all comers; it would still be his were the Martians ten times as mighty as they are. For neither do men live nor die in vain.”  (The War of the Worlds, H.G. Wells)

What is your intention, Rooster? You think one on four is a dogfall?”
“I aim to kill you in one minute, Ned, or see you hanged in Fort Smith at Judge Parker’s convenience. Which will you have?”
“I call that bold talk for a one-eyed fat man!”
“…fill your hand, you son of a bitch!” (True Grit)

“How many men have you shot in your career as a Marshall, Rooster?”
“Well…shot, or killed?”
“Ohh, let us restrict it to KILLED so that we may have a more manageable figure!” (True Grit)

Next Week:

  • Warpath, David Mack.
  • The Seventy Great Mysteries of the Natural World
  • The Devil’s Punchbowl, Greg Iles
  • It Can’t Happen Here, Sinclair Lewis. (Seemed appropriate given the likely election incomes next Tuesday.)
  • 20,000 Leauges Under the Sea,  Jules Verne.
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Booking through Thursday: Skeletons

Booking through Thursday asks: What reading skeletons do you have in your closet? Books you’d be ashamed to let people know you love? Addiction to the worst kind of (fill in cheesy genre here)? Your old collection of Bobbsey Twin Mysteries lovingly stored behind your “grown-up” books?

I don’t believe I have any current skeletons in my closet. I do, however, have a box of books containing detritus from my old life: a score of Tom Clancy books, books by Oliver North defending his role in the Iran-Contras affair and historical fiction by the same, which were about a group of Real True Christians embedded inside the US government and military that kept the world safe from Muslim Arabs;  fawning biographies about Ronald Reagan and his divine influence;  hyperreligious books like I Kissed Dating Goodbye (touching is bad) and Every Man’s Battle (Avert your eyes from looking at women lest you sin!); and Civil War histories which exalt the Confederacy.  These were the books I read during my high school years, when I was a fundamentalist Pentecostal, a die-hard Republican who used “liberal” and “democrat” as jeers, and who earnestly believed the Civil War was about States’ rights.  I probably would have been a Teabagger in those days. *shudder*

They now sit in a box in my hallway, as I am unsure what to do with them and I know I haven’t gotten them all out. Somewhere there are books on UPCI history and books that defame science as the tool of the devil.  I don’t know what I’ll do with them once they’ve all been found and removed: destroying them is out, given my contempt for molesting books; and I don’t want to sell them and become an promoting agent of all that which I left.  I could bury them, I suppose, and allow nature to convert them into fertilizer. They’ll go that way eventually, and isn’t that what Christians used to do? Throw  accused witches into lakes and claim that if they were innocent,  God would save them?  Well, if the books don’t rot, obviously God likes `em.

The funny thing is, I’ve never read most of those Tom Clancy novels or the Reagan biographies. I’d pick them up from the library bookstore, but the only Reagan bio I ever read made me dislike him. It was his autobiography, and when he wrote of his valiant role in saving Hollywood from the Communists, I regarded him with disgust: the man admitted to being a McCarthyist witch-hunter who made his  bones through political persecution.

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Lost Children

I started reading regularly in Star Trek literature following the DS9 relaunch, and I stayed up to speed with it until sometime in 2005, when I lost interest. That was a rough year for me: I’d graduated from junior college and had no idea what to do next, so I started working in factories while at the same time struggling with anger and depression that would only depart when I told religion to go hang itself. Anyway, I eventually got on the track to finish my university education, but when I moved off, my parents put most of my books into storage. This year I returned to Trek literature and wanted to find my old books — in part because a few of them were unread — and dove into a storage area tonight. I had to take just about everything out, but I finally found my books inside a small storage bin I’d never seen before.



This means I have a few “new” books to read: 
  • Warpath, David Mack
  • Worlds of DS9 #1: Andor and Cardassia
  • The Left Hand of Destiny, J. G. Hertzler and Jeffrey Lang
  • Titan, book 1: Taking Wing; Mangels and Martin

I can’t remember if I purchased The Red King — Taking Wing‘s sequel — or not, but I’m hoping to find it, too.  Boy, am I going to be conflicted when the weekend rolls around and I obtain access to a few more new Trek reads. 
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Bibliobloggers Index

Bibliobloggers

I’ve been meaning to spruce up my sidebar for a while now and have decided to experiment with replacing the index of book-bloggers I read with the blogroll that updates itself, one that is limited to showing the five most recent blogs. I didn’t want to lose the ability to go straight to my favorites even if they were drowned out by five “Tuesday Teaser” posts or such,  so I decided to create a static index. It will be updated from time to time, and accessible under “Heads Up”.  As of 26 October this is just the old list with Booking through Thursday tacked on; I’ll add more as time allows. The blogroll list is slightly longer at the moment.  
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The Imperial Cruise

The Imperial Cruise: A Secret History of Empire and War
© 2009 James Bradley
387 pages

They may be sovereign countries, but you folks at home forget
That they all want what we’ve got, but they don’t know it yet.
The Gilded Age may be characterized as the United States’ coming of age, losing its innocence along the way. The former colony had by the early 20th century become an imperial state on its own — collecting territories as though they were the spoils of some vast game of marbles. Following the end of the Indian Wars and the ‘closing of the frontier’, the United States looked outward — to Cuba and the Philippines. This was the age wherein the United States became an industrial titan and a world power, and Theodore Roosevelt announced the US’s entry into the big boy’s club with the sailing of the Great White Fleet in late 1907: for just over a year, a large fleet of warships toured the world’s oceans, demonstrating to one and all what the Americans were capable of. 
That fleet’s voyage, however, is not the imperial cruise covered in this book. Bradley instead looks two years earlier, when a ship of diplomatic envoys made their way to Japan, Korea, and China after checking in on recent acquisitions like Hawaii and the Philippines. There, Roosevelt and his lieutenant, Secretary of War William Taft, made decisions that shaped Asia’s history. They did so, Bradley believes, out of conviction in the White Man’s Burden. According to Bradley, Roosevelt believed in the innate superiority of the Aryan race: the conquest of the world by the Anglo-Saxons proved it, and it was the Christian duty of Whites to spread the virtues of civilization across the world by any means necessary.  The Imperial Cruise is in essence a scathing condemnation of the United States’ birth and expansion which sees the entire history of the US ’til that point as one great race war. This led Roosevelt in his arrogance to proclaim the Japanese “Honorary Aryans” and encourage them to establish a Monroe Doctrine of their own in the east, which put Japan on the course of empire herself — a course that lead to Pearl Harbor when the Japanese Empire’s ambitions succeeded Roosevelt’s use for them.   “In this book I don’t so much write about Pearl Harbor, I only bring it up to say, what was the source of this explosion? Every divorce has a first kiss, I was looking for that first kiss…and I found that in the summer of 1905.” (James Bradley, interview.)
Bradley makes three general claims: first, that the United States’ expansion was motivated by something other than pure humanitarianism; two, that this expansion was fueled primarily by belief in white supremacism and imperial Christianity; and three, that Roosevelt went beyond the responsibilities of his office in sanctioning Japanese expansion in Korea and Manchuria.  Only the second claim is questionable to me, for as powerful as ideals — even rotten ones — are,  I see the wheels of history turning more on the basis of power and wealth; specifically, people attempting to accrue more of both to themselves.  Idealism is typically mere décor, justification. That the drivers of American history have been until the last half-century vicious racists is undeniable — even those who tried to assume the high ground of Christian moralism are drowned by a sea of their own speeches, essays,and letters. I can believe that racism made waging war against others easier, but race as a primary motivation is too great a leap for me to make.
Aside from this, I think Imperial Cruise needs to be read: I only wish it were more effective. Bradley is a popular historian, and even the most uninformed of readers would be able to follow his narrative with ease: unfortunately, the narrative itself gets lost. Bradley starts with the cruise, then shifts to a history of the United States’ conquest of Cuba and the Philippines. He returns to the cruise briefly, gives a history of Hawaii’s own violent subjugation, and then proceeds to dip into Japanese history before finally returning to Taft’s actions in Korea, China, and Japan. Imperial Cruise doesn’t flow: it bounces cross the Pacific. Structuring a text with so much content is understandably difficult, but it doesn’t appear to have been edited properly: Bradley repeats himself, and more than once I stopped to wonder why he was bringing this particular fact or quotation up again.
The book’s weaknesses are disappointing, in part because the subject presents an opportunity to analyze American history critically, and draw lessons that Americans today would profit by: Taft and Roosevelt’s repeated statements that the insurrection in the Philippines was almost over mirror Bush and Rumsfeld’s  statements to the same effect concerning Iraq.  Done properly, the book could have forced readers to consider the United States’ embracing of interventionist causes in the 20th century with a more critical eye — and Bradley’s publishing history (Flags of our Fathers, Flyboys)  would attract more mainstream readers than say, Howard Zinn, whose reputation discourages those less enthusiastic about criticizing American history from considering what he has to say. 
Related:
  • Mark Twain’s Weapons of Satire, a collection of articles, essays, and such written against American imperialism against the Phillipines and Cuba.
  • Howard Zinn’s People’s History of the 20th Century
  • Zinn’s People’s History of American Empire, which picks up at the close of the Indian Wars.
  • Albert Marrin’s The Spanish-American War, which is more apologetic than critical but still admits to the brutal treatment of the Phillipines by American forces. Interestingly, both Marrin and Bradley see McKinley as someone interested in peace, but beaten into submission by the press and warmongers like Roosevelt into sanctioning war against the Spanish. 

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Top Ten Books for Halloween

This week’s Top Ten list is…well, just read the title. 😉

1. The Harry Potter Series, J.K. Rowling

Autumn does not truly arrive in Alabama until late October, for summer’s heat and humidity have a long life near the Gulf. I associated autumn with Halloween, and Harry Potter with autumn for mot of the books pick up at the start of another school year. I first read Potter in the fall, but the series is particularly appropriate for Halloween given its lighthearted treatment of witches, ghosts, vampires, and other such things.

2. In the Forests of the Night, Amelia Atwater-Rhodes

I read this in high school, lured by the title borrowed from Blakes’ “Tiger, Tiger”:  I had never before read fantasy, and Atwater-Rhodes’ world of vampires fascinated me. In the Forests of the Night is the story of Risika, once the young daughter of a Puritan farmer and now a vampire who  makes her home in Concord
but hunts the streets of  20th century New York.  Atwater-Rhodes’ vampires are streamlined, free from Victorian myths  and modern vampire whining angst, and my own copy is battered from many re-reads.

3. (The) Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson 

This book sprang to mind the moment I saw this week’s topic, though it’s been almost a decade since I actually read the book — and then, just the Great Illustrated Classics version. The Strange Case concerns the experiments of a Victorian gentleman who wanted to free his civilized nature from more savage impulses, and who instead found he delighted in drinking a potion to become a man wholly savage, unfettered by morality or standards of conventional behavior.  Ultimately, it destroys him.

4.  The Millennium Trilogy, Judith and Garfield Reeves-Stevens

The Millennium Trilogy is more an apocalyptic thriller than a jeepers-creepers story, but as a young teenager,
it certainly got under my skin. The trilogy opened with the discovery of two men who had been killed when they were transported into the body of the station itself, their bodies fused with the metal of the hull: from there it turned into a nightmarish religious war that destroyed the Klingons, Borg, and Earth. Things just got disturbing once the universe ended.

5. Sleep No More, Greg Iles

John Waters’ life got a lot more interesting when a strange woman  named Eve passed him by on a soccer field and whispered a phase known only to him and his college girlfriend Mallory — Mallory, who was both manipulative and abusive, but who Waters could never quit.  His obsession for her died only with her rape and murder in New Orleans by strangers those many years ago, but the arrival of Eve brings the old obsession to new life again, and he finds out that it isn’t just the memory of Mallory that’s haunting him when Eve claims to be Mallory, in a new body.

6. Christine, Stephen King.

Dennis Guilder knew there was something wrong with the rusting ruin of this 1958 Plymouth Fury the
moment he saw it, but it infatuated his buddy Arnie, who buys it from a hateful old man. Arnie’s devotion to the car changes him: a once-timid nerd gains confidence and pride as he restores the wreck to its former glory, but as the months pass Dennis notes Arnie appears to be speaking with another man’s voice — a hateful, bitter, spiteful voice.  Despite Christine’s pristine condition, the instant reaction from most people to her is repugnance: they sense there is something wrong with the car. It smells of death, and it haunts close close to Arnie. When Dennis digs into the history of Christine, he finds it a car possessed by implacable maliciousness — and those who cross paths with it are destined to a grisly fate.

Horror usually bores me, but King’s Christine was utterly spellbinding and creepy.

7. The Stand, Stephen King

Again, more science fiction apocalyptic thriller than horror novel — but the fantasy element becomes more pronounced as the book matures. When human civilization is devastated by a new plague,  survivors are compelled to make journeys to Boulder, Colorado and Las Vegas, Nevada for a showdown between good and evil. The devastation wreaked by the plague itself was more effectively creepy to me than the Evil Floating Cowboy who is apparently one of King’s key characters.

8. The Fear Street series, R.L. Stine

My sister and I used to read these as children and teenagers, though given that most of the plots involved teenagers being murdered, I have no idea how we managed to get them past the radar of our censor-happy parents. I’d like to re-read the books in which some of the characters are thrown into the 1930s, but I cannot remember the names of them…

9. Stiff: the Curious Lives of Human Cadavers, Mary Roach

This is a bit of nonfiction,  actually, but the topic — dead people — is quite seasonable. Roach combines science and humor to dig into what the bodies of dead people do for the living.

10. Hamlet, William Shakespeare

“If thou didst ever thy dear father love, avenge his most foul and unnatural murder!”

Many years ago I had the experience of hearing William Daniels perform* part of Hamlet, and the experience was effective enough to make me regard the play as somewhat creepy ever since. For those not familiar, Hamlet is the story of a prince who is called on by the ghost of his dead father to see justice done.

*Starts around 6:20.
Incidentally, the Reduced Shakepeare’s Company’s performance of Hamlet is a riot. I literally fell out of my chair laughing — and by literally, I mean I fell over, hit the printer’s stand, and then had the printer fall on my head.

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Teaser Tuesday (26 October)

And Teaser Tuesday has rolled around once more!

Readers particularly loved it when Alice acted bolder than  a twenty-one-year-old  “girl” should, like when she welcomed the 1905 Fourth of July with a bang, going out to a car on the rear of the train after breakfast and taking potshots with her own revolver at receding telegraph poles. No one thought to ask why the president’s young daughter was packing her own pistol. Americans expected such risqué behavior from their Princess.

(p. 13, The Imperial Cruise: A Secret History of Empire and War; James Bradley.)

O’Brien reached into his satchel, extracted one of his remaining phaser grenades. He pressed the Arm button. One hippopot–

The grenade, not having been reset from the default ‘0 seconds’, exploded instantly.

(p. 106, Star Trek Deep Space Nine: Fallen Heroes; Dafydd ab Hugh)

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