Of Ben Franklin and Andy Jackson’s America

For whatever reason I’ve been struggling to find inspiration or motivation to review two history books I’ve read in the last month or so, and since they’re similar — early American history — I’m going to regretfully short-round them.

Most recently I finished Waking Giant, a history of Jacksonian America. It proved be quite surprising, because it revealed that a lot of what I regard as characteristic of the late 19th century — immigration, the penny press, etc — had already begun expanding dramatically in the 1830s and 1840s. Irish immigration was especially significant: the number of Catholics roared in this period, moving from Catholicism being insignificant to becoming the Union’s third-largest religion. (By the end of the 19th century, it would move into the number one slot.) Suffrage was expanding to include most white males, at least those who could pay a $1 poll tax, and with that less selective voter base came more varied candidates. Jackson was not a respectable lawyer voted in by other landed lawyers; he was a hero of the people, and they loved him. The author begins by following politics from Madison on to Jackson, allowing us to see the formation of the Whig and Democratic parties and caps the book off by looking at Tyler and Polk. In the middle there’s the expected history of Jackson himself, but also sections on how American culture was changing in this period — diving into religious expression, the popularity of individualist writers like Thoreau and Emerson, and so on. It made for fun reading, but I’m wary of some of its claims and want to read more into the era.

Some highlights:

Andrew Jackson was one of the rarities of American politics: a man whose personal magnetism transcended his flaws. To his opponents, he was ignorant, violent, politically inexperienced, even immoral. But few could deny his courage, his self-reliance, and his ability to rise above adversity.

Many Americans worshipped him—not as a god, but as one of them. He was Everyman writ large. The crowds didn’t just clap or cheer for him. They screamed at the top of their lungs. They mobbed him, they tried to touch him and shake his hand.

Legend has it that after Jackson’s death one of his slaves was asked if he thought the General had made it to heaven. The man responded, “If General Jackson wants to go to Heaven, who’s to stop him?”

Another preacher, Billy Hibbard, attacked Calvinism so strongly that a Presbyterian approached him and said his feelings were hurt. Hibbard replied, “O, I’m sorry you took that,—I meant that for the Devil, and you have stepped in and taken the blow. Don’t get between me and the Devil, brother, and then you won’t get hurt.”

When the revivalist Jesse Lee was asked by two lawyers if he ever misquoted the Bible in his unscripted sermons and had to correct himself, Lee admitted he often made a mistake but did not correct it “if it involves nothing essential.” He gave a pointed example: “The other day I tried to repeat the passage where it says the Devil ‘is a liar, and the father of them’; I got it, ‘The Devil is a lawyer, and the father of them’; but I hardly thought it necessary to rectify so unimportant an error.”

The Log Cabin campaign represented what would become a common phenomenon in American politics: the triumph of illusion over reality. In the twisted melodrama of the 1840 race, Van Buren, the self-made son of a humble farmer and tavern keeper, became a dissipated lord, while Harrison, scion of Virginia’s ruling class, became a plain frontiersman.

Many letters went undelivered. For instance, when Zachary Taylor won the Whig nomination in 1848, he did not know of the victory for weeks, because he refused to pay COD on several official notifications sent to him, and the letters went to the Dead Letter Office in Washington instead.

Back in July, I read Walter Isaacson’s biography of Benjamin Franklin, which I enjoyed enormously. Franklin was the first founding father I ever read a biography of, though I was young enough to remember it came with colored drawings. Franklin is quite the character, running away from an apprenticeship and starting over as a kid in Philadelphia, then making so much of a success of himself that he retired at age 42. The chapters on Franklin’s life as a printer were hilarious at times because he was an absolute fiend at marketing: he once predicted the death of a competing printer, then carried on pretending that the man had died and that his firm was lying about it. When the printer did die, Franklin then had the cheek to post an article written by the man’s “ghost” asserting that yes, he did in fact die last year. The man would have been a menace on social media! Although Franklin is largely remembered for his participation in the Revolution and the early Republic, I think he cuts a more interesting figure as a citizen — founding as he did multiple civic organizations, including a lending library and an early fire brigade. There’s a fair bit in here on Franklin’s issue with the Penn family that controlled Pennsylvania, an issue that took him to Britain where he served the colonies — until he realized the King and Parliament were so obdurate that only rebellion could answer their policies. He continued to be amusing, though: when he and Adams journeyed to France, Adams was the serious-minded statesman who studied his French, while Franklin learned his by flirting with ladies at court. Isaacson’s biography was extremely readable, and I intend to read more of his works.

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WWW Wednesday

WHAT have you finished reading recently? Cancelled: The Shape of Things to Come, Danny King.

Geri had been a naturalist for less than a year. Before that, she’d worn clothes like Sienna (and most other people) but then, last Solstice, she had fallen in with new friends, software writers like herself, who refused to conform to society and wrote their own rules, which meant in practice slavishly adopting whatever the latest trend was.

WHAT are you reading now? The Henchman’s Book Club, Danny King.

WHAT are you reading next? Who knows?

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Cancelled: The Shape of Things to Come

Sienna Clay has a secret: she’s an Auditor.  Her job is to investigate her fellow Britons who are accused of thoughtcrime, or whose ancestors may have committed horrors like eating meat.  New Britanna’s  status as an island of tolerance set apart from the authoritarian nightmare of the Federated States of Europe can only be maintained by zero tolerance of those who don’t toe the line.  The accused and convicted (no real difference) are “Cancelled”:    their property is seized, their relationships null, their accounts emptied.   Sienna is proud of the work she does, though, even if she has to hide it for fear of being beaten to death by those whose lives she or other Auditors have ruined.  When she takes a few chances to find information that will help in her current investigation, though, she runs afoul of the very system she’s perpetuating. Cancelled  is a darkly humorous satire of cancel culture, one that uses it and technology to create an all-too-believable dystopia. 

The world of New Britannia is a strange mix of 1984 and Brave New World, with  a population kept docile through both the carrot (legalized drugs,  which people use constantly) and the stick –  being Cancelled and reeducated.  The first half of the novel lets us experience this strange mix of license and tyranny through Sienna, as she struggles with overwork, a callous boss,  an increasingly distant girlfriend, and a home operating system that’s peevish and histrionic. Unlike the aforementioned dystopian novels,  Cancelled is overt in attacking contemporary  ‘progressive’ culture:    characters’ influence in society is partially dependent on their Diversity Rating,  for instance,   with higher scores being given based on skin color, sexual orientation, etc.   Straight white men would presumably be the lowest of the low, but claiming different statuses appears common: one person is suspected  of “changing” their gender purely to earn a higher DR and thus a better job, but if anyone dares to voice their suspicions they’ll risk being Cancelled.   Hyperbole is also mocked: “worse than Hitler” is a common expression, and one man hurls it against Sienna after she refuses to sign a consent form allowing him to consummate his relationship with his girlfriend. (All sexual encounters are strictly governed by contracts:  a woman cannot “give consent” unless three of her female friends sign off on the contract.)     There’s also a significant degree of outright ignorance: no one  knows who Hitler really was,  for instance, only that “he knew Churchhill”.

The story that develops from this is interesting, as we witness Sienna fall from a fairly privileged place in life to become the lowest of the low. She should be utterly unlikable at the start, considering she’s a high-tech inquisitor, destroying lives for absurd crimes, but  King manages to make her sympathetic. He accomplishes this by having her in two frustrating relationships – one with her girlfriend, who sponges off of her  – and one with her house. It has an integrated AI, designed by the girlfriend, that is incredibly peevish. When Sienna is late getting home, for instance, the AI is so annoyed that its prepared dinner for her has grown cold that it locks her out. The fact that it’s been programmed by Sienna’s girlfriend also sees it partially weaponized against her later on. When Sienna’s risks at work don’t pay out and Sienna finds herself cancelled,    she’s put through a lot of physical and emotional angst that largely redeem her character as she realized what a monster she had been — and what greater monster she served.

I devoured Cancelled, which should come as no surprise given my scorn for much of what it mocks –  identity politics, oikophobia,  etc. I also enjoyed the aspects of the dystopia that were not political, like the role of technology:   Sienna and company are always plugged in, using smart classes to keep them online,  and surveillance is a given, leading to a society where expression is chilled to the point of frigid. (Tellingly,  the arts appear to have vanished: all Sienna listens to is AI-generated music.)   King tells a good story, and he appears to have numerous titles on KU. Definitely planning on reading more of him, and soon.

Related:
The Choice, Claire Ward. A dystopian novel where Britain is run by a literal health Nazi. Probably the only SF novel with an award from Good Housekeeping.

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Top Ten Authors Whose Work I’ve Read the Most Of

The newspaper world was rough-and-tumble, to say the least. Editors lambasted each other and often came to blows. When in 1835 James Gordon Bennett, editor of the Herald, charged Benjamin Day of the Sun with being an infidel, Day replied that Bennett’s “only chance of dying an upright man will be that of hanging perpendicularly upon a rope.” In January 1836, another editor, James Watson Webb, thrashed Bennett for twenty minutes with a cowhide whip on Wall Street as crowds cheered. (Waking Giant: America in the Age of Jackson)

Carl Sagan, Wendell Berry, Isaac Asimov, and Anthony Esolen

Today’s TTT is “books to end a reading slump”, but my tastes are so different than other people’s that it would a pointless exercise. Instead, inspired by this post at the SF&F forum Chronicles, , I’m listing ten authors whose published works I’ve (mostly) read in full.

(1) Bernard Cornwell. The only books by him I’ve not read are the ones he published under a female pen-name.

(2) Isaac Asimov. I’ve read all of his fiction except for juveniles & The Ends of Eternity. I’ve also read a lot of his nonfiction, mostly science and some history with more miscellaneous works like his guide to the Bible and a volume of annotated classical poetry.

(3) Robert Harris. Fairly certain I’ve read everything he’s published: Harris is a prolific author of historical fiction whose settings are incredibly varied: most of his works are standalones, with the exception of a trilogy based on the life of Cicero

(4) Carl Sagan. While I can’t remember my first Sagan work, his Demon-Haunted World is the best contender and I’ve since read everything by him save his work on nuclear winter.

(5) John Grisham. This author of legal thrillers was the first author whose works I ever ‘completed’, though frankly I would have stopped reading him years ago were it not for the fact that one of my family members always gives me his latest at Christmas.

(6) Jeff Shaara. An author of American historical fiction, Shaara has covered everything from the American Revolution to the Korean war; I’ve read everything save the last novel in his second Civil War trilogy (I have no interest in reading about Sherman) and the Korean novel. The quality is inconsistent, but at this point reading him is a habit.

(7) Wendell Berry. I’ve read all of Berry’s Port William novels and short-story collections, and have read most of his nonfiction to boot: the exceptions being Life is a Miracle, The Hidden Wound, and his most recent release.

(8) Frances and Joseph Gies. I include these two together because while they wrote independently sometimes, their solo work stayed within the same subject (medieval social history) that they address in collaboration.

(9) and (10) Anthony Esolen and Brad Birzer. Including them together because they’re both Catholic men of letters who write on literature and culture, though Birzer has also delved into biographies like that of Russell Kirk. They’re both wonderful to listen to as lecturers; Esolen is outright melodic and Birzer is very….soothing.

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Roswell High, 7 – 10: Converging Villains!

These are just WB stock photos placed on top of generic backgrounds

At the end of The Stowaway, the gang formed a psychic link with one another, and then with the alien collective consciousness, in order to create a wormhole to send the villain back home for justice. Unfortunately, at the same they were also all disguised as said villain in order to distract his two monster-minions so said minions would not eat them. In a not-hilarious case of mistaken identity, the wrong man was sent through the wormhole: Alex Manes is now in serious danger of missing his mid-terms. In The Vanished, the gang is suitably upset about this, but it’s not a hugely eventful novel. They go back to the ruins of the Clean Slate Compound to see if there’s anything useful on the the ship, but an unknown car drives them away from the site until the alien kids conjure up a dust storm. When they return, the ship is gone. Like, zoinks, Scoob! They figure there can’t be that many places to hide a big alien ship, and Isabel and Adams’ scattered memories of being mental slaves to the villain indicate that Carlsbad Caverns is the place to go When they arrive, though, they’re in for a surprise — and not the happy “Oooh, we arrived just in time to see the bats fly out” kind. There’s also a little thread of Adam having a growing crush on Liz, which will feature more later. There IS an actual cover design for this one in the same style as the originals, but I don’t think it ever got printed.

They have no personality whatsoever

Moving on to The Rebel. The gang has tried twice to bring Alex back from …where ever (why don’t we have a planet name?), but to no avail. The good news is…he’s back! (Somehow, he returned.) Despite the Consciousness indicating to Max that it will be months before they can try another collaborative attempt with him, Alex has just shown up exhausted and terrified with no memories of his time on Whereever. He beelines for the Evans’ house, both because he loves Isabel and wants to see her, and because Max is The Leader of this little enterprise. Mr. Responsible will figure out what to do. What to do about what? Well….maybe the fact that when Alex was in the wormhole being sent back, he felt a terrifying presence of someone else in pursuit, someone who would kill him to get what they wanted. And what do they want? Well, Alex suddenly has another Stone of Midnight, just like the other one that’s been causing so much trouble. Also, another teenage alien has appeared: Michael’s brother, Trevor! After admitting that he hitched a ride in the wormhole and that he belongs to an underground group on Wherever that hates the Consciousness, a rift forms in the group between those who think Trevor is good people and those who are wary or outright suspicious. On the teen drama side, Max keeps zoning out while being connected to the Consciousness, which distresses Liz: its like he’s not there even when he is there. Interestingly, “phubbing” has allowed everyone to experience this now! The emotional alienation is making her vulnerable to responding to Adam’s puppy crush in kind, but then Maria’s brother is kidnapped by…well, I’ll save that for the next paragraph.

Who thought, “Blankly staring teenagers! That sounds like it will entice people to pick up a book!”

One thing I’ve mentioned about the Roswell High series is that it has three villains whose stories fold into the others: The Dark One features all three, very nearly. The Sheriff was killed, but his son Kyle is out for vengeance and is certain that the kids had something to do with it. Worse yet, he has possession of some Clean Slate tool that can snuff out the aliens’ power usage. The kids are scrambling to figure out how to dispatch the Villain, who now has Trevor helping him — in fact, Trevor came through the wormhole to find the villain, who is the leader of Whatever’s rebellion against the Collective Consciousness. Unfortunately, the kids are in a Hitler vs Stalin situation. The Villain is a monster, sure, but so is the Collective Consciousness — as it proves when Isabel, entering her akino, resists connecting to it. She seeks out Trevor’s help, since he insists that it is possible to survive not connecting — he and the Villain are both not part of the Consciousness — and the Consciousness begins torturing Max and even destroying his body in an effort to force Isabel’s hand. Alex, who was previously distracted by the wormhole making him a babe magnet, rallies after he learns that his beloved Isabel is in trouble. The book ends with the Villain being destroyed, but at a cost: Adam is dead and Max is comatose, a complete captive of the Collective Consciousness.

Ahh, Ms. Appleby. Thank you for that little bit of emotion.

And finally, we arrive at The Salvation, the series’ conclusion. The kids are free from both the terror of the sheriff and of the Villain (whose name I continue to omit in case anyone decides to read a 27 year old YA book series), but still have to face the fact that Max is a vegetable. He occasionally rises, puppet-like, to demand the Stones of Midnight, but Michael is keeping them well hidden. While everyone tries to think of a plan to destroy the Consciousness, some emotional drama continues. Maria continues to be heartbroken by Michael’s apparent lack of love for her, and this is made worse by the fact that he and Trevor are talking about returning to Wherever after the Consciousness is destroyed. Did Michael talk to anyone about this? Nope. Ultimately the kids find an approach that works, and Michael changes his mind at the last minute and finally tells Maria he loves her. And everyone lived happily ever after, with smooches all around, until the WB decided to make one series that messed the characters up a bit, and then 20 years later made another series that took the characters and threw them in a canon woodchipper.

And that’s the end! This was a fun series to blitz through, and I was intrigued by the little details I’ve remembered over the years. Having watched the first WB series through several times, there was some annoying mental contamination regarding the characters, varying on the character. The books’ Valenti is so cold and evil that it was easy to retain my middle-school image of him, so unlike William Sadler’s depiction of him. I kept hearing Jason Behr talk when Max was active, though, despite the fact that series-Max is far more subdued and popular than book-Max, who is regarded as highly attractive. (Well, all of the aliens are regarded as highly attractive: I suppose that’s part of the hyperadaptability.) One thing the original show did far better than the books is the use of parents: they’re practically nonexistent, almost wholly background here, while in the books Liz and the Evans’ parents play larger roles and there’s a lot of emotional storytelling that comes out of that. Honestly, reading this has made me want to drag out my Roswell DVDs and dive in again. (“If I disappear for a few days, it’s nothing personal. I’ve just been abducted.” used to be my AIM away message…)

On the subject of grousing about covers, I found a series in this style on accident. I think they’re AI-generated, possibly? Guessing at the characters from left to right Michael, Maria, Liz, Isabella.

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Roswell High, 4-6: Boy, that Escalated Quickly

Continuing in my Roswell reread.

This is without a doubt the worst of the original covers, but I still prefer it to the WB recover.

The Watcher begins pleasantly enough, with relationship drama between the six teens more or less stabilizing. Liz is no longer angry at Max for shying away from a formal relationship on the grounds that it endangers her, Isabel and Alex have become a couple, and Michael and Maria are both getting closer to sorting out their issues. The girls are even bonding looking at one of their classmates’ silly websites, one in which she rates boys on their kissing abilities. But Max…is not doing good. Turns out members of their race bond to the Collective Consciousness during their adolescent period: it joins their mind to all other members of the race, possibly including those who are deceased. If Max doesn’t join the Consciousness, he’ll die. Unfortunately, Earth is too far away from (mystery planet) for Max to join, unless he can use the communication crystals aboard the crashed ship. The gang knows the ship is being held at some Clean Slate Complex, but now they have to not only figure out where the complex is, but find a way to get inside it — and aboard the ship! — without getting shot. The ante has been upped considerably, and when the gang use new powers taught to them by Ray — changing their appearances to mimic guards and even Sheriff Valenti — they descend into the compound and things get even hairier.

The Intruder is a direct sequel to The Watcher: Isabel has returned alone from the Clean Slate compound, as Ray Iburg was shot by the sheriff (not the deputy) and Michael was fighting to give her time to escape with the communication crystals. Once she gets back, relationship matters deteriorate drastically, teen drama wise. Isabella is not taking the presumed capture of Michael well: he has a special place in her heart. Almost like a brother, and yet someone she’s harbored feelings for as well — seeing a …romantic dream of his involving her didn’t help.(If these kids stopped invading one another’s dreams they’d have far fewer issues.) Despite the sudden drama between Alex and Isabel, the gang has to figure out how to work together and help Michael escape the compound. Michael, meanwhile, is being treated fairly well as a prisoner: there’s no torture, just interviews and tests in which he’s encouraged to explore his abilities. There’s also two new faces: Adam, the last incubated baby alien who Ray Iburg couldn’t save back during the crash, and a teenage girl named Cameron. Cameron claims to be captured by Valenti for having psychic powers. Like The Watcher‘s conclusion, The Intruder is heavy on action thrills from its midpoint on.

Ugh, I HATE the WB covers. This is supposed to be Liz and Max, same as The Watcher’s cover.

At the conclusion of The Intruder, there are some bits of good news. Project Clean Slate has been wiped out, and Sheriff Valenti has been immolated with it. The bad news is that the new guy Adam is the one responsible, and he seemed to take sadistic glee in burning Valenti alive and very nearly bringing the roof down on many of the gang’s heads. The sweet summer child appears to have been replaced by a sadistic monster. While the kids keep feeding him sedatives and discussing what to do, plot uncurrents begin happening under their noses. Isabel suddenly starts acting strangely, very much like Adam — violent, and demanding to know where the late Ray Iburg might’ve kept something valuable. Something like…..the Stone of Midnight that caused so much drama in The Seeker. The kids soon realize that there’s another alien on this planet: the criminal who caused the crash didn’t die, but lived, and he’s a nasty piece of work who is perfectly happy to mentally enslave people to make them do his bidding. The kids come up with a plan to deal with him, but it…um, has unexpected consequences.

So, some thoughts on continuing this series: one, there’s more graphic making out scenes in these books than anything I’ve read since, and the action ramps up insanely fast. These kids go from essentially pranking the sheriff to infiltrating top-secret government bases while at the same time juggling relationship drama and hormones. Also, it’s strange that the kids’ homeworld and species are never named.

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WWW Wednesday

WHAT have you finished reading recently? Roswell High: The Vanished.

WHAT are you reading now? Still making good progress through A Waking Giant: America in the Age of Jackson. Politics is only a small part of the book, as it’s more of a broad cultural history.

When the revivalist Jesse Lee was asked by two lawyers if he ever misquoted the Bible in his unscripted sermons and had to correct himself, Lee admitted he often made a mistake but did not correct it “if it involves nothing essential.” He gave a pointed example: “The other day I tried to repeat the passage where it says the Devil ‘is a liar, and the father of them’; I got it, ‘The Devil is a lawyer, and the father of them’; but I hardly thought it necessary to rectify so unimportant an error.”

WHAT are you reading next? More Roswell.

Today’s prompt from Long and Short Reviews is books we had to read for school and didn’t like. That one is challenging, because I don’t especially remember the books I didn’t like. I was a big reader as a kid, and even when we were given something that was outside of my usual scope (The Island of the Blue Dolphins, say), I still found some way to enjoy it. College was different, as I was assigned things like The Nazi Germany Sourcebook for classes like a survey of German history, or novels I didn’t understand at the time like Kokoro and The Leopard. Now, I suspect I would get far more out of the novels.

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In the Forests of the Night

“A cage of steel. It is a cruel thing to do, to cage such a beautiful, passionate creature as if it were only a dumb beast, but humans do it all too often. They even cage themselves, though their bars made of society, not of steel.”

I decided to do my Roswell High re-read this week because I would spend most of it dogsitting in the backwoods, so deep into the green that there would be no internet. My evenings would therefore including reading and rubbing dog bellies. I opened the ottoman where I keep what remains of my middle school & high school libraries and threw what I though was the entirety of my Roswell High collection in a bag. I unwittingly threw in In the Forests of the Night with them. This book fascinated me in early high school when I read it, because the author was very near my age: as someone who wanted to be a writer himself, I was amazed it was possible to publish so early. I was drawn to In the Forests of the Night by its title: an X-Files novel had previously introduced me to Blake’s “The Tyger” (no, not kidding), and that poem was the first I ever memorized. I recognized the phrase immediately, and opened the book to find a…..vampire drama. Huh.

In the Forests of the Night is the story of Risika, a woman who was unwittingly enrolled in the “Devil’s Book” when a vampire gave her a black rose and it drew blood. A young Puritan girl, “Rachel” was trapped and pursued by an older female vampire, who sensed she would become, in time, an incredibly powerful creature of the night That proved to be true. The novel goes back and forth between Rachel’s slow death to Risika, the vampire she became, and her ongoing rivalry with her brother-in-the-night Aubrey, who is also the creature she hates most in the world. He preyed on her family, killing her brother and breaking her father’s heart by costing him all of his children. Aubrey is a vain and arrogant vampire whose pride is justified by his power, and although Risika knows he can destroy her, her own hatred for him and knowledge of her own gifts keeps pushing her to provoke him. One lone piece of her humanity she retains is love for a creature known as Tora, a Bengal tiger at the local zoo whose beauty mesmerizes her. Eventually, Risika and Aubrey go head to head in a vampire cafe.

Reading this as a teen, I was fascinated by it because I’d never read any fantasy beyond Redwall, and I’d certainly never gone near any vampire novels. I was aware of the tropes, I think, and Atwater-Rhodes’ vampires played with them. Her vampiric mythos is somewhat unmoored from their foundation — her vampires are not bothered by holy water or the Eucharist, unlike Stoker’s original — but there are still some bits of the classical demonic inversion, such as Aubrey wearing an upside-down cross. One of the few tropes that Atwater-Rhodes retains is vampires fading in mirrors: Risika comments that this is something that happens with age and power, and that their aversion to sunlight and garlic is merely a consequence of their augmented senses. As for wooden stakes through the heart, she says, it’s very likely that would kill her, but as a rule she avoids people wielding stakes.

Were I to read this for the first time today, I don’t know how much I’d enjoy it given the darkness. The writing is still compelling, especially the character drama between Risika and Aubrey. Dark fantasy is not my thing, but I found the author interesting enough that back in 2009 I read a followup novel, Demon in my View, in which In the Forests of the Night‘s author finds her fictional creation Aubrey confronting her in the real world. In reading this again, I was struck by how some of Risika’s observations — the author’s observations — were wise for a fourteen or fifteen year old, like the way humans waste their mortal lives in constant mindlessness, never existing in the moment but fretting about the future or the past or distracting themselves with work and pleasure.

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My Top Ten SF Favorites

Tuesday Teaser:

On April 8, 1826, the two met on a field near the Potomac. Clay’s bullet ripped through Randolph’s white flannel coat without wounding him. Randolph’s hit a tree behind Clay. In a second round, Clay again missed Randolph, who raised his gun and fired into the air. The men talked and reconciled. Randolph joked, “You owe me a coat, Mr. Clay.” Clay replied, “I am glad the debt is no greater.” (WAKING GIANT: America in the Age of Jackson)

Top Ten Tuesday

Today’s TTT is a genre freebie, and since I feel like I’ve spotlit historical fiction recently, I’m going to take a look at science fiction. I’ve read SF since I was a kid, although I didn’t get really into it until my late twenties when I found Isaac Asimov. These are not in any particular order.

(1) DAEMON, Daniel Suarez. A distributed AI begins reprogramming the world using video games to attract and employ human agents. One of my very favorite thrillers.

(2) War of the Worlds & The Time Machine, H.G. Wells. I am including these two together because they were my first SF titles and cast a long shadow over my literary life and imagination.

(3) Upgrade, Blake Crouch. An SF thriller about augmented humanity. Crouch and Suarez are alike in everything they’ve published has been 10/10.

(4) The Circle and The Every, Dave Eggers. Including them together because they’re conjoined stories about we consumers in the hands of an all-consuming uber-corporation that’s like Google, Apple, Facebook, Amazon, and money apps all rolled into one.

(5) Foundation, Isaac Asimov. The beginning of my adult SF reading, Foundation is both a collection of short stories and the beginning of a much larger series that grew into an even larger meta-series when Asimov retroactively declared that Empire and Robots were also part of the timeline. My favorite volumes are the original collection of stories, followed by Asimov’s later “prequels”, Prelude and Forward. The premise of Foundation is that a mathematician named Hari Seldon develops a science called psychohistory, which can predict the broad future of humanity. Exiled for foretelling the fall of the Galactic Empire, he and his followers launch a thousand-year plan to reduce the chaos of the coming collapse and lay the groundwork for a more stable future order. The first book is a collection of short stories that tell how the leaders of the Foundation navigated several “Seldon Crises” — turning points in history — while the prequels are more traditional novels.

(6) The Moon is a Harsh Mistress, Robert Heinlein. The American Revolution…in Space.

(7) Fahrenheit 451, Ray Bradbury. It always annoys me when people assume this is a book about censorship; that’s as accurate as saying 1984 is about surveillance. They’re both true to a minor point, but there are deeper stories at work. Just as 1984 is more about control — not only of society, but of the human mind, the very soul, Fahrenheit 451 is more about apathy or disengagement: this society is one where people are withdrawing more and more into sensation and nonthink. It has one of the most depressing scenes in literature, that of Montag’s wife completely removing herself from the human experience by sitting in a room where she’s surrounded — inundated by — her “Stories”. This kind of acedia is deeply disturbing. Dr. Brad Birzer is currently working on a book about Bradbury, and has just concluded a series of reviews about a Bradbury biographical trilogy. The possible title for Birzer’s own is Prophet of the Space Age.

(8) Contact, Carl Sagan. An astronomer’s realistic attack on what first contact might look like.

(9) 1984 by George Orwell and (10) Brave New World by Aldous Huxley. I mention these together because they’re both dystopias of an inhuman future — ones in which power and pleasure work to similar ends — the domination of humanity by a machine-system.

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Roswell High, #1-3: The Beginning

The scene: a kitchsy diner in Roswell, New Mexico, with a strong “aliens and UFO” theme: the tables are shaped like flying saucers, and the waitresses strut around in Star Trek-esque skirts. Two men at a far table begin arguing, tempers flare, a pistol fires, and a waitress drops to the floor. Instantly, two other teens rush to her aid — both trying to stop the bleeding. One of them, though, is an alien with the ability to manipulate matter. A life is saved, a secret is shared, and a series begins. I mentioned near the start of summer that I intended to re-read Roswell High, a ten-book series I devoured in middle school, and have finished the first three over the weekend.

The Outsider kicks things off when Max Evans risks his and others’ lives to save that of the girl he loves, Liz Ortecho. Max and Liz are lab buddies and friends, and each harbors feelings for the other that they don’t admit even to themselves. Max has an especially good reason for suppressing his feelings: he’s an alien. His first memories were of waking up in an incubation pod with his sister Isabel, each appearing age seven, and climbing out of a cave into the New Mexico desert to wander in confusion until being picked up and effectively adopted by a pair of lawyers. Max and Isabel proved incredibly able to absorb information, learning English quickly and then connecting the story of the “Roswell Crash” to their unusual origin. They also encountered another child like them, Michael Guerin, when they realized he had some of the same superhuman abilities they had — like seeing ‘auras’ around people. But how they came to be hidden in that cave, and why their evidently-dead parents came to Earth to begin with, is a complete unknown.

The Outsider largely deals with Max, Isabel, and Michael’s sudden exposure to Liz and Maria, and then later their friend Alex Manes, and all of the emotional ramification involved. Isabel and Michael are both horrified and angry at Max’s decision to save Liz’s life, not because they dislike her but because of the potential ramifications. The local sheriff, Valenti, is a terrifying spectre already, and he’s very interested in what happened at the diner. He doesn’t buy the story of Liz falling down in shock and accidentally breaking ketchup bottles in the process at all. As we find out, Valenti is a member of Project Clean Slate, a government organization charged with investigating the prospect of aliens on Earth and ….mitigating the threat, shall we say. Valenti is certain an alien was involved at the diner, because Max’s healing left a shining imprint of a hand on her belly — an imprint Valenti has previously seen, at a murder. As the story develops, Michael has a plan to make Valenti think the alien he’s after has died.

With that nice and neat-ish end, we move to The Wild One. In later years I have wondered if The Outsider was intended as a trial of sorts, a pilot, because The Wild One is largely incongruous. I’ve suspected it was written after the publishers realized how popular the first book was, and needed something to fill in the gap while Metz was still developing the overall story of the series. Its premise is simple: another alien teen has arrived, but he’s a Bad Biker Boy. Unlike our trio, he has no fear of humans, and utter contempt for the law or moral norms — and Isabel, who has lived her entire life in fear, is riveted by him. He’s her devil in skin-tight leather, a man as wild as the wind, and Isabel is happy to embrace him despite his disdain for her brother and an outright attack on Liz. Ultimately, The Wild One leads to tragedy and trauma — but contrary to my adult ponderings, The Wild One is fully connected to the rest of the series. Not only does it introduce Ray Iburg, who has a much more important role in the book series than the WB series done later, but the Cool Rider’s ring is the center of the next book.

In The Seeker, we deal largely with teen drama. Although Max and Liz have strong feelings for one another, Max’s concern for Liz’s life prompts him to pull away. Isabel is largely traumatized by the ending of The Wild One, and Alex is there as her human teddybear. Maria and Michael are also developing uncomfortable feelings for one another: Michael is used to seeing Maria as cute and innocent and increasingly unsettled by finding her….well, sexy. Maria, for her part, provides the non-teen drama part of this novel: she found a ring in the mall that appears to have unlocked her innate psychic powers (Maria’s very New Agey). She can use objects — like the sheriff’s pen, say, or Michael’s t-shirt — to “see” what they’re doing. Given the Sheriff’s connection to Clean Slate, she hopes she can use it to help the gang find their parent’s ship, since they’re confident it still exists. The ring — the Stone — is not innocent, however, and as Ray Iburg tells them, it’s connected to the Roswell crash. An object of immense power, it was stolen by a man who later stowed away on the ship to hide, and his discovery lead to the ship losing control. Ray was the sole adult survivor of the crash — that he knows of — and the man responsible for hiding the incubation pods. Ray’s role as mentor will become increasingly important.

Beginning my revisit of this has been fun so far. I’ve mentioned previously that I have a strong sentimental attachment to this series: my best friend and I discovered it together, he lending me the first book, me lending him the second book, and when we got to The Watcher, we buddy-read it on a school bus and talked about it chapter by chapter. I read and re-read the series in my teens, and have a strong affection for the characters. It was also fun to revisit the culture of the 1990s, with the Internet being a thing but of completely marginal relevance to the plot: Alex has a website that sounds a bit like 11points (“because Top Ten Lists are for Cowards”), and that’s it. I noticed a few jokes that I definitely wouldn’t have gotten as a sheltered Pentecostal kid, and enough local references to make me wish I’d read this before visiting Roswell back in 2016.

These books are fairly quick reads, so expect more clump-reviews before long.

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