The Late Show

A few years ago Renee Ballard was an up-and-comer,  rising through the ranks at the LAPD’s detective ranks: then a supervisor sexually assaulted her, she reported it, and  soon found herself delegated to the ‘late show’.  She and her new partner Jenkins’ job is to respond to crime scenes that happen overnight, collecting evidence and testimony while it’s fresh and then handing it cover to the appropriate departments. Ballard is not a punchclock cop, though: she’s not wearing the badge just to pay bills, she burns for justice and, when she’s really emotionally invested in a case, will work off her own time.   At the start of The Late Show, Connelly takes us through a single shift that brings up multiple cases that snare Ballard’s heart, including a prostitute who was beaten nearly to death, and a mysterious shooting at a night club that ends with multiple fatalities, including a waitresses.  One of these cases will, in the course of a few days, also claim the life of one of Ballard’s former partners, and despite the fact that he betrayed her (he didn’t support her claim against the  supervisor, preferring instead to  close ranks with the boys),  Ballard wants to get to the bottom of it.    She’s a creative and dedicated cop, sometimes going outside the rules to get at the truth: she uses her former partner’s password to access his case files so she can follow the leads and see why he was killed, for instance, and she pretends to be a civilian calling in a house burglary so she can then ‘overhear’  the local PD going to investigate and join them for support – giving her the ability to snoop around a house that’s not officially in her case notes.  Working outside the lines has its perils, though, as we see when Ballard is attacked by a suspect and has no backup. Ultimately this was a good read: I like Ballard, especially her Hawaiian background and off-beat lifestyle, sleeping on the beach in a tent during the day when the wind and waves are right. It looks like there are some Connelly novels where she joins forces with Harry Bosch, so don’t be surprised to see more of Detective Ballard this year!

There is a strong chance that I’ll lose power tomorrow (or….worse….), so if things are quiet next week that may be why. I have a Monday review scheduled, as well as the TTT. As you can see below, with this system there’s not even anywhere to drive to to escape! The weathermen are giving off strong April 2011 vibes. I’m going to check out some extra CJ Box books in anticipation. (Speaking of: I started watching Joe Pickett on Paramount, which is based off the first book. I’m enjoying it so far, though TV-show is more of a hothead than book Joe.)

….we’ve never been magenta before……

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Winterkill

The peace of the wintry woods was shattered by rifle shots – a series of them. Game Warden Joe Pickett follows the sound and is stupefied to find the county’s leading forest service officer  massacring elk, surrounded by seven massive corpses and an ample supply of tequila. The man is not in a right state of mind, but no sooner does Joe have him arrested with plastic ties than the fed has wriggled free and run into the forest, where Joe finds him dead – shot with arrows.   As a savage snowstorm moves in, Joe struggles to get the body of the man to his truck, and barely gets to the safety of town before several feet of snow are deposited on Saddlestring and the surrounding country.   The snowstorm makes it difficult to mount an investigation, and by the time things begin moving Joe realizes that this strange murder, coupled with the presence of  a caravan of ‘sovereign citizens’ in the mountains, is going to grow into a nightmare, one spurred on by the presence of a unstable careerist in land management.   Although Joe is a good man who hates abusive authority figures, he has an especially personal stake in the drama developing on ‘Battle Mountain:  one of the sovereign citizens is the biological mother of his adopted child, April. WInterkill  is a compelling thriller marked by natural and character drama,   one that is especially fascinating because of the moral wringer it puts Joe through. 


Winterkill makes a formerly subtle aspect of these books more obvious: the land itself is a force, almost a character, powerfully shaping the story itself and the characters enmeshed in the landscape.  As with Wendell Berry’s Port William stories, the land is not a painted background, but a living presence that participates in the story.  Several of the dramatic arcs in Winterkill owe entirely to geography, especially the mountain scenes where Joe’s options are  tightly constricted by both the restricted access and the continuing snowstorm.  Speaking of the mountain, I was very intrigued by some of the characters connected to the ‘sovereign citizens’, and impressed by Box’s depiction of them,  which makes them human, if a bit paranoid. Joe’s ability to try teaching out to them despite his loathing of one of their members is admirable, and that makes his increasingly emotional battle all the more compelling towards the end, where circumstances  and his desperation to defuse a potential Waco/Ruby Ridge situation see mild-mannered Joe replaced by someone altogether, someone he barely recognizes. Box’s ability to create a story with believable humans who have different values and flaws, then throw them off one another, is quite impressive and bids me to keep reading this series.

Quotes:

“They take a woman who hates people and put her in charge of a task force to go after rednecks who hate the government,” Nate said. “This is what I love about the Feds.”

“But if you don’t start telling me the truth, and I mean every bit of it, things are going to get real Western real fast.”

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WWW Wednesday

WHAT have you finished reading recently? Savage Run, C.J. Box.

WHAT are you reading now? Will finish Winterkill by CJ Box tonight; halfway through Michael Connelly’s The Late Show.

WHAT are you reading next? I think I’m recovered from the burnout and will get back to some serious reading. For Lent I’m re-reading The Confessions, this time using Anthony Esolen’s translation. However, I’m supposed to be reading The Innovators by Walter Isaacson for class.

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Teaser Tuesday

Today’s TTT is top ten books that involve…….blank. I am also drawing a blank, so I’ll just do the tease unless another TTTer’s post gives me inspiration.

“When you’re sneaking up on somebody, you might consider keeping your voice low,” Wacey hissed as McLanahan apparoached. “It’s an old, sly Indian trick.” – OPEN SEASON, C.J. Box

ON THE THIRD DAY OF THEIR HONEYMOON, infamous environmental activist Stewie Woods and his new bride, Annabel Bellotti, were spiking trees in the forest when a cow exploded and blew them up. Until then, their marriage had been happy. – SAVAGE RUN, C.J. Box

Let me put it another way. Suppose you say to someone, “Would you like
to hear an epigrammatic passage of dense prose, broken up ad hoc into lines on a page, with the occasional interior rhyme or alliteration or assonance, seasoned with a figure of speech or two?” That would describe the great majority of free verse poems in English. The answer would be ambivalent at best. If your friend is kind and patient, he will tell you to go ahead, while he rubs the back of his neck and glances toward the door. But suppose you say, “Would you like to hear a song?” Then he smiles and says, “Sure!” That is because people like songs, just as they like beautiful old Victorian houses, or a spray of flowers on a rosebush—and for many of the same reasons, which have to do with form, repetition, variation, subordination, coherence, luminosity, and the capacity to arouse wonder. People are happy to hear a true folk song, even if it is a silly song. I’ve never met anyone whose heart warmed to epigrammatic passages of dense prose broken up ad hoc into lines on a page – THE HUNDREDFOLD, Anthony Esolen

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Savage Run

Joe Pickett has encountered a lot of strange stuff in his so-far brief tenure as a game warden, but exploding cows is a first. The culprit here was a cow strapped with explosives, making players of Command and Conquer: Red Alert 2 prime suspects, but since none present themselves it’s probably eco-terrorists. Joe is asked to accompany the sheriff to find the source of the strange explosion, and they are horrified to find the forest bedecked with bloody carnage — and some of the remains are human. A notorious environmental activist was known to be in the area for some kind of mischief, and he’s missing — but the bits and pieces are those of a woman, not a man. Although the sheriff initially thinks the activist hoisted himself and the girl on their own petard, the reader knows what Joe suspects: there’s more to the story.

Savage Run uses a split narrative to follow two older men doing wet work for an unknown party, work that is targeting environment activists and whistle-blowers. While Joe rides the ranges and ponders the anomalies in this case over coffee and pronghorn-gazing, he stumbles upon another little something to get his teeth into: one of the local big shots has a massive elk head in his mansion that could only belong to an un-stripped corpse of a bull found shot last summer, well outside hunting season. It’s one thing to poach, but to kill an animal and leave hundreds of pounds of meat to rot? Joe takes that personal, as he does the fact that the man brazenly lied to him and is smugly confident that his wealth and pull in the government will not only shield him, but make things difficult for Joe — as they nearly did last time when Joe was nearly suspended for looking into a man with political friends. Although the intensity here doesn’t hit Open Season‘s peak, the way Box did that in the first book can’t be replicated without losing its effect, and this novel’s culmination still kept me reading at redlights and in line. In addition to the high points mentioned in my last review — the charm of the western wilderness setting itself, the way Box makes the reader realize that environmental and social issues are far more complex than people on either side of an issue want to admin — I’d also like to comment on how strong a character Box makes of Joe’s wife Marybeth and their daughter, Sheridan. I didn’t mention this in the last review because they were so connected to the endgame, but both of Joe’s ladies are memorable personalities in their own right, especially now that Marybeth is no longer ‘great with child’ and can be more active in the plot.

And yes, I’m already knee deep in the next novel, Winterkill, in which plot happens with 40 inches of snow being dumped by a severe snowstorm.

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Open Season

It’s been a long time since I actually thrilled by a thriller — so emotionally charged up by it that I wanted to will the clock to slow down so I could finish the final chapters at lunch and not have to wait a long afternoon of work to find out what is about to happen. C.J. Box’s Open Season introduces Joe Pickett, a newly-minted game warden in rural Wyoming. Although Joe knows his business, science-wise, he’s still growing into the role as quasi-lawman, with rookie mistakes trailing him and a growing realization that this job has a lot more dirty politics than environmental stewardship. When a mortally wounded man staggers into Joe’s yard and dies on his woodpile, Joe’s desire to find out the truth of what happened puts him at odds with other lawmen and his bosses, who are fine with the write-off explanation that presents itself — and his digging puts both himself and his family into severe peril, resulting in a genuinely nail-me-to-the-seat thriller I enjoyed so much I’ve started on my third Box book in a week’s time.

A huge part of Open Season’s appeal for me was how different it is compared to most police thrillers: it’s rural. It would be hard not to be rural, given that it’s set in Wyoming, but this is especially rural because Joe is a game warden and as such spends a lot of time out in the open country, building elk fences and counting herds and investigating in-country hunting camps on horseback to make sure everyone has proper licenses and aren’t bagging more animals than the herds can contain. This is a book filled not with suits and hoods, but working-class men who wear old jeans and scuffed boots and probably keep homemade beef jerky in their pockets. As someone from a rural area, it’s wonderfully refreshing. The rural-ness is a key part of the plot, too, because there’s a potential development that could bring a lot of jobs into the area and save the dying town of Saddlestring, buuuut the woodpile corpse and what Joe’s investigation of him brings out could threaten that. This introduces another strong aspect of the book — and the second book which I read immediately thereafter — in that this is not a “lecture the reader” type book like Gray Mountain: there’s both moral and consequential ambiguity here, without sacrificing a truly hatable antagonist. I love how Joe has to weigh real consequences either way he goes: it makes his character, by which I mean his moral core, salient in a way I don’t see that often in modern fiction.

As mentioned, I’ve already read this book’s sequel and have the series’ third title in my bag, so…yeah, CJ Box is going to be something I remember 2025 for, I suspect.

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The Brass Verdict

Attorney Mickey Haller hasn’t been practicing law the last year or so, having been recuperating from being shot and a subsequent addiction to pain meds that could have destroyed his life. On the verge of getting back in the game, he receives a summons from a judge and is told that forget wanting back in, he’s been thrown in. One of his legal colleagues has been shot dead in a parking deck, and the man’s cases were all directed by the victim, Vincent, to Haller’s practice. Although the cases are a mixed lot, one of them stands out: a prominent movie producer stands accused of the double murder of his wife and her lover, the “interior decorator”. The fees from this case are a windfall, but when Haller arrives to take possession of the files, he finds that cops investigating the murder are trying to beat him to the punch. One of them, Harry Bosch, is particularly aggressive — but he and Haller figure they can help each other out: Bosch wants to take down the murderer, and Haller wants to know that whoever knocked Vincent off won’t come for him next. With the court date looming, the boys both scramble to work. The result is a superb thriller with multiple twists: I don’t know why it’s been long since I read Connelly, but I’m delighted at the return.

The Brass Verdict opens with the statement that everybody lies, and the book definitely bears that out: our main character was introduced in The Lincoln Lawyer as someone who viewed the legal system as a machine, one that he took pride in manipulating to his client’s advantage: not that he’s unethical or immortal, merely pragmatic. Haller has a good heart, if one weary and wounded: one of his new clients is a bankrupt ex-surfer who lives out of his car, and Haller offers him his first foot forward by hiring him as a driver. The story has an instant hook, of course — the Hollywood exe charged with double murder, the mysterious killing of the lawyer that may or may not be related — but the way a multitude of characters here are continually playing one another keeps it compelling. Even the good guys try to manipulate the other: while Haller and Bosch develop a grudging respect for each other throughout the book, they both want to fish more information out of the other than they’re willing to give, and Bosch is particularly adept at playing a few moves ahead in pursuit of justice. Morality is another strong element of this novel, as Haller has a gut instinct that his client is guilty as sin even as he builds a strong case in the man’s defense, incorporating factors that his predecessor and the prosecutor had overlooked or dismissed. Combined with the physical peril and mystery of the murdered lawyer, this made for a great read. Will definitely be reading more Connelly this year.

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WWW Wednesday

WHAT have you finished reading recently? Camino Ghosts, John Grisham.

WHAT are you reading now? The Brass Verdict, Michael Connelly.

WHAT are you reading next? Will probably return to the Romanov book.

Note: I scheduled this post on Tuesday, given that we’re expecting severe thunderstorms, quite possibly producing tornados. Selma was ravaged by one two years ago in January 2023, so I hope the prediction fizzles out. If I don’t respond to comments, though, assume I’ve lost power or possibly been thrown into Oz.

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Top Ten Things Characters Said

More like “first top ten things characters said that I remembered”. But first, the Tuesday tease.

“Do you have a birth certificate?”
“No.”
“May I ask why not?”
“I was a baby. I wasn’t in charge of the paperwork.” (Camino Ghosts, John Grisham)

Yes, this was going to be his best novel so far, although sadly it was drawn directly from life – his own. It was about a failing poet, Gordon Comstock, in his early thirties, working in a dusty bookshop and living alone in an attic bedsit – halfway to the workhouse already. Good prose, he believed, should be like a windowpane, but in this case it would have to be a mirror. (The Last Man in Europe: A Novel)

And now, some quotes that have taken up long-term residency in my head. (Believe me, it was hard keeping Cornwell restricted to two.)

A Far Better Rest:

“They’ll hang the fellow at Tyburn, and there will be an end to it.”
“If he is found Guilty.”
“Indeed. Your legal acuity never ceases to amaze me.”
“I do not intend that he shall be found Guilty.”
“A commendable position for the Counsel for the Defense. Bravissimo.”

Yoda: Dark Rendezvous:

“It’s always so easy to avoid other people’s vices, isn’t it?”

White Fang:

“An’ right here I want to remark,’ Bill went on, ‘that that animal’s familiarity with camp-fires is suspicious an’ immoral.’
‘It knows for certain more’n a self-respectin’ wolf ought to know,’ Henry agreed

Sharp’s Havoc:

”What I don’t understand,” Sharpe persevered, “is why she ran away.”
“She’s probably in love,” Hogan explained airily. “Nineteen-year-old girls of respectable families are dangerously susceptible to love because of all the novels they read.”

The Lion at Sea

‘You are a wart,’ the sub-lieutenant of the gunroom had told him firmly. ‘An excrescence. An ullage. A growth. You probably imagine that when signalled “House your topmast”, you should reply, “fine, how’s yours?” and doubtless the only time you’ll show any enthusiasm for the navy will be on full-belly nights when we’re entertaining visitors.’

‘arry Potter and the Philosopher’s Stone:

“We could have been killed — or worse, expelled!”

The Brave Cowboy

“Where’re your papers?”
“My what?”
“Your I.D. — draft card, social security, driver’s license.”
“Don’t have none. Don’t need none. I already know who I am.”

Jayber Crow

One Saturday evening, while Troy was waiting his turn in the chair, [he said] “They ought to round up every one of them [war protesters] and put them right in front of the communists, and then whoever killed who, it would all be to the good.”
There was a little pause after that. Nobody wanted to try and top it. I thought of Athey’s reply to Hiram Hench.
It was hard to do, but I quit cutting hair and looked at Troy. I said “‘Love your enemies, bless them that curse you, do good to them that hate you.’”
Troy jerked his head up and widened his eyes at me. “Where did you get that crap?”
I said, “Jesus Christ.”
And Troy said, “Oh”.
It would have been a great moment in the history of Christianity, except that I did not love Troy.

Death of Kings

“Oh, lord, I am so many things! A scholar, a priest, an eater of cheese, and now I am chaplain to Lord Uhtred, the pagan who slaughters priests. That’s what they tell me. I’d be eternally grateful if you refrained from slaughtering me. May I have a servant, please?”

The Silver Chair

This is my password,” said the King as he drew his sword. “The light is dawning, the lie broken. Now guard thee, miscreant, for I am Tirian of Narnia.”

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Camino Ghosts

In The Guardians, readers were teased with a voodoo-cursed cabin that..ended up never being visiting again, causing me to wonder why on Earth it had been included to begin with. Camino Ghosts revisits not that cabin, but the general premise of voodoo curses. The hurricane that savaged the area in Camino Winds has so changed some of the barrier islands near Camino that one of them, “Dark Island” is now an attractive option for development. Centuries ago, it was home to a population of escaped slaves, whose numbers were especially bolstered after a slave-ship was destroyed by a severe storm and its survivors washed up there. Fiercely independent, they resisted any attempts at the American government at bringing them under DC’s control, and rumors are that the island is cursed to kill any white man who steps foot on it. The island was abandoned by the mid-20th century, but its last resident to leave is still alive and alleges ownership of the island. As development companies appear to go to war in court to claim title to it, Mercer decides to write the survivor’s story. (Mercer is the generally forgettable main character of the Camino books.) The result is an unusual thriller story for Grisham, one with an initially eerie air that gradually evaporates in favor of legal drama and padding (ye gods, the padding) before returning in an flimsier way. It’s one of Grisham’s vanishingly rare stories with a genuinely happy ending: usually we’re left with endings like The Rainmaker or The Brethren, when the baddie is stopped but escapes justice, or worse endings like that of Sooley, which Grisham’s house should have been egged over.

My chief gripe with this book was also the thing that made it most interesting: the premise of a extralegal community whose sovereignty was maintained by a voodoo curse. I’ve been reading Grisham long enough to know he’s a lazy writer, frankly, and I was not surprised at the lack of worldbuilding on the island, resulting in the survivor-heir complaining that the federal government had never tried to build schools or water or yadayadayada on the island while at the same time being all proud and spooky over the curse that would make any whites drop dead, regardless of their intent. (The ‘curse’ even claims some pilots who flew too low over the island taking photographs.) The original islanders literally made a habit of killing anyone who came to it, and those who visited even after the islanders had all died or left also died because of the black magic, so why on earth is she angry that…no one wanted to come to the island? Grisham never touches on what kind of interactions the islanders had in the 20th century with mainland Florida, government or commercial, so it’s like their isolation exists only to the degree that it’s relevant for the survivor’s ire, or for the general spookiness. And speaking of, Grisham never touches on whether the curse is real or not, though he writes it as though it were: the survivor, in order to expedite an attempt to find her people’s cemetery and prove her claim of residence, “Lovely” uses the voodoo she learned from her forbears to dispel the curse. Personally I would’ve brought in an exorcist rather than Miss Cleo, if you’ve got ‘spirits’ killing people for trespassing.

In short, this was a book with a fun premise, one that someone like Stephen King could absolutely hit a homer on, but one which is frankly wasted on Grisham given his dislike of research, his absent worldbuilding, and the amount of padding present in the book. If it were reduced to actual story, we’d have 150 pages or so: fruitless sidetracks like Mercer and her Dumb Husband’s Inability to Paint a House, as well as The Never-eending Commentary on Lovely’s Robes and Turbans give it more extra baggage than a serial divorcee.

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