Down the River

Down the River
© 1982 Edward Abbey

In Desert Solitaire, Edward Abbey collected contemplative pieces he had written while a park ranger in the high desert, putting his passion for the wilderness into action by working to conserve it. The volume mixed poetic descriptions of the wild beauty of the desert with reflection on the value of wilderness; not as an avenue of resources yet-to-be-exploited, but as a place for reflection and the realization of an authentic life. Down the River follows the same course, though the pieces here are connected not to a season living as a park ranger, but to various adventures Abbey embarked upon while exploring the rivers of the American Southwest.  Abbey simultaneously recounts his journeys with friends with the thinking the landscape inspired, and since often he made a journey to find something out, those thoughts are not as random as might be supposed. In one essay Abbey explores an area that will soon be off limits to him, for it will be shut to the public to protect an incoming missile installation.  Here his descriptions of what is seen combine with condemnation of the military-industrial complex and thoughts on Cold War geopolitics in general. This at least has a happy ending, for Abbey’s kindred spirits in the region were able to rouse enough local protest to prompt President Reagan to put off building the complex. This is certainly a happier piece than the similar essay in Desert Solitaire which saw him exploring Glen Canyon River shortly before it was dammed up.  There are a few odds and ends, like his faux-review of Zen and the Art of Motorcycle Maintenance from the perspective of a Hells Angel who critiqued the book on its mechanical advice.  This is presented in all seriousness.

Although not quite on the level of Desert Solitaire, Down the River is worth reading  purely for its opening essay, “Down the River with Henry David Thoreau”.  Abbey is a modern Thoreau, in that their works see them retreating into Nature in search of a more authentic life; they find solace and fullness in the wilderness, and distantly removed from ‘civilization’ they can reflect both on its merits and flaws more objectively. The principle difference is that while  Thoreau is a gentle Puritan from the forest; Abbey a cantankerous free spirit in the desert. Thoreau ruminates, Abbey complains, but while Thoreau is a lonely sage of the wilderness, Abbey is almost never alone and always in the middle of a good time. Whether he’s touring with cowboys in Desert Solitaire or swapping jibes with boatmen here in Down the River,  Abbey is plainly enjoying the wilderness. Regardless of the sheer animal pleasure Abbey takes in the wild, he is thoughtful, as well. Thoreau appears through the volume, for in Abbey’s words his is a spirit which has only grown larger through the ages as we continue to replace the wild with lifelessness. In addition to again defending the virtues of the wilderness — both for its own sake, in its beauty, and for the practical importance the wild has as a place of refuge or comparison for the civilized man — Abbey continues his grousing against the 20th century’s fondness for size and complexity, in abandoning small,  resilience farms run by homesteaders for massive agribusinesses run by men in suits whose every solution is even more energy- and system-dependent.

Again I owe a debt of gratitude to the commenter who suggested I might like Abbey a few years ago.

Related:
Desert Solitaire, Edward Abbey
Walden,  I to Myself, Henry David Thoreau
The Unsettling of America, Wendell Berry, which he references
Small is Beautiful, E.F. Schumacher

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This week at the library: NaNoWriMo! Victorians, Napoleon, and a cantankerous Thoreau

Yaay.
Is it weird that I was more excited to hit 45,000 words than to actually ‘win’ NaNoWriMo? I suppose that’s because when I hit 45,000, it was the evening I added a few days’ work from different files into the body of the text, and the word-count soared 10,000+  with one Ctrl-V and I realized I was going to do it, there were only a few days left and the odds weren’t good that something could derail me completely.  The lesson I learned from NaNoWriMo is that I should take a audio recorder out with me on my morning walks and jogs, because that’s when my brain starts being productive. It’s terribly hard to write notes while running, especially when you’re dodging puppies at the same time.
I didn’t do an enormous amount of reading last week, or writing outside of NaNoNo, so there are still reviews pending for several works. This past week I finished the excellent Sharpe’s Revenge, finished No Plot? No Problem? A Low-Stress High-Velocity Guide to Writing a Novel in Thirty Days, and read through Edward Abbey’s Down the River.   No Plot No Problem is allegedly the same size text that NaNoWriMo winners produced during the month. The goal of the month is simply to write, to kickstart the creative engine of the brain and deliver to aspirin authors the less than yes, if they make themselves sit down and write  every day, they can produce something. Baty’s advice ranges from the generally helpful to the NaNo-specific. He explains the basis process of figuring out setting and characters, provides in-text buttons that the reader is supposed to press to turn off their inner editor and so on, and in general does everything he can to encourage readers to just sit down and write.  In the end he offers would-be-writers some perspective: even if you never get published, maybe that’ not the point. Maybe the point is the satisfaction gained in writing, in expressing yourself creatively, in seeing what worlds you can create and what inspiration strikes your brain. 
NaNoWriMo having been accomplished,  I’m going to be unwinding these last few weeks of the year, with novels. Writing fiction of a sort has made me want to read more of it, though at the moment I’m happily in the middle of a book which has arrived in the post. What book?
Into Thick Air!  When I saw it on Amazon (related reads for The Man Who Cycled the World), I couldn’t resist reading it, given that I had just finished Into Thin Air.  It’s a treat so far;   the author reminds me of no one more than Bill Bryson.  After that, I’m not certain — I have a few nonfiction reads on the table, but I may poke my nose into Harry Turtledove’s WW2-with-dragons-and-wizards series.  Like alien lizards and WW2, it’s such an odd combination I have to investigate it.  I’m probably going to be reading more of Jack London; not only am I craving outdoor adventure books, but London’s works have such philosophical interest that I want to consider more of him. 
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Sharpe’s Revenge

Sharpe’s Revenge
© 1989 Bernard Cornwell

Englishmen in Toulouse, Prussians in Paris — there are foreigners everywhere, and for Napoleon the war is over. Not for Sharpe, though, not by a long shot. His old enemy Pierre Ducos has seen fit to ensnare Sharpe one last time before the piece is signed, and it will cost Sharpe more than he ever imagined.  Sharpe’s Siege takes the reader  through what seem to be the last skirmishes of the war, and then into the peace, which is far more dangerous. Accused of murder and grand theft,  Sharpe is left to wander through France avoiding the armies of l’Empereur and the English Crown, for both have become his enemy.  Sharpe’s Siege is one of the more agonizing pieces in this series, but satisfies in a way few have.  The plot is vaguely familiar (I’m sure this isn’t the first time Sharpe has been on the lam from his own army with no one but Patrick at his side),  but the late game is more than mere military adventurism.  Sharpe’s own soul is tortured here, and while it’s painful for him it’s great reading — and it is moments like those crafted in here that will be remembered long after the series is finished and the epic battles scenes have evaporated from memory.  I rather doubt Sharpe’s Waterloo can top this, but we’ll see.

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If the Dead Rise Not

If the Dead Rise Not
© 2011 Phillip Kerr
464 pages

            Bernie Gunther would be your standard-issue world-weary detective were it not for the fact that he just killed a Nazi.  Gunther has no love for the Nazis, who took power in his beloved Germany a year ago, and have in the year 1934 managed to reduce it to a joyless place for those who enjoy fast talk and loose women. Gunther is especially fond of both. Having quit his position in the police department to avoid having to fuss with the cretins in power, Gunther became the house detective of Berlin’s grandest hotel.  As it turns out, however, he has by no means removed himself from danger, and when an obnoxious American gangster claims a Ming dynasty artifact was stolen from his room, Gunther meets a man whose schemes will see the wisecracking detective arrested, and hauled out into the open ocean to be killed.  Though the man Max Reles appears to be a boorish businessman with a few shady operations, in actuality he’s in bed with Hitler – or intent on making der Fuhrer his purse. The political intrigue doesn’t stop with Hitler, as the last fifth of the novel takes place in pre-revolutionary Cuba. The odd coupling of time and place that also appeared in Field Grey works here as well. If the Dead Rise Not is in turns disturbing and spectacularly funny;  one of the reasons Gunther can’t avoid trouble is his tendency to shoot off his mouth, and the book features a rolling barrage of one-liners, mostly taking shots at the Nazis. There are the usual thrills, of course – chase scenes, murders, numerous points wherein he seems well and truly doomed – and the obligatory twist and turn of the plot. Disturbing comes with all of the characters tendency to live in moral grey ares; the villain, who by actions ought to be detested, is one of the most entertaining men to read. Even Bernie, for whom he is a principle villain, can’t help but be tempted by liking him.  Happily,  everyone reaps what they sow, and eventually Reles meets the usual end of people who work with those like Meyer Lanksy.

Quotations

“A Nazi is someone who follows Hitler. To be anti-Nazi is to listen to what he says.” p. 70

“German history is nothing more than a series of ridiculous mustaches.”  p. 73

“These days a considerate German is someone who doesn’t knock on your door early in the morning in case you think it’s the Gestapo.” p. 86

“A German is a man who manages to overcome his worst prejudices. A Nazi is a man who turns them into laws.” p. 88

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This week the library: NaNoWriMo, Sharpe, and histories

We’re in the last week of National Novel Writing Month, and I can cheerfully report that I am not woefully behind, having faithfully plugged away almost every night. If I can make up for a couple of missed days, I should manage my 50,000 words. I’d regale fellow nano-writers out there with tales of my zany characters and oddball plot, but it’s no grant adventure what I’ve been writing, just bits and pieces of a coming-of-age story in which a largely unsympathetic main character persists in prolonging misery by hiding from his own life, but keeps meeting people who, inexplicably, wish to draw him out into it. These include a redneck Marxist and a kindly priest.  Once I’ve gotten the 50,000 words, I really must on making the main character somewhat likeable. At the moment he’s scarcely more than a grouch.

But speaking of books I am reading, or have read, instead of one I am pretending to write, this past week I finished a couple, including another Phillip Kerr novel which comments are largely ready for. Moments ago I finished Tom Standage’s The Victorian Internet, which made a lot more sense once I realized it had been written in 1998. It will receive comments later in the week. On a more serious note, last week I finished two works of history, The South vs the South and Train Time. Train Time deserves more consideration than a brief mention here, but The South was largely disappointing despite being well put together. It is largely focused with the role of slaves in the war, covering the politics of wartime emancipation splendidly. My interest in reading this was in discovering more about the effect of dissent and rebellion of white farmers and townsfolk against the Confederacy, and they are ignored wholly:  they only featured in a chapter on the border states which reveals how apathetic southerners could be about the planters’ republic.  David Williams had  a far more interesting canvas, but then his didn’t have nearly the detailed documentation. If only I could have the best of both worlds — well, there’s always The Free State of Jones,  which is another in this genre of historical nonfiction I’ve found.

This week, I’m with Richard Sharpe in France, where he’s almost hoping Napoleon will give up without further fighting — hardly surprising considering the bloody road through Spain he’s taken to get to Toulouse. I am expecting in the mail another book on travel and physical adventure. It was irresistible given the title. That will probably wait until December, though — Sharpe will keep me company as I try to finish my own little campaign.  I look forward to reporting success on Sunday or Monday!

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Martin Eden

Martin Eden
© 1908 Jack London
381 pages

For its first two thirds, Martin Eden is a uplifting tale of art and romance about a man of humble means who hauls himself up to a better station in life in pursuit of a woman, discovering his own soul in the process. This inspiring story turns quickly to tragedy, however, when it reveals how quickly and utterly lost a soul can be when disappearing on the heights of achievement, boasting about its own success.

Martin  Eden is a working-class sailor, positively rippling with masculine virility and sharply intelligent.  When he saves the life of a soft, pampered Oakland scion named Arthur Morse, he’s invited to dinner by him in gratitude. Arthur warns his family that he’s bringing home a wild man, but his sister Ruth is positively undone by Martin’s sheer presence. He, too, is wowed by her; while he embodies everything wild, masculine, and rough, she embodies (very prettily) everything civilized, feminine, classy, and tender. The two worship one another within their own minds, but he realizes she is as far above his grasp as the angels, unless he can learn to talk as her family talks, and about the same subjects they deem fit: art, literature, and philosophy. Armed with curiosity, will, and the ability to master any subject through independent study, Martin submits to Ruth’s desire to civilize him. But Ruth unwittingly creates a monster: drunk with love, idealism, and the thought of becoming a great author, Eden abandons all but study and art. The book records his quest of self-cultivation through study, self-expression through his struggling writer’s career, and ultimately, self-aggrandizement. It is the latter that turns this story of accomplishment into tragedy, for Martin’s triumph is achieved only by the loss of everything  within him worthwhile.

Martin Eden bears a close resemblance to Wolf Larsen, the fearful beast-man antagonist of The Sea Wolf, who like Eden was a self-taught intellectual master, but simultaneously a physical titan.  Both hold themselves to the ideal of the Nietzschean superman, the man shackled by nothing — no chains on their thoughts, their bodies, or their hearts.  They were to be men without limit, who conquered the world before them and recognized no law save that of the wild: kill or be killed, triumph or perish. While Wolf Larsen was countered by a soft professor who became a ‘man in full’, full of wild strength but tempering it with civilized morality,  Martin encounters no worthy adversary. Having rejecting all, he is without anything, and though having achieved his goal he feels no joy in it  he is left with nothing but bitter loneliness, the kind of deep-seated alienation that leads inevitably downward.  I found it profoundly depressing, and imagine this to be London’s goal; Martin is a tragic figure, almost Lucifer-like in his fall , and the greatest sadness is that he never recognizes that he  has done himself a disservice in embracing the philosophy of the Self over all.  Martin Eden has beautiful prose, and inspired characters, but the cautionary tale has such a harrowing ending that it almost prompts regret in having read it, thought nothing so thought-provoking and insightful should be ignored.

Related:
The Sea Wolf, Jack London
The Pearl, John Steinbeck

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The Man Who Cycled the World

The Man Who Cycled the World
© 2011 Mark Beaumont
400 pages

Why did Mark Beaumont decide to try and break the world record for circumnavigating the world by bicycle? Well, it beat law school. In his early twenties, with his life’s course unclear but full of energy and thirsty for adventure, Beaumont decided to tackle what few had before: cycling the world. His ambition was high, to break the record for doing it by at least two months, and the road ahead along. For nearly three hundred days, he pedaled — starting in Paris, traveling to Istanbul, and then on to Calcutta via Iran and Pakistan, finally taking ships to Thailand, Australia, New Zealand, and the United States to cycle them in turn before returning to Europe at Portugal and ending in Paris again. Beaumont’s journey takes the reader with him through pleasant villages, congested cities, mesmerizing country scenes and desolate wildernesses beset by war. Though he largely escapes physical harm, (aside from being hit by a car in Texas, and mugged in Louisiana)  both he and his bike are put to the test by the 100-mile  days.  Through sickness and broken wheels, Beaumont had to struggle with not only  pedaling  upwards to 200 kilometers some days through hills and valleys, on roads that were sometimes scarcely more than dirt ruts, but cultural obstacles as well.  Although the English language is a world empire of its own,  communicating with the people whom he met and arranging food, lodging proved a constant struggle once outside of Europe.  Try finding a bike shop in the middle of a warzone, or worse — in the United States.

Beaumont didn’t do this alone;  shielded in part by the British embassy (presumably because of the BBC’s interest in filming him) and guided by his dear mother in Scotland, he was also aided by the many strangers he met along the way.  Although the world is not filled with saints, it is peppered with them, and Beaumont was given a helping hand,  and a meal and a bed in a private home more often than he was scowled at or attacked. A global journey such as his offers the reader plenty of scope for adventure, peril, and a variety of landscapes, and Beaumont’s account makes the most of these while minimizing  those portions of the journey which were more tedious.  This is one of the better cycling memoirs I’ve read, and I’m happy to learn that Beaumont has another. In his epilogue, he mentioned that after this journey he decided to climb the highest peak in North America, Mt. McKinley in Alaska,  then cycle down the coasts of North, Central, and South America to climb the highest peak there, Mt. Aconcagua.  He has now cycled in every continent save Africa and Antartica, and I intend on reading his The Man who Cycled the Americas as soon as it is available in US markets. (Or, I may just buy one from the UK. It certainly wouldn’t be the first book of mine which has arrived bearing the marks of the Royal airmail.)

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Teaser Tuesday 19 Nov: Martin Eden

“Here was something to live for, to win to, to fight for — ay, and die for. The books were true. There were such women in the world.”

p. 8, Martin Eden; Jack London

Share your own ‘teases’ at Should Be Reading!

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This week at the library: Jack London, the e-lectric telegraph, and the consequences of sex

Today I made my monthly trip to my university library, where under skies threatening thunderstorms I happily lost myself in the stacks for a few hours. I came home with a bag of books, including…

  • The Victorian Internet, Tom Standage
  • Martin Eden, Jack London
  • The Red Queen: Sex and the Evolution of Human Nature,  Matt Ridley
  • A Scientist in the City, James Trefil
  • small is beautiful: economics as if people mattered,  E.F. Schumacher

I’d hoped to find books relating to Mount Everest or the Appalachian Trail, but alas! None were to be found. I’m sure they’re in there; I’ve never had luck searching the catalogue of libraries using Library of Science classification.  Earlier in the week I checked out High Into the Thin Cold Air by Sir Edmund Hillary, which I thought would chronicle his ascent, the first known successful one. Turns out it’s about his attempt to look for the Abominable Snowman. I can’t say I expected that..

This next week I’ll be reading from the books listed above, but some items from my home library will get priority; I have Sharpe’s Revenge and The Men Who United the States, the latter of which seems to be a little adventure and a little economic history.

Inside the library, they were celebrating No-Shave November in amusing style.

                                         
                                     
You may recognize that volume on the bottom from a couple of years ago..
Well, ’til next week — happy reading! 

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Into Thin Air

Into Thin Air: A Personal Account of the Mt. Everest Disaster
291 pages
© 1997 Jon Krakauer

When Outside magazine dispatched Jon Krakauer to join an expedition to climb Mount Everest in 1996 to investigate its commercialization, the opportunity allowed him to fulfill a lifelong dream of climbing to its top — but in May 1996, that dream turned quickly into a nightmare, as Krakauer was intimate witness to one of Everest’s greatest climbing disasters.  Into thin Air is his record of the experience, written less to fulfill Outside‘s hopes for an examination of profiteering and more as a way of coming to terms with the loss of so many people he’d spent nearly four weeks with.  It is at first exciting, then harrowing; an inspiring, longer climb up to the heights of human endeavor  that crashes quickly, sliding down a boulder-filled crevasse into the abyss.

Mount Everest stands as the highest above-ground mountain in the world, being part of the Himalayan mountain range that forms the border of Tibet and Nepal. The difficulty in ascending it lies not merely with the frequent winds, biting cold, or the fact that parts of the approach are icy, narrow, or so steep that they require technical skills with ropes to surmount. Nor is the difficulty limited to Everest’s status as a natural gauntlet resembling an old-school video game, in which climbers must dodge falling rocks and ice missles from above while simutaneously hoping the ground underneath them doesn’t give way. The greatest obstacle to human ascent is the fact that much of the peak towers so high that oxygen levels are but a third of what they are at sea level. Even ordinary respiatory requirements would find that amount insufficient, and a person dropped onto the peak by magic or a transporter would find himself unconscious in minutes. But climbing nearly 30,000 feet — the cruising altitude of a transcontinental jet, like the Airbus Krakauer took to Nepal —   requires considerably more. Even when relying on canisters of bottled oxygen,   those who near the peak are operating on mental and physical vapors; their bodies find the effort of digestion so hard at that height that they prefer to consume muscle tissue for fuel. Physically exhausted and mentally handicapped at the peak, the difficulty in scaling Everest is returning to the ground safely. This proves tragically true with Krakauer’s expedition.

In spite of the difficulty, Mount Everest is enormously popular both among serious mountaineers as well as rich would-be outdoorsmen who are anxious to prove their manliness by subduing the world’s greatest physical challenges. When Krakauer joined a commercial expedition — Adventure Consulants, run by an enthusiastic mountaineer named Rob Hall — he was among nearly fifty people intending to climb up at once. That number included not only another commercial group, Mountain Madness, but various teams from Taiwan and South Africa, and a few enterprising individuals like a young Swede who bicycled from Europe to Nepal before hoofing it up the mountain.  The price for trying is enormous; even before equipment and plane fare are factored in, Nepal requires licenses to climb that start at $10,000 a head — or $25,000 for individuals working alone.  Commercial guides like Hall and his nascent rival Scott Fischer (of Mountain Madness) charge even more, up to $65,000 in Hall’s case.  That cost overs not only the guides’ expertise, but their prepatory work; not only had Hall made the summit seven times prior, but he employed a crew of local Sherpas to establish ropes and create caches of supplies for his clients. For all their experience and preparation, however, humans high upon the peak of Everest are very subject to the wrath of Nature.

Though Jon Krakauer — an experienced mountaineer — was the first of his group to make the summit, and returned safely to one of their staging camps before nightfall, few of his team were as lucky. A fantastic storm hit the mountain as dozens of individuals were in the middle of climbing or descending, and it would be their undoing. Fierce winds not only destroyed physical guides, like the ropes, and flattened tents, but they prevented climbers from making progress at all; on narrow ledges and icy paths, any movement in the wrong direction could lead to death — and it did.  They had to stay where they were, and every moment brough them closer to disaster, because once they exhausted their oxygen bottles, they would quickly become weak and delerious, if not not fatally hill;   high altitude and low pressure are lethal to a human body unadapted for either. As their brains were deteriorating, their bodies were increasingly numbed by the cold. Even those who had found a secure place to rest were not exempt from dangers of low oxygen or prolonged exposure.  Once the storm hit on May 10,   a disaster was born and people began to die at rates unseen outside of a slasher film.  Some were taken by the cold, others thrown into darkness by the wind.  Those involved in the commercial expeditions were the most badly ravaged,  in part because of their location and in part because they lost their leadership — and once the guides were gone, a team of mountain-climbing novices were no match for the fury of of an awakened mount.  In a final chapter, Krakaurer — whose authorial voice loses its edge as the disaster waxes, becoming increasingly desperate — tries to explain what happened. Why was the 1996 expedition so lethal?   He puts forth a few guesses; the sheer number of people on the slopes, practically inviting catastophe, and the fact that their guide had never encountered a storm before. His prior ascents had all been blessed with clear skies, so reliably perfect for climbing that Hall regarded May 10 as an auspicious day for himself: all of his  summits were achieved on that day.

Into thin Air is a gripping look into what it takes — and what it can cost — to climb Mount Everest,  though it leaves one wondering why on Earth anyone would do it after Sir Edmund Hillary.  There is no reward for the hours of agony; the vista is barren and lifeless. Even Krakauer, who had dreamed of Everest, recorded that at the peak, he was too exhausted to care about his success.

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